Approved For Release 2000/0 R000800450001-5 ORCON/NOFORN GRILL FLAME PROJECT SESSION REPORT CLASSIFIED BY: Director, DIA DECLASSIFY ON: 31 Dee 99 EXTENDED BY: Director, DIA REASON: 2-301-C (3) (6) C-T-'-"IT T T- F ~ KV -1-411 FLATV/1 j-j Approved For Release 2000/O;U67,~4--'CiA~-~bkS~e'-00~788ROO0800450001-5 Approved For Release 2000/08/0 46,'00788RO00800450001-5 SUMMARY ANALYSIS REMOTE VIEWING (RV) SESSION CC54 PM 1. (S) This report documents a Remote Viewing (RV) session conducted in compliance with a request from SOD, J3, OJCS, Pentagon, Washington, D.C. The purpose of the session was Lo provide information relevant to the hostage situation in the U.S. Embassy compound in Teheran, Iran. 2. (S) The remote vie,%~rerls impressions of the target are provided as raw intelligence data and as such have not been subjected to any intermediate analysis, evaluation or collation. Interpretation and use of the information provided is the responsibility of' the requestor. 3. (S) The protocol used for this session is detailed in the document, Grill Flame Protocol, AMSAA Applied Remote Viewing Protoco!"S), undated. 4. (S) Following is a transcript of the viewer's impressions during the remote viewing session. At TAB A are drawings made by the remote viewer reference his impressions of the-target site. At TAB B is target cueing,information provided the remote viewer. proved For Release 2000/08/07 CIA-RDP96-00788ROO0800450001-5 Approved For Release 2000/08/0 iqbMg-00788ROO0800450001-5 TRANSCRIPT REMOTE VIEWING (RV) SESSION CC54 TIME #6.5 This will be a remote viewing session (edited for security). PAUSE OK now for the past few minutes you've been thinking about, studying, concentrating on the photo that I showed you. For the past few minutes you've been thinking about, studying, concentrating on the photo that I showed you (mumbling) Malcolm Kalp. I went you to relax and concentrate on the photograph (mumbling) Malcolm Kalp. Relax and concentrate and describe (mumbling) ... PAUSE +07 #14 1 see ... ah... 1 started with seeing a..a coffee table ... had the feeling I was in some sort-of... ahh ... office or something... large plush office. I perceived a large desk to my left so I looked towards the desk ... behind the desk were large, tall windows, or door type windows... large glass area behind the desk. Feeling that there were ~Ibooks and things around this room. It appeared to be some sort of official office ... ah-high office of a high ranking personnel; large office. rather plush. PAUSE As I was viewing the scene, I had the feeling I was si..si..sitting in a overstuffed chair. I'm not sure if someone was at this desk sitting. The lighting coming in from behind was so bright it blotted out any detail. Sometimes I had the feeling that there was just a high back chair and other times I had the feeling that somebody was sitting there. (sigh) #6.5 OK. Step outside this room and tell me what you see. Approved For Release 2000/08/07: CIA-R (161t8l600800450001-5 Approved For Release 2000J@40 N 7,j,7;: 1- 00 1 ooftOO0800450001-5 PAUSE. +15 #14 1 can't get rid of the feeling that I've been here before. Ah, when I went outside of the room I ... ah... saw a ... well there's a large open room 'e there which is kind of a receiving area from the main entrance. It's more of a residential type place ... ahm ... oh I don't know how to explain it. And then I flash back into this room and it's ygy,~ ilar to the room I described in one of the lier sessions with nnP_nf_fhP woWen. I believe ad her reclining on a couch in q_jjLrary_jyp,~,_,. atmosphere, whatever. For some reason this roo feels the same but looks different and as I wen lout the access to this office or room was .',identical with the other session and the scene ijust outside the off 'ice was very much the same exeept that as I exited the dooi-w4-Wmy immb-~iate right was a tall standwith -ald, vase vase. #6.5 Did you see any people? PAUSE #14 1 didn't see any but I felt the presence of people. Perhaps I ... I didn't see any people in the ... this ceiving area... this entrance way-or-I'M go-ing', ce1v in have to find a term to call that. But I t have t perceive _eople around, perhaps oulside of themain rc e ei ve apntplMceg. 0. en ce..2h..in other areas of this building'. I feel more strongly now bout-about somebody s 9 behind that desk in that room. #6.5 Can you describe them to me? PAUSE #14 (Sigh) I don't get much of anything for facial features. Ah...it's a male, maybe in the 50's... late 40's earl .5 5 come across... I don't know where.. -(Mumbling) but I get the feeling he's trying to impress or come across as a good guy ... trying to pason or influence... reason with or inflU2Dggo-_- ou`r`"s`ujec~~'~~y TŪred FŪr -1; a state f of shock. It's ... ah... from the beginning there's been kind of a feeling and it's getting stronger now... an interrogation situation. 2 Approved For Release 2000/08/07 : CIA-RDP96-00788ROO0800450001-5 Approved For Release 2000/081/0 788ROO0800450001 5 #6.5 (mumbling) #14 The individual sitting behind the desk is... is... ah ... the guy is trying to be very benevolent ... ah ... he is definitely not the student type, definitely very professional and I ... I really don't ... I, for some reason I can't ide tify i with being Iranian.. #6.5 OK. Relax now and change your perspective and go outside this building and tell me what you see. Go outside this buidling and describe what you see. PAUSE +25 #14 Outside... I ah... I was gonna try to take the shortest route which is through the windows or doors behind this desk ... for some reason I was blocked from that so...I guess I'll go out the-the main or front entrance. #6.5 Uhm uhh. PAUSE #14 I'm having problems staying in one place. Ah... while trying to focus from the outside looking at his building all of a sudden I seem to be (sigh eb in a vehicle driving down the streets watching the buildings and stuff go by-for quite some distance and then (sigh)...ah ... now I'm trying to d ocus and go back to (sigh) I'm not getting any clear imagery but the impressions of that ... ahm... there are columns out in front, stairs leading up _,to the entrance of this building and I'm not sure how many. One- thi6d_'I-'_Fa_~`&75~~~el for is there appear to be four guards outside of this '~*a~e and these were very military looking,..-..thdy type guards ... spit and polish type. #6.5 OK PAUSE #14 Ahm...Before ... ah... There appeared perhaps two at the entrance itself and two at the street level The two at the street level seem to be kind like 3 Approved For Release 2000/08/07 CIA-RDP96-00788ROO0800450001-5 Approved For Release 2000/08/oNEVAqw ~WVV 100 800450001-5 they were still guards but were acting more as... as doormen or something. There's ... yeh ... ah... there's an area in front where vehicles or cars, whatever, pull up and drop people off - pick people up. #6.5 OK. You see anything else you want to add? PAUSE #14 Yeh, I could throw alot of things together in a not shell. Ah, before the session, this is gonna sound crazy, but before the session officially started ... ah... I was focusing and concentrating "on the subject and I had... ah ... the picture,,of a vehicle or car seat and then I'd picture of ... ah... the most detailed picture Of 2 crapper. Ah ... aDd out in this office type room and course, I don't know, maybe the individual in the chair was ... was a good guy, I don't know, it was hard to tell. He'd ... ah ... the... the subject was sitting there seemed to be ignoring the individual or bored or in a state of sitting -n e-7d e s I b h' d th k did not appear what I'DMA.4-Ae~$pect as appearing as an Iranian. Ah ... seemed-Lo-b-e ~-a very official type location, place, building, and i would appear that the subject was brought there, talked with, talked to, interrogated, and was taken, when they were finished was taken away which is perhaps what was happening when I went outside and t caught up zippin down the streets. #6.5 Why don't you relax, relax Ei-nd-,-,8it-,Lsp7''-;n-ri-d'~'dc~'some drawings of images that you have, OK. #14 All righty. #6.5 OK. Why don't we try to do some drawings here. PAUSE #14 Ah ... drawing No. 1, I'll put things... try to put things in kind of a perspective in how they kind of started coming into place. #6.5 OK. Better watch your mike so you get picked up. (mumbling) (laughter) -, - -1~1 jM v 4 Approved For Release 2000/08/07 CIA-RDP96-00788ROO0800450001-5 Approved For Release 2000/08/07: CMF IWI 7003002#50001 -5 #14 OK. I felt as if I was occupying the some position as... ah...ah ... Mr. Kalp. I felt that I was... ah... I was sitting right in the same chair he was.when things started falling into place. Ah...(PAUSE) in a room with ah ... high ceilings..high ceilings. The first thing I saw-would be about here-was 0 ,'long coffee table and this was a very, you know, very rich wood ... I was admiring the wood, it was much nicer than the one we have here. -It wap solid, might a, might of had been carved a little bit or-- -_ something and over here to the left is a very large, and again, nice wooden desk ... ah...em ... aged, old pressive, a hind--th s desk, very heavy, very im nd desk was ... appeared to be a ... a very high backed chair. I mean really, you know, exclusive, executive type or whatever. #6.5 K. I had the feeling it' .s all relative, you didn~,~ ~Ot hink this was an ordinary office. #14 No ... no, this was ... ah ... it reminded me something ,similar to ah ... ah ... general's office or the president's office or, you knov, something ik that. #6.5 OK #14 Very...ah ... very high level. Behind this desk... ah ... were tall, almost seem to be kind of doors like, but ... ah... I'll call them windows, OK, and with many narrow panes of glass; these aren't bars, these are windows (PAUSE) and in front of these windows were hung ... ah ... sheer curtains, see- through type that allow light through. It almost, for some reason they almost kind of remind me like doors, like they could open out...ah... and as I said there appeared to be some very sheer curtains and the light was coming through there ... ah... so profusely it was difficult to see who or what was sitting at this chair because I was looking right into the light. Ah...and from my position, I was here in a high back, over stuffed chair staring straight ahead, not paying to much attention to what's going on over there; just staring straight ahead - like at the coffee table when I first got the imagery I may have been identifying with the subject and doing exactly what he was doing in focusing on this table and, as I said, I looked to 5 Approved For Release 2000/08/07: CIA-RDP96-00788ROO0800450001-5 Ql A Approved For Release 2000/08/07 jj~- 06 Q'~IOWAOW0450001-5 the left, now there were...1 didn't pay a whole lot attention ... ah... to the walls over there but there was a large carpet on the floor ... ah ... colors or whatever I don't know, I had a feeling qehind me there may have been a cabinet or some- thing with books and stuff like that and there tiere ... there was at least one large picture on this-this W211 here... ah. #6.5 OK. That's pretty good (mumble)... #14 That's No. 1. No. 2, as I stepped out ... outside of the room ... ah ... No. 2 I'll make kind of a layout as...2S to how I felt I was or where I was or how. PAUSE OK ... ah... I'm labeling the stuffed chair as subject and the desk...ah...I was gonna Say I'll put down person who belongs to the office but I'm not absolutely sure that this person actually belonged in this office or whatever. #6.5 OK ItI4 Ah... I'll just put down other individual. This individual was trying to come across very congenial ... ah ... but the subject didn't seem to be paying much attention to it, as if he was rather weary of the impression. Ah... as I stepped outside, ah ... it would almost appear to be steps, now this ... this is inside here somehow, but this jS a large ... ah... reception area I guess you would call it, rather empty except for decorative type things, whatever, and immediately after ... ah... ~1 stepping out of this ... this doorway, and there may have been more space thi_s_~7 'out h~ere, ~pt sure, but there seem Kobe a largb, a tall pedbstal type thing and a vase ... ah ... would, be about chest high or whatever;/ror some reaso~y that ... that came out. Now this !Z1 the main ent I 'Once, here. See double doors anq' they're noVsolid glass through the old type dodrq with fh~e...panes of glass and stuf f , and,_Jra__f act-,71. had the f eeling that there w~as-5-16ille, double set there was _,,another set here. Ah ... this should be--kind of re like a breeze way and out h1gi:r_We some steps and ere was a... r+-b-5-&_fhe feeling there was a '*,~. ~wa S ~ ~__ - ~. guard positioned here, OK, and then ... ah... there Approved For Release 2000/08/07 : CIA-RDP96-00788ROO0800450001-5 n Approved For Release 2000708-/F~,-~4-CIA-"-R,-L,)F,~,96-00788ROO0800450001-5 might have been some sidewalk or something out here, and then, out here is the street; we'll even put a vehicle out here for whatever reason, and I had the feeling that there were two more guards out here on the street which were kind of like... acting kind of like doormen or whatever, and like I said, these were ... these were uniformed type... ah ... very spit and polish ... ah. Sidewalk, I don't know what else to lable it, there's an area here that's some type of concrete or pavement or whatever. #6.5 Any of these guys armed? #14 Yea ... well ... yes... I ... I had the... the ... at least the two up here by the doorway ... ah ... but I had the feeling that they were military type. #6.5 Yea. I understood that when they can6cross pretty loud and clear, OK. #14 Ah... somewhere in here there may be some columns in front of the building to this entrance or whatever; I had the feeling of some type of columns but I couldn't ... at first they looked huge and then all of a sudden they didn't-4ook so hugh; they looked like they might have been, you know, kind of like you'ld see on a porch or something - not very sure. #6.5 OK, here. #14 Ah ... and what really threw me and ... and when I tried to wipe everything out and start over again because immediately moving to this... outside this office area I saw this reception type area which reminded me so much of the session I did with... after one of the female subjects, OK, and then I went back in the room and the room layout almost reminded me of the identical type thing, but it... it was rearranged somehow. #6.5 Was that the session we had in the glass. #14 1 had... I had ... ah... something in a glass case. Well this was ... it reminded me so much of this room but it was different. 7 Approved For Release 2000/08/07 CIA-RDP96-00788ROO0800450001-5 Approved For Release 2000/08/07 : GMA,.gg~-L~~d"0'7-IiJRO00800450001-5 #6.5 (Mumble) gonna track that one down. #14 Ah ... because where I had this subject sitting there would have been a couch where the female subject was ... was reclining on here, but it was very much, very much the same and this out here was much the same. #6.5 OK, I'll track down that other (mumble). #14 Ah ... what else did we have? #6.5 That's about it, heh? #14 Ah ... I described going down the... the ... going down the street and that was really... that was odd; this was the first time it was so clear to me, I felt like I was sitting in a vehicle, moving down the street, I could see the building go by and ... and the street-the intersections and stuff; the thing that ... the thing that surprised me is that I didn't ... wasn't aware of any other traffic. J #6.5 And yet you're able to get yourself back here? #14 Yeh ... what ... well, I kept going down the street and it was fascinating cause I never had that feeling before but I decided well I'm not gonna get any where this way, in fact, C~an't even draw a picture of that, so I decided to go back and that's when I saw ... now I went back to this point ... and that's when I saw these-these guards out front, etc. I could draw you a nice picture of a crapper too that I saw, but... ah... no, that was odd cause I had... I had a perfect picture of a crapper ... ah... and then vent into... to this session. #6.5 OK. How do you feel about this session? #14 (Sigh) It doesn't make sense. #6.5 Did you feel like you were on the compound? #14 (Sigh) Boy that's really-Do- -I didn't. I didn't in fact, I felt as if I wer somewhere else ... I elt like I was in the city or near , but away from it b6t I Mn't fe?l ... ah... as... in other words if I were on the compound I was look -iA 0 /a i 7 8 Approved For Release 2000/08/07 CIA-RDP96-00788ROO0800450001-5 Approved For Release 200 Ftfh 6Wma69Vw&M8ROO0800450001-5 for these ... ah ... student type guards and all that stuff; there was none of that. #6.5 That' Si6t~eresting because, you know, you mentioned when you were out there looking for the female, that ... obviously was on the compound (mumble) ... #14 Yeh. Well, this would be a...the type of a building, an office that you might find on the compound, but the-the things that don't fit are these guards who are ... were definitely spit and polish and this individual ... ah... this other /;individual here who was ... seemed to have command of the situation in the office appeared more of a Euro ean e than a Iranian or, you know, Mid- uro ean ~e ~~ate n t astern type of ... ah ... complextion and ... he was r pe s y rather heavy set, kind of balding, I I 1d say late. rathe rhea vy well, I'ld say early 50's... ah...and dressed very e11 , IId sa well in a suit and tie, very neatly, as if he wer we _jn asui some type of diplomat or something.himself. #6.5 OK. Anything else you want to add? #14 No, that's all I can think of. #6.5 OK. Very good. 9 Approved For Release 2000/08/07: CIA-RDP96-00788ROO0800450001-5 Approved For Release 2000/08/07 : CIA-RDP96-00788ROO0800450001-5 ~- TAB Approved For Release 2000/08/07 : CIA-RDP96-00788ROO0800450001-5 II -, , I--,- , , , - IF -,- I Approved For Release 2000/08/07 CIA-RDP96-00788ROO08,00450001-5 ----------- -7 Aporoved Fo t ~,e lease ~'000/08/0~ CIA-RD~96-00788ROO0800450001-5 Approved For Release 2000/08/07 CIA-RDP96-00788ROO0800450001-5 kn NO W12 Approved For Release 2000/08/07 CIA-RDP96-00788ROO0800450001-5 Approved For Release 2000/08/07 : CIA-RDP96-00788ROO0800450001-5 ~- TAB Approved For Release 2000/08/07 : CIA-RDP96-00788ROO0800450001-5 Approved For Release 2000/08/%- 000800450001-5 47, 0788R TARGET CUING INFORMATION REMOTE VIEWING (RV) SESSION CC54 1. (S) The viewer has been exposed to open source news media information, classified overhead imagery and photographs of many of the hostages. He knew he would be working against the hostage situation in Iran. 2. (S) At the time of the session, the viewer was told that he would be locating Malcolm Kalp. The viewer was shown the attached photograph and was asked to describe the surroundings of the individual in the photograph. This was the first time this viewer had attempted to describe the location of Kalp. ADMIN NOTES: Sessions CC53 and CC54 were conducted at the same time with different viewers in separate rooms using the same target cuing information. (See also CC51 and CC52.) Approved For Release 2000/08/07: CIA-RDP96-00788ROO0800450001-5 SGFOIA3 Approved For Release 2000/08/07 : CIA-RDP96-00788ROO0800450001-5 Approved For Release 2000/08/07 : CIA-RDP96-00788ROO0800450001-5