Approved For Release 2000/08/07 CIA-RDP96-00788ROO0800600001-8 ORCON/NOT RELEA5ABLE TO FOREIGN NATIONALS GRILL FLAME PROGRAM SESSION REPORT CLASSIFIED BY. DIRECTOR, DIA REVIEW ON: aA~A Zcloc' EXTENDED BY: DIRECTOR, DIA REASON: 2-301c (3 & 6) 4im Approved For Release 2000/08/07: CIA-RDP96-00788ROO0800600001-8 DP96-00788ROO08006~qO(~f~j Approved For Release 2000/0~ SUMMARY ANALYSIS REMOTE VIEWING (RV) SESSION CC~6 1. (S) This report documents a Remote Viewing (RV) session conducted in compliance with a request from SOD, J3, OJCS, Pentagon, Washington, D.C. The purpose of the session was to provide information relevant to the hostage situation in the U.S. Embassy compound in Teheran, Iran. 2. (S) The remote viewer's impressions of the target are provided as raw intelligence data and as such have not been subjected to any intermediate analysis, evaluation or collation. Interpretation and use of the information provided is the responsibility of the requestor. 3. (S) The protocol used for this session is detailed in the document, Grill Flame Protocol, AMSAA Applied Remote Viewing Protocol (S), undated. 4. (S) Following is a transcript of the viewer's impressions during the remote viewing session. At TAB A are drawings made by the remote viewer reference his impressions of the target site. At TAB B is target cueing information provided the remote viewer. Approved For Release 2000i0p0r,: t;IA.;KpVtlb-00788ROO0800600001-8 Approved For Release 2000/08/07 : CIA-RDP96-00788ROO0800600001-8 TRANSCRIPT REMOTE VIEWING (1),V) SESSION CC76 urity). #14 This will be a remote viewing session (edited urity). PAUSE / e Alright #24, I've shown you th e verhead photo of the building This is that is annotated as Area "J." , the area we're interested in today. I want you to relax, concentrate and focus your attention on the building. I would like you to start Out at the main entrance and describe what you see. PAUSE #24 Hearing them talking out there is really distracting me, is that because of this mike set up? #14 No, you're hearing them through the wall. Want me to go tell em to hold it down? #24 Ali ... yea. PAUSE Ali ... I see a sidewalk, near a sidewalk with-ah ... looks like bushes, low bushes on both sides leading up to the, well I guess it's the main entrance. #14 OK. I want you to go up to the entrance, go inside the building, jLJSL inside the entrance, and describe what you see around you. PAUSE #24 Ahm ... Looks like a tile foyer, square. PAUSE #14 Look to your left and describe what you see to your left. #24 I'm not getting real strong images, but it seems to be an open area. To the left, as I ... as I look to the left, 1, again, - s her tile or it's a flat rug, it's not a plushy rug, he s w'th..'w h some sort of square design like, 5 or 6 inches h -1t h r size squar designs, and to my left there is what looks like -J-ze squ (wFrench d 0or French door with paned glass, you know, the small panes. Approved For Release 2000/08/07 CIA-RDP96-00788ROO0800600001-8 Approved For Release 2000/08/07 : CIA-RDP96-00788ROO0800600001-8 Ahm-M777 iooks OUL ill ... all ... y0t] know, over bushes, a yard of a 00 some kind. I'm getting a lot, of imi(jes of-ah . . . ei Lhcr J-rl d -30mc Z Linsj-d~e planTts, inside plants, big plants, and Outside bushes around this )lac #14 OK. What I'ld like you to do now is locate the kitchen. #24 You want me to tell you where it is? ... or describe it, or anything? #14 Yea, I ... I got some things that I need described from in the kitchen itself. I would like to know where the exits are and what is beyond the exit or these exits. #24 You mean exits from the kitchen? #14 Right. In other words, the first part of it would be to describe where the exits are in relationship to where you are in the kitchen. Ah ... once you've done that, then I'ld like you to move to each exit and go out the door or exit and describe what you see when you immediately go out the exit. #24 How do you know there are exits in the kitchen? #14 Well, doorways, exits, entrances or ... ah ... yea. #24 You know that they have doorways? #14 1 really don't know, so whatever you find I'ld like you to describe as it is. PAUSE #24 Well, I got a room, I don't know if it's the kitchen, I'm looking out a window, it's another one of those paned windows. It looks like it's close to the street, caus 1 oks like there's a car not to far from that window r ed oucs-ide. A parking lot or something. PAUSE KA All I'm getting is that window. t #14 0K. You coll move from the locaLioll you ~Irp [low an f-Col free I/rcol rr to move around the huilding-the building Area J, ond tell me if you find aiiy of the hostages in this buildin(j. PAUSE 2 Approved For Release 2000/08/07 : CIA-RDP96-00788ROO0800600001-8 Approved For Release 2000/08/07 : CIA-RDP96-00788ROO0800600001-8 1/24 1 Im cieLtinci (mumble) faces oqziin . . . ah . . . one that I (joL the last time. Ali ... PAUSE #14 OK. I want you to focus on the person or persons and describe your surroundings. #24 Uh ha. Appears to be an elaborate room, middle eastern type ~ u elaborate. I see a series of arches as part of the decor of' e gold overlaid. Appears to have high ceilings. Very, very g elaborate. And it seems like a formal room, like a formal e ballroom or 2 formal dining rooin, it doesn't seem to have mu b urniture. #14 Where in the building is this room located? PAUSE #24 Ali ... it's upstairs, maybe the second floor. V"As I'm standing on top of the sta-irs looking clown to what looks like a main room, so I would guess it's the second floor. The room I'm looking down on has Persian ... red Persian rugs. Couple of chairs, like dining room chairs. I don't see anybody anyuhere. Now I'm in a hallway. It seems like you come in this door, and it's probably the main door, there's a ... like a white-l-he walls are white, and there seems to be a white column, maybe 5 to 8 feet from the door, like a pillar, and ... ah ... stairs I think are to the left of that hallway, and I think that room as at the top of the stairs. #14 Di_d-4LQu sa,,v you didn't perceive anybody? #24 V, but I [Xink that one person that I ... whose face I saw, I Aew him ver strongly before, either is or was in that room, bL\L no, I dld-n't ... I haven't seen anybody. #14 OK. NaaA you to move now down to the first floor, the ground floor and tell me if there...if there is anybody or any individuals on the first floor. PAUSE #24 There might be, buL I can' L Lell. It looks like... occasionally I sce groups of people, but I ... it's not a G strong image. There 2LQ--a- 1 01- rooms I think or at least 2 orl--,~~ ~,ay -E7g rooms in his I-) I nk, and vc co that, I e, there appears ... at least 11 uple of images/of long Lables, like long, real >1g..