Approved For Release 2001/03/07 : CIA-RDP96-00788ROO1400220001-3 ^ T% EUITT S INSCOM GRILL FLAME PROGRAM SESSION REPORT CLASSIFIED BY: MSG, DAMI-ISH 05163OZ JUL78 REVIEW ON: NOT RELEASABLE TO FOREIGN NATIONALS GRE-jL-FLAME, ORCON T Approved For Release 2001/03 9qlaqT§AU01400220001-3 E9,1 S' - BIG- Approved For Release 2001/03/07: CIA-RDP96-00788ROO1400220001-3 AXU:AiAL I SUMMARY ANALYSIS REMOTE VIEWING SESSION 872 1. (S/NOFORN) This report provides documentation of a only. remote viewing session conducted for training purposes 2. (S/NOFORN) The protocol used for this session is detailed in document GRILL FLAME Protocol, AMSAA Applied Remote Viewing Protocol (S), undated. 3. (S/NOFORN)- Post session analysis on target viewing indicates the viewer had a considerable amount of correlation. Attention is invited to Report 871 on the same target. The viewer's attitude was positive. 4. (S/NOFORN) Following is a transcript of the viewer's impressions during the remote viewing session. At TAB A are drawings and narrative made by the-viewer. At TAB B is target cuing information. Also included is available target data. a C in C C] OLUIM. r Approved For Release 200ttD3W~,A~,~ctxRDP99~(107~ORM1400220001-3 Approved For Release 2001/03%ipffi iV@96-00788ROO1400220001-3 TRANSCRIPT i REMOTE VIEWING SESSION 872 #66: This will be a remote viewing session for 1400 hours, 9 March 1982. Relax now$ relax, relax and concentrate solely and completely on the target for this afternoon: 35 degrees, 50 minutes, 15 seconds South 151 degrees, 10 minutes, 30 seconds East Focus solely, accurately, completely on today's target...focus on the target, concentrate now and describe the target to me. PAUS E #25: See island, circl@.....Palm trees. aerial view...bunch of small islan @eie) Caribbean..... #66: Focus now on the target in question. Mov-e closer now, focusing- closer and describe the selected target to me. #25: A pole ... it's a Palm tree or a pole ... @-ne pole. See a (mumble) shape, reach..,s--cove.,,.-,.1 Corregated...metal shack up here. #66: Describe your position of observation, #25: (Mumble)..@.@'sand on the beach. #66: Are you-alone? #25: Someone behind me. #66: Describe the activity around you. #25: Road, ... drain, drain pipe. #66: Describe the activity around you. OLUTWX Approved For Release ?APlffl4P7Btf4,#iRRFPf:tTPPM#WO1400220001.3 Approved For Release 2001/03/07. DP96-00788ROO1400220001-3 #25: I'm getting ' a vague impression of soldier. #66: Describe impression to me. #25: Small...man, boy ... Spanish...linguist ........ (m@umble)uniform, green fatigues .............. #66: Move up over the target 100 feet, 200 feet and look down and describe the area to me. #25: Road...overhead to the north ... water on my right ... land on my left (mumble) #66: 1 have no further questions about this target. However, I would like to allow you some time to explore and comment as you find necessary.. Proceed. PAUSE #25: 1 wonder if it's,a small strip of land and part of a bigger piece (mumble) That's, it. #66: Okay. Remembering now everything that you have perceived let's. prepare now to draw the images you have had. Approved For Release 2001/03/07: CIA-RDP96-00788ROO1400220001-3 Approved For Release 2001/03/07 : CIA-RDP96-00788ROO1400220001-3 I I TAB u Approved For Release 2001/03/07 : CIA-RDP96-00788ROO1400220001-3 Approved For Release 2001/03/07 : CIA-RDP96-00788ROO1400220001-3 ornpr REMOTE VIEWING SESSION 872 (DRAWING NARRATIVE) #25: The following is a description of the drawings. Drawing I is an overhead view of the ... that I got earlier in the session and at the end of the session also. That is, that the target is an--- island or a part of a..or a peninsula which is part of another large land mas,@_or a thin strip of aand -macs-s-'s P -"-somewhere in .P'. - It the CarlbbO Farea or down %2outh seemed to be directly south o my fee'e"tas I use 0@ mv them as the site for where it was,,"I'na water and land are indicated with an island or peninsula where the target indicated as a group. Not nec- essarily (noise in tape unable to hear) ......... one island. Yet, I seem to have drawn it to that one little bittie island that I've drawn here in pencil. I had two problems with overlay that caused me here . ...... I went to a place I knew in Florida that probably looks like the target ... something like it. Reminded me ... the target reminded me of #66: Tell me some of those descriptors that make you say that. #25: Uh, the cove thing which I'll get into in the next drawings. Drawing 2 is an overhead shot of the cove or a small..LaZ. and it had a tropical was,Sg,77- It was not It W@s, there'-W@s v6ry little activity there. This cove that-I've drawn here has some of the characteristics and shapes to Palm Bay, Florida, which is near my home where I grew up ..... which makes me think that part of it might be overlay. But it definitely has to do with water, I think, the target does. #66: Again, if I understand this, you see something ..... and now ... was it during the session that you recognized that you had a memory problem with something that you knew or is it now that you're recognizing it? *aim. Arfirl-, OLURL @: lonns TIOSULEASA'B'LE TO 'FOREIGN NAT 7 Approved For Release 200170 7 : CIA-RDP96-00788ROO1400220001-3 Approved For Release 2001/03/0 nP96-00788ROO1400220001-3 6 f W. #25: No". It was during the session. That's why I didn't.report. The road here is definitely there in Florida in relationship to the cove. I hesitated to draw it in here, and I hesitated to report it in the session. I don't.know if I did or not. I believe I did. But, anything else that I could recall from memory, I knew it was memory, I didn't report. Such as the store nearby here, another road that comes- into T at the...right at the cove. A hill mass over here and a hill mass over here on either side of the cove. Those things, I thought were overlay. But, I did get an impression that looking out through pieces of land that almost came together but that.were not together that was water separated them ........ and I looked out through those. I don't think that was necessarily (mumble) ... The'pier and the tin shack which I've drawn here', an"-@@ label tin shack ... I don.'t, think that was overlay. Because, I'm trying my best to remember....actuality-of Florida, but they're not there, I don't.believe.. And, it's like a little tin shack corregated ... metal, and I say tin shack, but, it's.actually corregated-metal ........ out on the pier. In this drawing I've indicated a pole which I could not distinguish between a telephone pole and a Palm tree ... and it seemed to have those @spikes, those metal spikes coming up out of it..... like you would use to climb a telephone pole ....... But, it also had the texture of a Palm tree which made me think it was a Palm tree. So, I couldn't tell. So,-I just gave up on trying to distinguish that. The star in drawing 2 is where I felt the presence of the soldier. When you asked me what activity was going on, I cou.ld see nothing but I felt like something was going on and that someone was behind me .... something was going on behind me. So, I kept trying to locate the person that I knew was behind me that I also knew was a soldier. I finally saw...had visual type images-I think ... I must have created from impressions that I don't, recall ..... of an individual who was young, wore green colored clothes and had a rifle. And, he had a function there, and it was not one of pleasure. He was doing it for fun. He wasn't.there for fun. He was working there. #66: Okay. ft Approved For Release 2001/03/07 4@@0788ROO1400220001-3 Approved For Release 20011011trollo 10 96-00788R001400220001-3 #25: Drawing number 3 is an attempt to draw a perspective of drawing number 2 with the Shack indicated the young soldier, the beach, the cove ... 1'13 label this .f unny looki ng th i ng-t-trre a 77-3111r-Mee because I saw sort of a vague tree line, but it was sparce and not thick, except real near the ground it was thick. #66: Okay. #25: And the road is-also indicated there which I now sincerely believe was overlay. #66: Okay. So, you-say you had some overlay problems because in some of the things tha-t you-saw you thought you were seeing a bay that you remember growing up in Florida. #25: Uh-huh. #66: How do you feel about this session as far as your ability to co-ncentrate and the type of imagery that you have. What emotional feeling do you have about this session? #25: Wel I , I had a lot of probl,em's"with- oY,e,rIa.y, but I felt I fkz- b11,et ote I what was overlay and what wasn't. overlay today ni, so, therefore, ' I do believe that the -L4r; e t aZ island or a-peninsula.or ... wha-f--d -o Yd- call a strip of n ' of a continent that goes ... C t i n e,,rA %.a L"je, . '-C-e5-traI America, Panama type area ........... iUe then piece of T#A(L-w a lot of water around J@,. ;@ -- ' e problem Z'MM6 r4ting at , a Eo so. I had so@m @ p I e of points in the session, but that was noise, I think that just caught my attention here, and distracted me to here. I felt like some of the... when I was able to concentrate, the quality impressions seemed clearer today. #66: No other comments? #25- No other comments. #66: Okay. Fine. Approved For Release 2001/03/07: CIA-RDF`96-00788RO01400220001@3 Approved For Release 2001/03/07 CIA-RDP96-00788ROO1400220001-3 Approved For Release 2001/03/07 CIA-RDP96-00788ROO1400220001-3 Approved For Release 2001/03/07 CIA-RDP96-00788ROO1400220001-3 -kq Approved For Release 2001/03/07 CIA-RDP96-00788ROO1400220001-3 Approved For Release .2001/03/07 CIA-RDP96-00788ROO1400220001-3 0- \0 V) Approv d For Release 200\1103/07 CIA-RDP96-06@88RO01400220001-3 Approved For Release 2001/03/07 : CIA-RDP96-00788ROO1400220001-3 AB .I . T Approved For Release 2001/03/07 : CIA-RDP96-00788ROO1400220001-3 proved For Release 2001/03/07 CIA-RDP96-00788ROO1400220001-3 CPYRGHIAP Sydney Yellow shows built-up areas. Open areas in gray 0 KILOMETERS 5 0 STATUTE MILES 5 DRAWN BY JANE WOLFE COMPIL D BY GUNARS J. RUTINS NATIONAL GEOGRAPHIC ART DIVISION Home to one in five Australians, Sydney- capital of prosperous New South Wales on the continent's southeast coast-spills beyond its five-square-mile limits to encompass a greater metropolitan area of more than 1,500 square miles. In 1770 explorer James Cook, sailing from Botany Bay just to the south, bypassed Port Jackson. Eighteen years later Capt. Ar- thur Phillip-after finding Botany Bay un- healthful- explored the more hospitable Port Jackson and discovered the magnificent an- chorage of Sydney Cove. On its shores he founded the convict colony that would ulti- mately burst its chains to become Australia's greatest metropolis. Bate Bay 7 Port ;_Xacking 4A. 34 1A it "I- /;FWll A2, lz Approved For Release 2001/03/07 : CIA-RDP96-00788ROO1400220001-3 Approved For Release 2001/03/07 : CIA-RDP96-00788ROO1400220001-3