Approved For Release R000800140001-9 ORCON/NOFORN GRILL FLAME PROJECT SESSION REPORT All 61, 411 CLASSIFIED BY: DECLASSIFY ON: EXTENDED BY: REASON: 2-301 Director, DIA 5 Dec 1999 Director, DIA C (3) (6) GRILL FLA IM't %~0~00/08 Approved For Release /08/07 CIA-RDP96-00788ROO0800140001-9 Approved For Release 2000/08/07 CIA-RDP96-00788ROO0800140001-9 SUP,110ARY ffl-,~'MIOTE VIEV,'ING (RV) SESS101',-~ CC20 This report cmcumem-ts -a Izei-cioL.c VJi-ev.,ing (RV) Session Lh Iijc -,' -,)m 13, CJCS', ance xvJ a re, frc SOD, COD in compli, 1, 0 1). Lhe r1fl--tiOn r01-OVRII-L tO 11JU bOSt-,!ge Si L to info 1,1 L ion in the I' S' 'EJ ~,'-,)a ~ s y compound in Te'llerin, Iran. 2. 11 ~-, - 1. - 4 -~ 1~ ~ I V 'C", - C -11 il") C C ~~ S -L 0 E s ns o-E Lhe 1-~,-rget a-rc- 1) r o -L -1 as ra-0i inLel!J-gence d, a, a a D d as such have noll- been su'Dject-e"', any i.ntlermediale analys-is, evaluation or col-lation. In a.nd use of the infor-mation provided is the r o.1L the requestor. 3. S The ln-rolOcol used for this session is detlailed in the docr,-M..-~ 11-1 -1-J" ame Pro Loco I , A1,1SAA Appli ed Remo t 0. Viewi 11 g P r 0 IL-1,c) C,--)S 11 a te d 4. Fo-1-10I.Ving, IS a. transcript of t 'he vi -ewer's impres,,;Jons the remot-e vi.ewi-Pq~, Session. At TAB A are drawj-ng~z; mkade b~, the remoL~,,. vi-e-,.vez- reference his i.mpressions of the tlar~(,,-ct site A -t B--, 41- S, ar p-et cue j- n C in 1, ion P "ON 7 J_ C3 0 d, t Ie r e 1-:-~ C-; e 0"l; er Approved For Release 20 V"810" .0 61 ". vA RDP96-00788ROO0800140001-9 Approved For Release, 000/Q81,07- CIA-RDP96-00788ROO08001 0001-9 !A ~~000/~9810~7- P DI TRANSCRIPT REMOTE VTEWING (RV) SES~SION CC20 ;~Gu '.['his wil-L hc-, a remiote viewing se~-'E'ion 0 security) PAUSE, --n,~ past fe~,i minutes you have been studying a pDotograph. Focus your attention. now on t-~I~ -are ,.ove designated to you on the photograph as ay'(-,a Ct_,11,1 now to area C focusing your attention. hC_ 1:757~ a -p d concc-ntraLe and describe the area to me. PAUSE some V.J-iicl of ovei:h-mq th~i', bas a walk. and j a 16!:ilve LIat come's out to it. Feel a -long (mmilbling) in front long front face of this, structure ... ncIrrow thr 1e ,or four feet wide walk. It goes up to a main door. I t h i ~, -~k I 'm o i i t h e o th e Ir s i d e, o f t h e th~ i g f r c),~ -.-, t 1, 10 Y a r d ' e1 thc~ 'housr, to the ent right, There is a ... several poles along that thing too. Give it the looks of a hou,.3e or a-something like tha. ~ Perceive a step up to get on tncl-t thing. T think I'm in like a carpoi:L or a-a scl-miethllr-j like that. it sseem~3 open on the front si(7r~ but seems black in the back and there's a fUnIly POCLIliar jcq in it. Like a box sticks out into it. 1-111 (~-"o 66 Airight. Fine. Relax and concentrate. PAUSE' 1 i-Ce" 'Chat Vi-11 ill a center Portion goin(I 11.011-3 th-i WaIJ. J pass(md I tl~Jnlj the to this place seems to he a WOOCIE'll door with sniall gl~ISS ja1l0U,'3e it. I th-JI11, -Vmt i-11 th~- looki'rgj cic-'~)" T caii,c, t-lit-nu(jIn. There appears to Lte courlt~'~r; or soitieLhing t.o my right. There appc,;~c-s tc he essc-it-Lally empty ~,rea betwer,n m-, and th(-~ Approved For Release 2000108/07"'-dlA- " RDP96-00788ROO0800140001-9 Approved For Release 20QQL08/07 :.CIA-RDP96-00788ROO0800140001-9 #3 1 1 tjjjnl~ that's a. hall by that wooden thing. j,66 Tell me what's going on there now in these early morning hours, betweon one and two in the morning. -ing-- y-L i"), th" I !I--Ive not pic, ed up cny I I - central area herc ........ T~66 Ok. Just relax ... #31 ...... or on approach. #66 Doing very good. Just relax and concentrate and focus on -"-be target area. PAUSE i~31 T ... S om o t 1-1 -J 11 g .! ithroon,,, on the left (1jiumbling) i-ii-ight be two story. I h a cd -- s h o t o 'L a ... I had been standing with my back to a stairciis~ ol ' 1+-in the main area there. But I'm down the hallwa-1/1 no-vi. I'm looking around. Passed ti,e bathroom t1lore seems to be a ... think it's a bathrocm anvwav. It's a small Cu I..-)I,,y- hole type room. I'm getting vLore and more of a house flavor, here. I really am ...... I don't'- 6 6 'IT iell -ire what makes you say house flavor. I have the feeling of looking in- th well somewhe~:e I thin", it was 1,11-le end of this hall, looking in this rather largc- rooi-,i I had the sudden impression that I wass lo-1-1king at a bou'. Solucthing big and rectangular and soft. 0k. :F 6 6 1,31 'Ise, out in the big area there, I had tho feeling I was on carpeting, back in the beyinri-ing. But 1 still havent picked up People. r Ok. S(~~irch the re:A- (~r 11-ea C 1,()f S--arch thc~ I:(,-,t of th,*,-, f-"-)r p,ople. Ye 0 1 t 1, a, t... h-1-1 is not n arouni rli- corner . ..... 1)0 01--grec~s. 2 Approved For Release 2000/08/07 4CI~'A~-R'~DP96-00788ROO0800140001-9 Approved For Release 96-00788ROO0800140001-9 I k, -,j uiis big open area feelin(j p getti! ... like . . . I keep getting this feeling like a under construction. it's hard. I'll explain it later. I gc,1-~ this feeling I'm looking ti-ot:ougn rafters-through wood. Anyway let me go on. I'll try to got upstairs, if there is one. t: iT,,1C Ok .We have pl(:~Tlty or I'm still not coming up with ally folk:;. Al r ight. relay. and a~--ead aria and tell- ~Phat's f ine. We have Concentrate on the tat:qet_ move tl-irc,ugh area C. me more of the area. plenty of tiwe. Just area now. G 0 Move through area C PAUSE Stlaircase is ... I hate to say don't know. I .7ant to say there's st-Eiircase in the bck of the do a lis..7irq room, and go upstairs ... or whatever the living Go Up,-Laii:s, C01-afortably wide th:'[.11( is there. I L. floor level and EA 4- h _- -1 ll,,.,ay r un s f r om tha t. . a s you Col.-Lie u p G; y ou. rleft side. Very uninhabited, ql,lic-L f ee I ing ;_,ou 1-he whole place. t L_ a PAUSE Now 1 art getting a den or a library ... empty. (mumbling) alo"Lof book racks or som,.,~-,hing around th-_ walls, I qot all tlie way to the end with no other door on that side. I find the place to be empty. I really got no Z,_1e]_4ujj for anybody in th(-re. 466 Ok- .At- this time, at this tiRie focus your attent-j-on now, outside this area. Focus your attention outside this area and move to area D- Focus your attention to oLitside and movc to ai r_~a D and describe this aren to PIJUS]; 7 ~3 I Ok. I I'm ill tront of Liie riclljt:. one. 3 Approved For Release 2000/08/07 CIA-RDP96-00788ROO0800140001-9 Approved For Release 2000/08/07 CIA-RDP96-00788RO00800140001--9 f- 3 1 (Mumbling) trees is a beacon but it app,~,~irss think I'm still on 'the o'Llier side from the big open area because I feel that on my right ... I feel that in front of me is a (miuril-A.ing) long skinny porch on my right is a...a ... he(lge H! t seer.,,s to come back to lx~hind jiu,-2 ... ljl~e, of -I yard ar sc,);nething. I feel like Ii,,i in those trees or somc~-thiiiq. Lil:e I'm looking at the back enc,~ of th e h au, s e o r t h e b u i 1 d i i -i g . Ive got a good feeling t hat it's two in one-one ond of the place is too high,...that's the 1(,,F-L ena ... and the right end oll thi-~ place is one high. I really feel th,,!se are 'the b-i-is-iness ends of the buiidinq,,~ ... out here, on this side that I am. (M.U'ftbling) ... don't see how you can got in to them from this si0r,- J.ght. PAUSL 41' 3 1 C)k . I'll try to get in the central area ... f L) 11 Ily ... this doesn't seem to have a jallouse door on it... ,peems to be a solid door. I'm inside tryina to foci-is on the main area. 6 cl~ . PAUSE #31 1 just had a thought of somebody moving outside 6 6 Focus on him. I had the idea of making rounds, type of thing. Seems to be ..... sentry type Of work. He's outside. lie's got a ... some sort of a weapon strung over his shc)uld(.,r, and he's walking in Linder tnose trees, that I saw earlier .... thev'ro the ones out front. I don't know if t-heLe's a little oath thero or not. A path or a strip or -,-,omething. . ~ . ~',C,PITS to I,-. Tk, i rig along a tour ... and I 1-,.ad the ... th,-~ oE seein( -I hini turn lj;!~c his tour -is about 300 feet- or sc) frop~ about-in front- Of thi,~~ piace...Ioo,'~incj Out -30,) fei- to the ri Lght Or so. L-Jk(- hc just ~-A.r(AIF-, al,)n~j 4 Approved For Release, 2,00.0/08/07 CIA-RDP96-00788ROO0800140001-9 Approved For Release 2 %-iJPI~-rNWP96-00788ROO0800140001-9 ~31 Back irt-SidO- 6 6 j"Ove nov? c4nd focus on Dr area D. T'611 me more about this ar,<~'a D PLI~USE -3 i got a good shot of ...... like round luathr_~r stuft ... .,.L ng like bean bag chairs. Right before, I bad a fee" there was a ... that I w~,s at the 11 Z14 11. ~,7 V (~ I I t r a I I C 0 an d that there was a sofa type thing, black, Linder the- main fro7l'_ window, and along that other wall ...... T h a a f C, C~ 1 4 - _ing onc wa -ing upstairs ..... not or somc2o. k L:)II~_stai-_--;, tips tairs . I I m up there now. (mumbling) tifli" and through the coiling second floor vl%fv~n, I caiiie I had the feelin(j there v,,I--Is so.-meone .~,.ing down Uic hall~..,ay, right at me. My first J ii1.)pre,,;-:;J.on was it was a wo,,,,ian. Long skirt down to mid-calf, dark skirt and wearing some kind of cloggs or so-nothing. 1 had her turned into-down the end of ha 1-1. . . . de~;cr ibe i L ..... the other end of the Luildi~wi and I saw her go into ... like she. node a. right turn, went inside, sat down arid crossed her legs. acz a- - one sweeping motion of feeling, you know. But, no%-.7 I'm dov,,n there and trying to find o,,-.t ,,7hat is rhrapp~-nincj. She dicIn't ..... she was not carrying on-lyth-ing.. ...she was empty handed when she came ov e r rll~e ...... she ... uh PAOSE I'll describ- it as though it was a room built like a ..o feeling I h~-Ivo is it's built liko a restaurant boot-h . My feeling the woman-moved through the door, s,lifted to her left, began to turn an(! sit dowo at the same time arid avoided a table edgo, scated herself on bench next-- to a wall, with this low thing in froiit of her which occupies much of the room area and croSs hor z"n", Gc-,-] ktiov,,~~ %,,,hat she's do'~ng, or %,.'hen shc- %7C' r th C' r C (41-ur,,ind tl_ i ,--) _~ o %7 4~~ c c~ r -ol- mr, a ]JIL-L-lo hit i-ttoie ahoult: area D, h(~re. 5 Approved For Release 2000/08/07 CIA-RDP96-00788ROO0800140001-9 Approved For Release 2000/08/07: CIA-RDP96-00788ROO0800140001-9 #31 i'm afraid I can't. I don't know. I'm ju-St ]lot getting anything. G 6 Ok. That's fine. Let's stop now and do some -(-.,rawing. PAU S Ell 3 1 Ok. First ... here we go. . . f irst f leetinci impression. . I was looking at a .... whEi t do ... want to ca~ T. Tiiats what made me think that I was the.Le, because this was a wall. 6 6 Ok. Make your 'Lines nicc~ and dark there. ,,31 Ok. And it was like ... this has a low tile roof or something-and the second thing has a low tile roof. That was the image i was using the target witn but that's the first thing I saw. For what worth it is. I t, -Chen. , though, I got tAhirl- foel-ing "hat some sort. of .1 drive, and here on th~~ right... there was a big overhang here ... like I was looking out and under this ovorhan~j. Ile-re on the right side of this 6rive was a wall. In here ... like back in hore i Im in th(~ -'I a-'e. . .,-nd that this was some kind of a walkw~ay. TI~I-It is the hypothetical end of the inclosure. ..... like a front porch.... that went d-)-.,I;n to this door. Som--thing in here jogs and I don't kno,,; whLC_ worth it- is, or what good it i ........... so i)mch for fi-oor plan. This is a door-you know Florida jailouse windows ...... you know what I mean .... jallouse glass about that thick. Porch overhang ..... long porch ... t-hat's dark enough ... that's three. O~. four. What did I finci thal- wa-c& intere-st-nothing. ~,66 Insicle arca C here.... 'hat 1-1 eiraw th, rialler, ~.hey'rc noL -aln"t C-~t an" fecl for -,,]IV ty~)(' C) rC"! J. 1C, 1, 1 la furnit""re LuL that tllcrc, was soiiic,~(I-J~)q curvecl hcrc. L 4 1- I all"10:;t-, Felt. it wa~, a har, oy o!". 6 Approved For Release 2000/08/0-?~,-' lk~ 9 - 0788ROO0800140001-9 Approved For Releasejk"n-qin7 --'CIA-RD 96-00788ROO0800140001-9 ~66 This is 0,1 the illSidC. 31 This is on tii(, inside of the living room... some t' h -i n g curved there, and this is the hallway, and to my back is the st-airs, here. Those are stairs up. J U S t ... I don't kno-a... ..verify if ... I was there ... clidnt soc- anyth ing ... thins is acciirate. I dift I t anybo-cly ...Ok. Lool ~Lr from the door, ..itis, a EU1111Y lEiyouL, thEIL's Y %"I-ts Lryinig to doscribe... stairs there, ok. They're comfoii-ably wide stair-, with a Y)-7-nis-tcr along them ..... a wall.....that goes back in there ... ok-there's somothinq back ther----. ... is -what I maoan ..... out here to t1he th 4 s com:~~.-, aloiig .... then there's a sericF, of- posi-s her-, . . . ... ich are interesting because this is almost as though I'm looking through them. And, here is the cur,,---d th-ing, in the foregi:ound. But, it's like looking ..... vo,;-i. know how like in a modern kitchen they have posts hol'ding up.... and there's actually a serving counter thI e .... looks like you're looking through posts into anor.-her Jroo~-a... it was as though this thing was built r the Stairway and 1411- was room ... you could S , 1i u C 4Anto it from the living room and it %,,,as like it was .... I qOt the fOOlitig, You knew, when a house is just being ancl they have all the two by fours standing where th~~ wall-s go, it was as though I v,as looking 1-hroligh those two hy fo-urs into arlother room. That's the idea Tim trying to get ac,:Os-,. Feeling for white carpet, here in this, area. So where did I qo fry - , m there. I went down that hallway. . . dra~,,Ting a floor plan of the place would be sort of like this-that's a supposed hallway there ... stairway ..... the curvy thing.....had the feCl~'LIIC I bathroom cr .J SM-31 something in here .... what did I do then .... then I got down to the end of the liall-I had the feeling that at the end of the hall there was a door znd there was a roo,-,i shaped like this ... it was a good size room-and I really had the feeling there was, a becl in it. . . a big wj de bed. I didn't down t e I J y ILeLe's the feel., Iq thFit LI)C' ()ther ovel. ea-d Jor taryotill~j in tll's lllaCo~ the oi-Aler r,-].,c main door. I co~Irf)l I had sucn th~ ... no Approved For Release 2vvy~volvf ;,,I;~;iAoKUVU6-00788ROO0800140001-9 Approved For Releas&l* W -]A -I~DP96-00788RO00800140001-9 IT-rrG6 In area C. 3 1 In area C. Didn't got any foelii)rj at all for anyone- in there. I'll draw a line across here on six and then what I h-ive is the un staircase for the upstairs. This is down~-.Lairs, I'-.Li draw upsta.lrs. That'll keep me frofyi hav:ling to draw them again whon I got to area D, ok. Cori se rva t ion of c-n~~ryy. ROOMS, rooms, just about two roo-ms dov;n to one side. T, can't remember if I wont down that. It's so non- descript and by that timee I was ... 1. vas trying to get up the sLairway and ,,,hat did I cj,~~t ... I got a feeling f or .... where was I walYing .... I was walking d(.),,,,,n thi~~ way and 'I go', a feelir~-,f for a library somewhere along the right wall, small skinny type library typu roor-ti, or a den.....Iot of books on shelves around. I had a very home-,)7 type feeling for the whole thing-s-taircase ... O'K--where did. I go--thon I ended up with .... what did I end up with ..... ok ... li.ke a hedge lii,,-e ...... PAUS-E The door (mumbling) was solid wood .... I ' L.I at area D nowl. It starts with sketch Seven. ThaL gives the i6oa of tl.-ie front porch.. lik.e a car port-half C-41: PO':t.. hall rooms in the back of this side, neOlge on the right and the cont.~al structure of two peake.1 i-nofs, one bigger tncln L1-,-,- oLhei that's more like what I want to do ... like that. Behind me, trees. Did the best 1, could. I ha-' to corne across this way. I didnt Lco go back up. I was having such a difficult time I decided nc)t to go back up... try again ... I might-. end up on the oLher side of the _-,jobe. So I ...... Ile have oui: good days and we have our bad days, I suppose. P.1right, what- did I get in the living r o,-)-,,, , . . s e v o, i ... solid door ... but Still with the jLlJouse wirdcx-,~s ... Ok. This time you Seem to perceive furniture in the f ru'AL room. Y e ~ `l-,, . T 11 i (-, 0:1 r k t -i c h C), C) f If '1~lo 1, n(1 . . . 41- 1 ha11w,-jv,. fihc~t wav. Ovo~ h,1-.,.i-e on the stl-,,ir~--, cofii~i,nq up ... (-, i-I t- 1, 1 e, I iv j. n cj ii C) o-,1 Br~an haj vau sl'~icl you si,~,- Approved For Releage-200.0/6811107 CIA-RDP96-00788ROO0800140001-9 Approved For Release 2000/69167'. C.",]A-RDP96-00788ROO0800140001-9 3 1 1 do n ' t b,. 0 w that from, thOugh. a' L m That v;as %,,,hen I -is wor~in,., L tha t i, was trying to got into t1'(2 place. We'll have to chock the 11-ape. I wonder if that was the time I was try:~trnq to got in thc place ..... tho front door. If it was, th('n therc,~,s also that of smooth tan colored something or Other, somewhere in there. 66 Ok. So~~i-wl-fc-re else, too, is a very leathery J-oo1J.ng thing. I ))ad the feeling too-its hard to descril)e it .... and I hcvve no idea v;hore it g,,,)es in the sl:etch anyway .... so.-but it'5 one of theFe ... belted loathor Lhings- felted like belted leather ..... you knc)-,.,,, what I mean by belted leather. Tho style looks lik(L- it's got on i 11 ... belts holding the things on .... I i k e h e r C~' t he d 4 here's a belt like that, with an arm of the chair all, I ornz.)Ttiental buckle on it. Soonothing like that, somewhere in there. A beige color is what I got. Any~.,,uy, went up the sLaircase and I saw .... for num'o~-,r ciqht ...... C, lou said before you came up the sta~ircase. Did you .... Didn't go up the No. 1 popped through the r U -tai--~~s-. Popped tip through the floof. At-IC, you perceived .... 3 1 1 porceivc~d a woman .,,alking to%~,ards me just as I cainue uo Urffo~ugh the floor. It was really weird, It was as though I was, here and she was right thure. Mly head. v.,as ju~;t through the floor. I vlas just up through the floor CC)i~131n',l up and as I ci~me up and sih,.., like ... wal-k(!~i right on through me ... right on clown the hall ... you kno7W : * * , because J.t was Jiist cis flurry as . . .. she vias coming at me, she was gone. I turned around and I pcrcelvod hor walking on pa~~sed me dc)wn the other erid of the hall. It %,-,as, ~i o,,eird fecling, but it vas of no flore iE-; the sLairw~iy as I soo iL, or saw it. 11ore on the Ie I t-, of Lhj..~; s",.C-tch. Fe,,Tin~) i,,-. that the hallvl.Ay coiil-inti(:s here 1,41~,_ t1lis. Hcyt, L; ti~ 0~1 t-C) Jflle s t -1, 1 jI w, It q-) .I pc)!~-OINI up zir 07 Ind -1 iv ing r c)"oln I -vo I %-.,av. I trieci to .7 -l"id T J-)ers~-l f 011c,", -Pl- T th;nk 1 hel. ~111 L-- way down to lasL to~vii on the j-k-lht It's not tc)~j far, 25 fout, 9 Approved For Release -,zquviu.O1U 88ROO0800140001-9 Approved For Release 2"9110 DP96~-00788RO00800140001-9 3 1 The 1,1~,t ioom down there .... t1v' Oistinct imPy--C--sion- she goes into the last room. Now this room that I had .... how do I dr~7,w this, gUYs ... it WE~s as though- i t w,-1 ~; ... lij~e I ju,~---,t described it on the tape. It wa~-, as tllc)ucj,l it ~qas a. onvill room that was ali-,inFL fully taken up by a ta~-)le ... or pretty mL, !,~ La!-,cn un 1-)v a table, but, I h~~'ve' ~tny!~O-ly Clse irl Lhe rOC-Irl T"'ith her, ~'IIACI she walked in ... hard to describe ... let's see ... here's door jam... door frame-like thin; ... ok ... right h,.~re, ill the very front is thIs tabl:- ... and-liPe there's very little clearance to get in there. So --l-le's walking do%-;n the hal.l. and just sort of hent over, and sat. down in 011C fluid i-tiotion. And she sat do-wn hore. v'-Iiere X macks the spot. And an overhead of that would he ... there's this table in there ... like this. . she ca-,me right. down and benL over ... and that there is so,-.,ie sort of a ... I had the feeling .... it was some sort of a cushioned seat along th~~ w-ill and t--hat she just sat. . . plun'r~ed herself right down on it. Weird, I-eeling. Very tight place. Tight, cloE;ed in ~66 Anybody else in the area. I d-i.On',- perceive else. I find it unlikely that anyone she alonr.,, but I sti 1l didin't s(--- anybc ly else. D-idn't feel anybody there, and I don't know what else she- was doing-at one time, I thought she was like reading ... that she had manuscriptsout on the dcsk, scattered out in front of here that sho. wass I:Oading them. and Another time, I had feeling that just sort of the like sat down and crossed legs and (MURRI-Aing) with her her fingernails, or something, you know. Didn't really do anything. But the mol-f~--1 I-ooked at it the more she v ,tarted to do somethingthat was purposefu.'L. I don I t kn~)w what that is There, put a manu,,,--~ript out there. Some sort oC a book. t, no, I agree :,~66 I w~-; Bu not flying today. 4i 1~ 01K, VOU (101l't thillkgood r'.6 YOU No' no, I dcnit th- did. -1'k ! flo-'.7 dr) ykju 1(joll v Well, WJIC~"- 1 ( ot I 1-~ Vr,3: I t'C- I Ok. J Wc Ct I Ig 011Y C)") ~'Ctiuil or dc--tLil- the basi(n;. T, i k Z~. !--0CM! eI (jot 10 Approved For Release 20'60/08 O't~ ci~--RriP96-00788ROO0800140001.9 Approved For Releaso'~M010-8767' J'A". -RDP96-00788ROO0800140001-9 -~J It was unlikelv "~[s holl that SOMe IiVi)~g or wl-)atev~if .... somothing with a ~-,,hite carp-A On this 1,-11-(1JC living room, is going to have nC) furniture in J unles3 it's been pilfored, or -0.1 throan out. Nuts i'All do anything when they thii-" they've got a reason to. I waf-~ getting the the contour right, b~i~--, tlicr,:~',.; know. Uh,-,n 1 &1-- the targets, I sort of said to mysc-lf, this is going to be L~ -L - - a doozilic 1)ocause all fo, -Ir targets arc-, i0entical -in s t ru 1. u y- (-, f o r) n .So that miealns only dei:ail is going to tell the difference, when you, get riglit down to brass tacks, you kno".7; 6 6 You just don't have a general good feeling alho-ut this? J I don't. I didn't all the way through it, I I:(-.ally had to work and wit"11 th 'IS g ame. the utor e you -lark, the more you'll see. The question is whether V-c"U"re ninking it up or not. The guy outside ... if 1 drcw this cat heic.-there are sc.-.;P.e large trees out fi-ont-what I call. out front of th e P I a c- 0 .... uh .... I do think that'-- the front. That's UIC,, hUSJA1(-,SS Ond Of these builelings-the other side... thc- sido where those trees .... and everyth'Mg ...... z~re S sillall Pat1h, or somethin,-,, in unclc~r Thos.,- trees. , 1 'had this shot of some~ ',hat open area, yardish type- thing, - ... not even yard .... just sort of black and white. Let's soy that I'm look"'ng out the front- door, in this v e-w ... I had the very stron~-3 feeling that- on the othu~r si0e of these trees ... 4 feet...!!JJ',e in under the trees but on the other side of these trunk-s was like a foot path, or maybe a bicycle path, something -,-ry Th-at's ~,,here this guy was walking. He did have a weapon slung over his- arm-wasn't carrying it at high port. The dam thing was slung over his arm. The peculiar thing about it is that I had it on hi~~ left shoulder. That's that I rel-,leml), it was on his -1-ft shouic-Io-r. some rort of black- cap, 1),lack Clothes, I was trying tc-1- what thi-:-, guy's p~itrol to Clig what lji~; patrol if that i~;, in fact, w1i,-iL he was ('o.-Lng . I hzlCi t~-Ic 1-111prc-S-1(11) Hh;Jt J-,e ~112 arca where the foui !-)uiic~ilil(-J~~,, Dire, C)III-V :Jho~jt MLIC1n. I 11;d t-hi"; I did~ilt see anv, el5v iri had the fe 1 4 Approved For Release 20"T771t,., .L;.l,A7,Kp,'PV6-00788ROO0800140001-9 Approved For Release 20 -00788ROO0800140001-9 that this 911Y W's here 011 nis road c1c),,;n to about middle Of thi,~ ..... what he %,.- iloing was he was going to about middle Of that bli.Ading and then he was coming back up ana he was 9OLIIcJ t0 just about passed that building and then he was just tUrning b a ck- .In a fleeting mcTnent I saw him do about a turn here and I loo!,(,6 way dow,i th,~~rc and T ~-av,, hii-,; turn there and then I saw him ttlrn here again ... I looked way Oown and slowly tu-n arounO ...... that's about it. X is the sentry, and thc, line and dot is his post. That's it. Approved For Releasei /018 7 - CIA-kDP96-00788R000800140001-9 Approved For Release 2000/08/07 : CIA-RDP96-00788ROO0800140001-9 I TAB .1 Approved For Release 2000/08/07 : CIA-RDP96-00788ROO0800140001-9 ~11~ Approved For Release 2000/08/07 : CIA-RDP96-00788ROO0800140001-9 r Approved For Release 2000/08/07 : CIA-RDP96-00788ROO0800140001-9 .: I Approved For Release 2000/08/07 CIA-RDP96-00788ROO0800140001 Approved For Release 2000/( Approved For Release 2000/08/07 CIA-RDP96-00788ROO0800140001-9 17 Approved For Release 2000/08/07 CIA-RDP96-00788ROO0800140001-9 Approved For Release 2000/08/07 CIA-RDP96-00788 000800140001-9 R Fi Approved For Release 2000/08/07 CIA-RDP96-00788ROO0800140001-9 -RDP96-00788ROO0800140001-9 Approved For Release 2000108/07 CIA ............ Approved For /08/07 Release GlA-RDP96-00788ROO0800140001-9 200 t C>L IP A:ppproved For eleas-6 2000/08/07 CIA-RDP96-00788ROO0800 40 Approved For Release 2000/08/07 CIA~RDP96,700.,,,.,8.&ROO0800140001-9 7 2~- Approved For Release 2000/08/07 CIA-RDP96-00788ROO0800140001-9 Approved For Release 2000/0810-7-.:.,CIA-RDP96-00788ROO0800140001-9 Approved For Release 2000/08/07 CIA-RDP96-00788ROOqaIP~4OOQv1 Approved For Release 2000/08/07 CIA-RDP96-00788ROO0800140001-9 roved For Release Mininwn7 1~ 115~11 r'IA-oriDaa-nn7RRDnnnanniAnnni-a Approved For Release 2000/08/07 CIA-RDPIIU-00788ROO0800140001-9 V, Approved For Release 2000/08/07 CIA-RDP96-00788ROO0800140001-9 Approvpd For Release 2000/08/07 CIA-RDP96-00788ROO0800140001-9 CD Appr moteefe-7- LQ788-ROO0800140001-9. Approved For Release 2000/08/07C IA-RDP96-00788ROO0800140001-9 INI~ P Approved For Release 2000/08/07 : CIA-RDP96-00788ROO0800140001-9 TAB Approved For Release 2-00/p 9=96-00788ROO0800140001-9 TARGET CUING INFORMATION REMOTE VIEWING (RV) sESSION CC20 The remote viewer had been exposed to open source news media information and overhead imagery prior to the session. He knew he would be working on the hostage.situation in Iran. 2. (S) During the session the viewer was shown overhead imagery of the Embassy compound in Teheran, Iran and asked to focus on areas "C" and "D". The overhead imagery is not included herein due to its classification* Approved For Release 2000/08/07 CIA-RDP96-00788ROO0800140001-9