chrrinrT
            Approved For Release 2000/08/07 ~WM000900100001-2
            INSCOM
            GRILL FLAME
            PROJECT
            SESSION REPORT
            CLASSIFIED BY: Director, DIA
            - REVIEw ON: 31 Jul 99
            EXTENDED BY: Director, DIA
            REASON: 2-301-C (3) (6)
            nnrT GRTLL FLAME
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            SUMMARY ANALYSIS
            REMOTE VIEWING (RV) SESSION LXXXIV
            1. (S) This report provides documentation of a remote
            viewing session conducted for the purpose of orienting a
            remote viewer to an applied remote viewing protocol.
            2. (S) The remote viewer's impressions during this session
            correlated with the target very well if one uses only the viewer's
            sketches to guide him. The viewer's verbal description is very
            weak compared to his drawings. Although this viewer is seldom
            bothered by the ever present noises that constantly filter into
            the viewing room, today was an exception. The viewer was
            distracted several times during this session by outside noises.
            The viewer did not seem to be able to maintain his usual con-
            centration and focus during this session. The remote viewer
            began this session relaxed and with confidence of success.
            At the conclusion of the session he appeared mildly disturbed
            and was no longer confident about the results.
            3. (S) The protocol used for this session and which will
            be used in later training is detailed in the document, Standard
            Remote Viewing Protocol (Local Targets) by Harold E. Puthoff
            and Russell Targ, November 1978.
            4. (S) Following is a transcript of the viewer's impressions
            during the.-remote viewing session. At TAB A are drawings
            made by the viewer reference his impressions of the target
            site. At TAB B are photographs of the target site.
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                 TRANSCRIPT
            REMOTE VIEWING (RV) SESSION LXXXIV
            #66: This will be a remote viewing session (edited
                   for security).
            PAUSE
            #11: All right, #24.5. Its now 10 o'clock. #66
            is at the location. Find #66 and tell me what
            you see.
            PAUSE
              +08 #24.5: Well, I'm seeing light. On the bottom.
            (Not audible). . #66 is in the white. Standing
            on a Its a big square.
              PAUSE
            Its inside. Its lighted. Its open but its
            inside not outside.
                     PAUSE
            +10 Has walls around it.
            PAUSE
                   Let me focus some more.
            PAUSE
                   #11: Focus on #66. Tell me what #66 is doing.
            PAUSE
              +15 #24.5: Looking in boxes. Boxes are . . . you can see
            in. Big boxes. Metal sides. Silver frames.
            Lights inside. Leaning over. Six feet. . on.
            stuck on top. The floor is white and bright.
            PAUSE
            (Not audible) I can't get more.
            PAUSE
            I can't get much more. I want to try though.
            I want to try.
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            PAUSE
            Let me focus more.
            #11: Okay. Go back to the . . .
            #24.5: Distractions.
                 #11: Go back to the big white square. Look around
            and describe the surroundings.
            PAUSE
              +19 #24.5: Wall on the left. Wall with a box. Long.
            You can see in it. Corner . . . with a wall
            in front. Funny shape. Door. Low door.
            Big square hole. Another room on the other
            side. Black in the middle of the room. Dark.
            Its bright in the room. I feel a light gray
            or a light green rug in that room. Hall on the
            right. Stairway on the right. It goes up.
            PAUSE
              +22 1 don't feel good about this. I feel as though
            its familiar so.I may have messed it up.
            PAUSE
              +23 (Not audible) watches. Trinkets. Back to glass
            case. on the right. A line on the floor, dark
            on the otherside. Light in the front. A wood
            wall. . with curved places in it. Up high in
            the back. I feel gold. Glass. Its curved
            things from the dark with stuff in it. Okay.
            The glass thing has a . . glass thing has a
            bend in it but its sharp - 90 degrees. But it
            stops before the wall. The place is long.
            (Not audible) more in the middle.
              +25 Three tiers. Long things with more stuff on
            them. Three tiers. Square bottom. A break
            and another one. In the back on the right is
            a door. A big hole, no door. . into the back.
            Darker.
            PAUSE
              +27 The back is round too. The back wall along to
            the hole. Its narrow and skinny.
            PAUSE
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            #24.5: Jesus! I don't know what I've done. Ha ha ha
            #11: Ha ha ha
            #24.5: 1 just don't know what I've done.
            #11: Well, go ahead and draw it.
            PAUSE
                 #24.5: 1 have to go through this in two stages and
            the reason is because I stopped in mid-stride.
            One: Because when I started being concerned
            about where I was, it was too familiar, I
            stopped. And then I tried to get back to the
            . . anyway. I had this. . The first thing
            I had was a . . I'll take a right. . I'll break
            it right down to just what I got.
            Okay, let's just look at this as being. . you
            know, an aera that I can see in. And this was
            white. And I had the impression that I was
            looking down on #66 from an angle and off and
            so to draw this out of proportion he was standing
            in the middle of this thing. Right. So his
            legs were real short. You know, his legs were
            real small and everything. And his body just got
            much larger you know, because he was here. Or
            a person anyway. I don't know if it was #66.
            A person.
            PAUSE
            Being looked down at. . from above angle. Two
            then was. . this white thing was big and was
            square. Not perfectly square but squarish. And
            I had the immediate impression that there was
            stuff along the wall.
            #11: Are you still up above looking down?
            #24.5: Still up above, yeah.
            PAUSE
            Then. . I got. . These were glass. . Well, these
            were the cases. These were like cases. Okay.
            And I'm going to call them glass because I could
            see in them, but. . or see through them. I
            thought that they could be looked through. They
            might just be open boxes or something. Then I
            had what I think was here. . but I don't know.
            Three was was this. . Oh. . Okay. Was this
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            glass. . or this case. . one of these boxes.
            Okay. Damn it. Was one of these boxes and it
            was an angled perspective and I had a figure.
            Right.
                                          PAUSE
                               Was leavning over it. Okay.
            PAUSE
            Okay. Figure was leaning over. over the case
            looking in. But the case is
            #11: 33~ feet.
                 #24.5: No. Its not that big, its only like this
            is out of proportion. This is only I'd say
            30 inches. Okay. But its long. I'd say that's
            six feet. Okay. And then. . I'll think of where
            I was, what was I doing. Okay, and I wanted to
            say. . . Okay. No. I think. No. It'd be a
            different short for me to do that. Let me go
            to 4 then. The. . a case. . has - how would I
            draw this thing to show it right?, . . . .
            PAUSE
            And in here would be another one. And here
            would be another one.
            These are shelves inside the case. Okay. And
            the shelves have, you know, Mmmmmmm. . . stuff
            on them. I'll just call it stuff. Just any.
            small. . with . . with items. With stuff in
            them. Okay. Shelves in the case with . . this
            isn't yet the gold and the gold and stuff, okay.
            This is just shelves in case with things sitting
            on them. I'll say on display. All right. Then.
            After all of this, then I got. . how do I say it?
            Then, I tog the thing that made me worry about
            my situation. Okay. Then I got the, I'll label
            it - I'll tell you precisely what I. . what I
            ended up with. Okay. Second floor landing,
            outside Command Group office.
            #11: Okay.
            #24.5: And that's sort of what bothered me. Okay. So
            here I went back down to the square and I ended
            up with no equipment or anything. That's what
            really threw me. I went back down to the square.
            3
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            I ended up with . . that's wrong to draw
            that there. Okay. And I ended up. . Ha ha
            with . .
            PAUSE
            This is coming back, in perspective. Okay,
            this isn't going sideways in perspectives. This
            is coming back in perspective. That's the wrong
            angle. I want to just draw this thing here.
            Okay. This is, this is, you know what it is,
            its the side of the stairway. Okay. This is
            white, white, white, and in . . carpet line.
            and in here its light. Light in here. Dark
            object in here. (Not audible) Okay.
            #11: Um. hm.
                 #24.5: And. . . here would be 6. 1 got something
            other than the sides of this. This is what's
            really a curious thing for me. As 6 looking
            that way is . . and then,
            PAUSE
            Okay. How do I want to do this thing here?
            PAUSE
            But. . from where, from where I started here,
            this was supposed to be on the right. That's
            what I can't figure out. This was supposed to
            be. . feel leaning over glass case looking in
            on right side. Supposedly, in the live per-
            spective. Depending on where I was winking
            to would have been over here, this case on the
            right, right.
            #11: Um hm.
            #24.5: So, to put the whole composite together, then,
            if I am to rely on that part as being valid
            and the Command Group as being valid. Then
            that means that there's a glass case here some-
            where. I'm just going to draw it in in a dotted
            line. Okay.
            PAUSE
            4
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            -01MIJIL I
            But then, this is when I said to you, you
            know, I said, something's funny here. I'm off
            the beam or whatever words I sued. That's when
            because I knew where I was. I said its familiar.
            Right. And so, because its familiar, I was
            afraid of it because I was afraid of it. So
            for my learning experience let me go on to what
            I got. . after that. Which this may be entirely
            true. And I may have fabricated the second part.
            #11: Right.
                 #24.5: Okay. So Seven is going. . Seven is after
            conscious acknowledgement of familiar target.
            PAUSE
            Then I got back to Okay, then I got - how
            am I going to do this properly? Seven. Then
            I got, Okay, end up with the same glass case.
            Okay. I had that thing; it was looking right.
            Now, its screwed all up. Okay, the top of the
            case and the front of the case. . okay, that's
            90 degrees but it doesn't look like it in the
            sketch. A dark line here. Light on this side.
            Dark carpet. And shortly behind it then, I got
            as though this was a sales counter. Okay.
            And . . . a little shelf.
                 #11: 1 think we better flip the tape here before we
            run out.
            #24.5: okay.
            TURN OVER TAPE
            #11: okay, we're back on record.
            PAUSE
                 #24.5: Okay. These are the long curved things behind
            this sales counter or whatever it would be.
            And this has stuff in it. Okay. These are
            like dis, dis . . what would it be an enclave?
            #11: Um hm. Something like that.
                 #24.5: You know. Dark wood paneling. These are dis.
            I'll call them display enclaves. Okay. With
            stuff on shelves. And in here like are the
            shelves right. And at this point, the shelves
            took on have gold and glass, jewelry and
            & C, c' ~ **
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            stuff. Okay. And then trying to go to
            the back which was to 8, 1 ended up with
            This is the counter. Its amazing what perspec-
            tive does to you. And this is the back wall.
            Okay. This is dark. In here is . . this is
            like its a back passageway into the back
            storeroom. The only. . . the main thing here
            is that I got now was that its taking on a
            more rectangular shop shape. And that here
            are these three tiered things. Okay.
            PAUSE
            Does that look pretty good there?
            #11: Um hm. At least to me anyhow.
                 #24.5: They're free standing almost like an ice palace
            or something. You know, very, very modern glass-
            everything clean and sterile and all the rest of
            it. And meanwhile over here is the so-called
            standard display. Okay.
            #11: Um hm.
            PAUSE
                 #24.5: I'll write in the back here, storeroom. This
            certainly could be a lesson in . . .
            TAPE STOPPED.
            6-D" nrT
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            TAB A
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            TAB B
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