Approved For Release 2001/03/07 CIA-RDP96-00788ROO1400190001-7 ET INSCOM GRILL FLAME PROGRAM SESSION REPORT CLASSIFIED BY: MSG, DAMI-151i 05163OZ JUL78 REVIEW ON: NOT RELEASABLE TO FOREIGN NATIONALS GRTTJ@ 7 pj @QRCO Approved For Release 2001/03/07 CIA-RDP96-00788ROO1400190001-7 Approved For Release 2001103/07f-,C4 -00788ROO1400190001-7 RDP96 SUMMARY ANALYSIS REMOTE VIEWING SESSION 867 1. (S/NOFORN) This report provides.documentation of a remote viewing session conducted for training purposes only. 2. (S/NOFORN) The protocol used for this session is detailed in document GRILL FLAME Protocol, AMSAA Applied Remote Viewing Protocol (S), undated. 3. (S/NOFORN) Post session analysis on target viewing indicates the viewer had a considerable amount of correlation. Attention is invited to Report #868 on the same target. The viewer's attitude was positive. 4. (S/NDFORN) Following is a transcript of the viewer's impressions during the remote viewing session. At TAB A are drawings and narrative made by the viewer. At TAB B is target cuing information. Also included is available target data. NOT RELEASABLE 4@"'FORCITI@N NATIONALS Approved For Release 2001/03/07: CIA-RDP96-00788 ROO 1400190001-7 ORCON Approved For Release 2001/03/1@p_@,,P'_7""-" 96-00788ROO1400190001-7 Zj."! TRANSCRIPT REMOTE VIEWING SESSION 867 #66: This will be a remote viewing session for 0900 hours, 25 February 1982. PAUSE Relax now, relax, relax relax, relax and focus your attention on today'starget. Focus on today's target: 62 degrees, 00 seconds, 00 minutes North 127 degrees, 15 minutes, 30 seconds West Focus solely and completely on the target area. 62 degrees, 00 minutes, 00 seconds North 127 degrees, 15 minutes, 30 seconds West Perceive the target now and describe the target to me. PAUSE #25: 1 got an aerial view of ......................... #66: You don't have to tell me what it is. Just describe in the one, two or three ............ #25: Giant island, continent, five .... like an island but shack. it's not an island....snow _Q-p d Shack is like a border checkpoint. #66: Describe the raw perceptions that you had that lead you to this conclusion. Don'ttell me your conclusions. Just tell me the raw perceptions. #25: h' of a road in the snow, sn,,ow c.Q.,v W jt&_,_1mpress1on _V -_-q_r e d_, f-ons of-snow on the sid6_._.Am-0@Fbs§'ion of the shack.'--.... impression of a rod coming up from the shack across the road. Small shack with an overhang #66: Describe the terrain to me. #25: F14-tP snow ... never saw ................... ....... ............. brillia'61 white, one aerial brilliant wU #66: Describe the principal terrain feature in the target area. PAUSE jr ;, No, Approved For Release 2001/03/07 : Mr-M)FtS10788RO01400190001-7 Approved For Release 2001/03/07 C 6-00788ROO1400190001-7 ^: r @. ff"', 1? #25: 1 just get a road. #66: Describe the road to me. #25: Snow packed ... like ice .... #66: Describe the activity. #25: Small building. Keep wanting to put mountains in that place, but ... snow on the mountains with S p r u cp-.. - I i k e --trv6e s-,gL-.1-rgqs . #66: All right. Let's.change your perspective. Position yourself so that you.can observe the target, and tell me when you 've done so. PAUSE cabin, not at this shack .... #25: 1 got a small lake. lo, #66: Okay. Position yourself 100 feet above the target ...... looking down at the target. I want you to fix yourself in a point of observation and tell me when you've done so. P A US E #25: Roof tops, snow, heap snow ....... #66: Are you positioneT #25: Yeah. #66: All right Now, maintain a fixed position, maintain that position. Orient yourself to the target, see where you are, and maintain that position. Now, close your eyes, close your eyes now and think for a moment. You know you are at the target. You know where your perspective is. If you were to open your eyes you know what you would see. Keep your eyes closed and listen to th.e sound of my voice. We're going to move now through time so that we might better perceive this target. Keeping your eyes closed you know you are at the target. You're holding fast to the target, but you can't.see anything right now. Now, when I count to three you are going to open your eyes. I will count from one to three and you will open your eyes. But, this time when you open your eyes it will be the summer of 1982. It will be the summer of 1982, and you will describe the target to me. Keep your eyes closed now and listen. One, two, three. Open your eyes and describe the target to me. Approved For Release 2001/03/07 C12-9, 788ROO1400190001-7 Approved For Release 2001/03/07 0788ROO1400190001-7 #25: Wooden buildings, tin-roofs, boats on the-water, fishing, small boat ... packed with people... #66: Describe the surrounding to me. #25: 1 get lots of.tall trees ... green, Pine trees..... lots of Pine ... mostly Pine ....... high, up ... above sea level . #66: Tell me the raw perception that gives you this conclusion. I want only the raw perception. #25: Air is thinner. #66: Tell me about your road now. #25: Dirt...cut out of ... dirt...sides are a little higher ...... --than the road in places. #66: Follow the road to the target, and tell me what it looks like as you approach. Describe the target as you approach it from the road. #25: There's: a_I-ake-, smalT'Iak-e@ ...areas are flat.... part of ihem mountains..,S@e a peak behind it... no snow ... tons of people on the water with boats, fisherman and stuff. #66: Position yourself above the target now. Just tell me when you're ready. #25: Okay. #66: All right. The summer of '82 move up now, up, up, higher, even higher, and higher, 50 thousand, 100 thousand. #25: Stop. #66: D e s c r i b e #25: 1 get and a.... .,co ne to the right. I get C impressio; f anada,U-ort-h---America.. ana@d?a L 07 e East...Atlantic Ocean .,State o in 6eps coming U p . #66: Okay. Now go ..... wait just a minute. Those are conclusions. Tell me about the raw description. The raw description. Not the conclusion ... the raw data. 3 Approved For Release 2001/03/ 96-00788ROO1400190001-7 Approved For Release 2001/03/0T: 6-00788ROO1400190001-7 #25: I'm going to have to draw that. #66: All right. Fine. Continue. #25: Coastline in the right side... #66: Wherels,the sun? #25: It's in front of me #66: All right. If the sun is in front of you, and the coastline is on yourtthen you are facing south. Put your back to the'sun. #25: Screwed up. Okay. #66: All right. Now, you have a little chance to reorient. Now, look down and describe. #25: Coast1irib I's still on the right. #66: Where is the sun? #25 In frpnt. #66: All right. That's fine. Now, down, look down. Describe your altitude to me as you look down, and then proceed with the area description. #25: A 100, 100 miles. I don't,know. I have no idea .... #66: Fine. Go on. #25: 1 see a coastline that goes for miles, thousands of miles. #66: Point to the target. Tell me where the target is in relation to other things. #25: Uh..Ilm upside down..screwed up. The target's, just below me. The target'sin the north end of the hemisphere which is behind me. #66: All right. I think I understand the descriptive problem here. Move down. Knowing with your perspective now move down, further, further, further, down, down, down, 10,000 feet. #25: Okay. 4 Approved For Release 2001/03/0 &APIvr- nn788ROO1400190001-7 Approved For Release 2001/03/07 41-141-@-?*266 L-00788 ROO 1400190001-7 #66: Now. #25: 1 get a lake with-mountains around it. I can't. see much close to ....... I can'ttell ....... near the ocean. #66: Describe the word near to me. #25: Two to five hundred miles. #66: Now, I would like-to ask some other questions about this target. Is this a place you would like to visit? #25: Too many people. Crowded, and I don't want to go there. #66: Good, good. Very good descriptives.. That's. the kind of thing I wanted you to answer. Tha-t's-good. You didn't give me a yes or.no. You gave me all your impressions about that. That's, very good. All right. Now, I have no further questions about the target, but before we prepare to draw it's, necessary to come back to present time. So, close your eyes at the target now, close your eyes at the target, and when I count to three it will be -%owl February again, February 1982. One, two, three. Open your eyes and now i-t1s.February. #25: Okay. #66: Now, I have no further questions about the target, but I would like to allow you the opportunity to comment as you see fit. #25: 1 get an impression of recreation and research #66: Describe the raw impressions that lead you to that conclusion. #25: 1 can't.describe that. I dont.know I can't. describe that.- Recreation may be analysis. Research is..... no*.. #66: Okay. I can tell from the inflection in your voice and your-means of communication that you are no longer on the target. But, before-we get up to draw go ahead and continue your statement. 5 Approved For Release 2001/03/07 mip~~FW1400190001-7 Approved For Release 2001/03/07 :0'.. -D gf-00788ROO1400190001-7 #25: All the buildings had something to do with research. I don't know what it was. #66: All right. Fine. Very good. #25: That's,it. #66: Let's, prepare to draw now, the perceptions that you have had. 6 Approved For Release 2001/03/07 : CIA-RDP96-00788ROO1400190001-7 Approved For Release 2001/03/07 : CIA-RDP96-00788ROO1400190001-7 I TAB I Approved For Release 2001/03/07 : CIA-RDP96-00788ROO1400190001-7 Approved For Release 20 w @ fFm96-00788ROO1400190001-7 01/031,Hq' am REMOTE VIEWING SESSION 867 (DRAWING NARRATIVE) #25: Okay. We're going to describe the drawings now. Drawing 1 is an aerial view with a coastline . with the direction of the sun...part of the coast that I thought was like Greenland, and ocean and in- land which is a big mass ........ This is what I first thought was an island ... a huge island. Like a continent. #66: You're pointing to the upper right of drawing number I? #25: Yeah. This Greenland area up here became more towards on the land ...... ah ...... part of the continent, rather than an island...a continent by itself. #25: Drawing 2 is the drawing of a lake that I thought I saw. Im, not sure this is the shape of the lake, but I know it was long and skinny. There is a building up here above the lake that sits on higher elevation, and these dark lines that are drawn in here are elevation lines. #66 Contour ....... #25: Contour lines, yeah.. It has something to do with the lake and recreation, I believe. The-Pinetree-s I trie-d to' j"U'st give you an idea of where they were in relation to the lake. And, the small buildings over here to the left of the page, labeled small building,s., had something to do with research. But, I-c-o'014 not find out why I believe-that. #66: So, to reiterate, in asking for the raw impression that says research to you, you simply cannot answer that question. #25: Right. I do not know. There was nothing that I ....... I didn't even get a good, as you will see.later, a good idea of what the buildings look like., Except that they were small and had grooves on them and they were made out of wood. But, I did know that they were involved somehow with research. #66: And that was where you said recreation and research or something. Approved For Release 2001/03/07 : CIA-RDP96-00788ROO1400190001-7 Approved For Release 2001/03/07: 788ROO1400190001-7 #25: Yeah. it was kind of like I was in this, this area between the small buildi.ngs of the Take and I'm looking to my right and this recreation, and looking to my left to see what's-t;'@@dfd- and I was thinking it Is research. But, I don It know, Drawing 3 is the shack, a poor attempt with the shack with the snow on the roof and the log design. I've drawn this like a To cabin,, but, it was more I i k e a j4a_,atAc.k- .,Iwas muc "r6aller than it appears in my drawing, I think. And, it had an overhang in front of it that I can't, draw in because I'm just not that, not an artist. #66: At one time you said this was a guard shack, and I was concerned that that was a conclusion on your part. #25: Yeah. Well, it had this long, that I've labeled now pole in pencil, sticking out from it. Like that across a road which gave me the impression that it was a guard shack, a check point like ........ #66: S031 it could be for a toll road or what else. T 'o #25: Yeah. If to a park anythin440a-t A@wi 14-cTUT-eyou to stop and be controlled. I guess I did ..... description ....... that would be some sort of control point, I think. Drawing 4 is a drawing of the small buildings and it's.very vague but it's just the impression that I had of the small building. The wood sides, and the wood going long ways instead of flat ... ah ..... horizontal, vertically instead of horizontally ...... You can see there is no detail in this, and these buildings had something to do with research. I don't know. Drawing 5 is the road just beyond the guard shack and I've drawn it from a different perspective across the street ...... #66: Is this summer time or winter time? #25: Well, I don't.know. #66: As I look at your drawing, suddenly it looks like snow on the side of the road. but you said it was - --7 -T Approved For Release 2001/03/07 : CWRDPO" 788ROO1400190001-7 Approved For Release 2001/03/07 : CIA-RDP96-00788ROO1400190001-7 #25: ItIsdirt and snow. What I thought was piles of snow from the winter time, I think, was actually a dirt ......... #66: Embankment or something? #25: Yeah, yeah. And,. it was just covered with snQA..- So, there may not be that much.@@. But,-FFT@- drawing is of the same perspecfive that I saw the guard shack. So, that if you laid this out something like this ...... #66: Okay. You could put drawing three and drawing five together and the road that you mentioned in drawing three is the road you've done in five. #25: Yeah, yeah. That's.how it works. Something like that. That's all I have. #66: Okay. Now, give me those four or five broad descriptor things of what you've got here. #25: 1 h a v e a I ak-e - -OR-- 5,urrounding terrain is mountainous, Pagoing to say - r-F e not "t-b-61 ly";hi-g'h mountains .......... #66: Okay.. One time you thought you were above sea level ........ #25: Yeah. I know that I was above sea level. That's why.....1 was trying to get that impression of _mountains but not not being..... of beini in the beinq-su.per,,high.. . .11-le the mountains. north, here in Pennsylvania.....i~~'O~.~,;;i'* y that high. Maybe two, two, three thousand feet above sea level, but.still mountains ...... are considered mountains. #66: You didn't,feel you were on a Mt Everest type situation. Extremely high peaks or Afghanistan passes.....that are, you know, really high passes. #25: No. I didn't have any feel for that at all. I was not connected ... Pm.not even sure I ever connected with the ground. I thought I tried to to get that impression. But, Panot sure now that I did since I did so much zipping around in the aerial shots and stuff that I don't know ........ You know it could be, but I don't,know that. #66: You were high anyways. Approved For Release 2001/03/07 : UA@Kur,@ft-L 001400190001-7 'W" e@@N -@ . ,@, VTMIII Approved For Release 2001/03/0 D -00788ROO1400190001-7 #25: Yeah. (Laugh), In altitude. #66: Okay. What kind of confidence level do you have in the @ session? I don' . @-,J; #25: don't t know. good today , ... you know, Er-i'e'd, as I could I - e '6 don't know why, maybe to get more correl ation for myself. Because, I really needed it aft er the last couple of sessions. But,.I have a good feeling about this one as before I hadn't had ... the last two I hadn'thad. #66: Okay. Anything else you would like to add? #25: Nope. Approved For Release 2001/03/07 CIA-RDP96-00788ROO1400190001-7 *WPPOI- I "It -2 ";;z-I- i@n --@I Approved For Release 2001/03/07 : CIA-RDP96-00788ROO1400190001-7 Approvedftr-Release 2001/03/07 A --",\ r : CLA-RDP96-00788ROO1400190001-7 Approved For Release 2001/03/07 : CIA-RDP96-00788ROO1400 Q@ a V @N Z.- jmx V.\ f -I ra m Appr ved Fo elease 2001 ffL$-IP96-00788ROO1400190001-7 Approved For Release 2001/03/07 : CIA-RDP96-00788ROO1400190001-7 00 N'@, / f \\\@t! \ Approved For Release 2001/03/07 : CIA-RDP96-00788ROO1400190001-7 Nkaw- Approved For Release 2001/03/07 : CIA-RDP96-00788ROO1400190001-7 Approved F# Release 2001/03/07 CIA-RDP96-00788ROO1400190001-7 be Approved For Release 2001/03/07 CIA-RDP96-00788ROO1400190001-7 Approved For Release 2001/03/07 : CIA-RDP96-00788ROO1400190001-7 I TAB Approved For Release 2001/03/07 : CIA-RDP96-00788ROO1400190001-7 CPYRGHT Approved For Release 2001/03/07 CIA-RDP96-00788ROO1400190001-7 anni Nah IUAIN ADA: S WILDERNESS PARK 111 Forces of nature consort to create masterworks along the gallery of the South Nahanni, the Nahadeh or Powerful River of Indian lore, now lifeline of a national park in the Northwest Territories. Roaring cataract at the heart of the park, 294-foot Virginia Falls splits against a limestone steeple. Once considered for hydroelectric development, the falls remains the only unharnessed Canadian chute of its height-more than one and a half times Niagara's. Approved For Release 2001/03/07 CIA-RDP96-00788ROO1400190001-7 + 1.#_7 Nihan 1'1\1't' ILAS ni National tAoll WON Park 9 RITORY fo So,\ rsfe"t J" S%m LAI FO'+ Uard a n@ ALASKA I 1HWY, E, . ....... . JPCI ific ITISH Oto qu B ADA Wy, Ocea, 41V 0 KM 300 Vanco 4" 0 MILES 300 10. Onty river highwqys cross Nahanni National Park, 1,840 square miles sei aside in 1972 to mark varied chapters in Canada's geologic history. The park harbors 240 miles of the southeast. flowing South Nahanni and much of its Major tributary, the Flat River. FOw butJndian hunters kne Approved For Release 2001/03/07 CIA-RD Approve Oe 0 if - */ @, ?w OV OV W04100W. 12910 /@7, JO -*V 4wnr- Approved For Release 2001/03/07 : CIA-RDP96-00788ROO1400190001-7