memamm
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q307MUX,
ORCON/NOFORN
INSCOM,
GRILL FLAME
PROJECT
SESSION REPORT
CLASSIFIED BY: Director, DIA
RSVIEW ON: 31 Jul 99
EXTENDED BY: Director, DIA
REASON: 2-301-C (3) (6)
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KA-MINLT
SUMMARY ANALYSIS
REMOTE VIEWING (RV) SESSION LXXV
1. (S) This report provides documentation of a remote
viewing session conducted for training purposes to enhance
a remote viewer's demonstrated ability.
2. (S) The remote viewer's impressions during this session
seem to correlate well with the geographic area selected as
this target. The viewer's descriptions included mountains,
a body of water, "pup" tents and a feeling of being in a
remote location. The target, Yellowstone National Park, is
located on a high plateau, (8500 feet above sea level),
surrounded by mountains. Approximately 15 miles East of the
target coordinates is Yellows-tone Lake, a large body of water.
This entire area of Yellowstone National Park is a popular
tourist attraction and camping area. To the South of this
target is the Teton Wilderness Area. The viewer appeared calm,
relaxed and confident during the session. During a post-
interview discussion, the viewer stated that he felt tired
and drained of energy after completion of this session, his
first attempt at geographic coordinate remote viewing.
3. (S) The protocol used for this session is detailed in
the document, Grill Flame Protocol, AMSAA Applied Remote
Viewing Protocol (S), undated.
4. (S) Following is a transcript of the viewer's impressions
during the remote viewing session. At TAB A are drawings made
by the viewer reference his impressions of the target area.
At TAB B is a description and map of the target area.
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TRANSCRIPT
REMOTE VIEWING (RV) SESSION LXXV
TTMF
#28: This will be a remote viewing session (edited
for security.)
PAUSE
#11: Its now 3 o'clock. The envelope has been
selected randomly. The outer envelope has
been opened. We're viewing the inner envelope
with a set of coordinates on it. Here's your
coordinates.
PAUSE
Whenever you're ready, tell me what you see,
or what you feel or what you (not audible).
PAUSE
#36: Ha ha ha ha. I don't know. Its ridiculous.
+02 1. . the instant I closed my eyes, after looking
at the coordinates, I saw a shape that looked
exactly like a constoga wagon with the top up.
And I backed off and looked at it and I saw a
string of them curving to the left away from
me. They're facing me.
PAUSE
+03 I'm seeing repetition of pointed shapes. Lined
up. Behind and next to each point (not audible)
together.
PAUSE
I see the sun coming up behind. . These are
rock projections or craggy peaks. I can't get
a fix about it. I can't get a feeling or scale.
+04 1 think I'm facing east and I . . yeah, that
like waves. I think its surf to my left. I
think its surf beating up on . . dark sand
beach to my left. Doesn't make sense.
PAUSE
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+05 #36: Shapes like white pup tents.
PAUSE
#11: Are you getting any sensations; hot, cold?
+06 #36: Seems like a cold, misty morning. There are
clouds to the east in the sky but the sun is
very, very red. There is a great reflection.
That water on my left, I'm not. . I'm not sure
whether that was . . . surf or just a lake
shore, I don't know. But . . along that shore
was very rough and rocky and big rocks. Like
Cliffs.
PAUSE
+07 1 see a very primitive. . well, I guess its a
railroad. Looks like it might be a trestle.
I might be looking up at it. Trestle on the
left.
PAUSE
+08 1 have a feeling of a mountainess region.
Wait a minute! I was seeing evergreen but now
I'm seeing hardwoods. I'm way up high. Hard-
wood. Mountains about 5,000 feet below me.
+09 Still seeing water beyond these rough terrain
to my left (not audible). Before I was on the
western side of those mountains facing east.
PAUSE
+10 I'm seeing a shape now I would describe as
two peaks looking almost identical.
PAUSE
Boy, if I'm in the middle of the ocean, I sure
am seeing an awful lot of rocks.
PAUSE
+11 1 see a letter "S". "S", "A". I see "C".
PAUSE
I'm getting clutter. I don;t want to trust
any more.
#11: Okay.
PAUSE
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#11: Let's go back (not audible) and try all (not
audible). Blank everything out.
#36: Try all over again.
#11: Well, wipe everything out and see what comes
to you now.
Even if its a recurring thing.
Do you have any images?
PAUSE
+13 #36: 1 have a feeling of dark.
PAUSE
Cold, I think. And I think its weird. A
(not audible) of blowing snow. blowing east.
PAUSE
+14 1 sort of have the same feeling of massive
stone.
PAUSE
Well, this time I tried to put myself over water
and look around but I can't do it.
PAUSE
+15 Ah, for some cotton-picking reason, I'm seeing
a circle, if its symbol (not audible). I see
mist; I see craggy mountains and mist.
PAUSE
+16 The sun isn't down into the isn't down in
the valleys yet. I'm looking west.
PAUSE
I saw. . I see. . I don't know why I saw this,
but (not audible). . I saw a black, flow
pattern flowing in the shape of a fan.
PAUSE
+17 IdDn't know why in the heck I saw (not audible)
covered wagons certainly couldn't get through
this.
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PAUSE
#11: Stop analyzing. Stick to your (not audible).
#36: Shut up and draw.
#11: Ha ha ha
PAUSE
#36: I'm seeing white pup tents again.
#11: Are they all in a row, or in a circle or
#36: This one was . . this time, I . . they were
strung right up on poles. They were strung
between trees in a line like a clothes line
between trees.
#11: (Not audible)
#36: Boy, this is weird. I must be describing the
world.
PAUSE
+18 Strong feeling I guess is mountains, stone,
very massive, water, water to the west.
PAUSE
+19 I'm seeing rather old or primitive, I have the
feeling of different religious shapes. Ornate.
PAUSE
I guess another word is a remote. except
for tents and conestoga wagons, I'm seeing
little that would indicate man's presence.
PAUSE
That's the best I can do.
#11: Okay. Do you want to try to draw some of that
stuff you've seen.
#36: Oh Christ, I can't draw that.
#11: Ha ha ha
PAUSE
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#36: 1 realize that drawings are more explicit than
verbage, but . .
#11: Well, perhaps, .
#36: 1 can't draw those scenes. If I could, I'd
quit and be an artist.
#11: Could you possibly, from an aerial perspective,
just locate what was to the front, to the left?
#36: Yeah, okay, you want me to draw, right?
#11: We can put "X" marks the spot where you were
standing.
#36: Hey, I was flying.
#11: "X" marks the spot where you were.
#36: Ha ha ha
#11: I'll throw some more light on the subject.
PAUSE
#36: Ha ha ha. I never saw horses there.
#11: (Not audible)
PAUSE
#11: How about all of those pointed shapes that run
behind the other?
PAUSE
#11: (Not audible)
PAUSE
Is that the water coming up (not audible)?
#36: Um hm.
PAUSE
#11: The sky (not audible) primitive looking railroad
trestle.
#36: That's funny. I don't understand that.
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#36: All I saw was the roadbed and it looked
like I was looking up underneath.
#11: Okay.
#36: 1 can't draw it. The rails are on top of that
darn thing.
#11: Just do the best you can.
PAUSE
#36: Looking up from underneath.
#11: Then you described two peaks that looked
identical.
#36: Um hm. Off in the distance.
PAUSE
#11: Let's see, label them 6 and 7. Then of course,
you had the letters "S" and "C".
#36: S A C - Not necessarily in that order.
PAUSE
#11: Nine is the black thing that you described as
a flow of some kind.
PAUSE
Then you described a circle.
#36: 1 just saw a circle. It just came. . it just
set down on some trees.
#11: How about the white pup tents?
#36: Pup tents. What the hell do pup tents have
to do with coordinates.
#11: Who knows? I can't even analyze this stuff.
You had a deal . . .
#36: It wasn't where you thought it was . . .
#11: 1 don't know. I have no idea.
#36: 1 know you don't. But you had a feeling I
wasn't where I . . I know you don't anymore than
I do.
6 Prnfir
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#11: What about, can you recall any of those old
primitive religious shapes.
#36: Ahhh. Hmmmm.
PAUSE
I don't know what I'm doing here. This doesn't
look like what I saw.
#11: (Not audible regardless of what (not audible).
PAUSE
#36: 1 don't know. I had that feeling. I don't know.
#11: Now, could you possibly put it into an overhead
perspective, like as you were standing facing
one way, you put where is the mountains or the
crags were and the water, or whatever you have
a feeling for.
PAUSE
#36: That very early morning thing mixed me up.
#11: Well.
#36: 1 thought you had just taken coordinates in
the United States.
#11: 1 didn't say that.
#36: 1 just assumed you did.
#11: No.
PAUSE
#36: 1 don't understand the early morning thing.
PAUSE
#11: How do you feel? Kind of drained? Or relaxed?
Or . . .
#36: 1 don't know. I was seeing some pretty crisp
imagery. (Not audible)
#11: We'll find out. End of session.
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TAB A
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