Approved For Release 2000/08/07 : CIA-RDP96-00788ROO0600450001-7 .%awl INSCOM GRILL FLAME PROGRAM SESSION REPORT CLASSIFIED BY:MSG,DAMI-ISH DATED: 051630ZJUL78 DeLel NOT RELEASABLE TO FOREIGN NAT1,ONALS REVIEW ON:2~ C - 'GRILL FLAME. c2 Approved For Release 2000/08/07 : CIA-RDP96-00788ROO0600450001-7 .nCannv., Approved For Release 20 10, ~--,~DP96-00788ROO0600450001-7 SUMMARY ANALYSIS REMOTE VIEWING (RV) SESSION DCC-28 (S/NOFORN) This remotb- documents a remote viewing session conducted in compliance with'a request for information. 2. (S/NOFORN) The remote viewer's impressions of the target are provided as raw intelligence data, and as such, have not been subjected to any intermediate analysis, evaluation or collation.. Interpretation.and use of the information provided is the responsibility of the requestor. 3. (S/NOFORN) The protocol used for this session is detailed in the document Grill Flame Protocol~ AMSAA Applied Remote Viewing Protocol (S), undated. 4. (S/NDFDRN) Following is a transcript of the viewer's impressions during the remote viewing session. At TAB A are drawings made by the remote viewer reference his impressions of the target site. At TAB B is target cuing information provided the remote viewer. 5. (S/NOFORN) This remote viewer has worked against this target in the past (see DCC-16). NOT RELEAqAQ z-'REIGN NATIONALS VINT- , - 0&0,;WJ.N§L: Approved For Release 2000/08/07: CIA-RDP96-00788ROO0600450001-7 Approved For Release 2000/08/07 : CIA-RDP96-00788ROO0600450001-7 -AM = Ulf IL TRANSCRIPT REMOTE VIEWING (RV) SESSION DCC-28 TIME #14: This will be a remote viewing session for 21 April 1981; mission time is 900 hours. PAUSE SG1A All right #31 the time is now 9 o'clock. Your mission for today is to locate I want you to focus SGlAon ~~at his work. Focus at his work. SG1A Relaxt concentrate, focus on nd describe his SG1A surroundings. .PAUSE Li +04 #31: Hmmm.ah .................. I, ah .... builtq milti-story building about .... three or four stories, and, ah, it got an 'IL'' in it and.40interior corner. Somewhere ..... somewhere in the 'ILI' interior 'ILI' was this feeling of a angled railing from left and to the bottom right.... the ribs or (mumble) .... in the foreground. Then I was in a wooded hillside up above and behind a building. As though I was looking down the ..... forested hillside on to,the-back of this building .... seeing it's a roof. A lot of it 1. couldn't see though, because of the hill .... being in the way. Ib'stas~-though the... building is set at the bottom of a hill. Let me clear and then give me a ..... target me again. #14: Okay. #31: Give me about a minute. PAUSE #31: Okay. SG1A #14: 1 want u now to focus on Focus on SG1A iiiiiijand describe his job. Describe the type of work this man does. PAUSE +10 #31: 1 keep getting this amphitheater feeling ... an audience ... and he's in the audience. The, that~ slightly up on.. up in back away from something that's happening, but he's not interested. He's... like .... a person whWis--Ji~,hening to a ... speech would be. He's not really interested. He's sort of ... mind is wandering as he sits in a row seat, and that's one impression. Only one impression.a .... ......... Approved For Release 2000/08/07 : CIA-RDP96-00788ROO0600450001-7 Approved For Release 2000/08/6f,, ~'6-00788ROO0600450001-7 #31: Just a minute. PAUSE #31: .... said show me some action regarding his work. Down a street and ...... in a...... up a little stairwellp and into a..... side of a building to the left of ..... some,pillars ....... I keep seeing him sitting with his arms crossed across his stomach upright in a chair with his legs crossed ....... and usually musingly uninterested. PAUSE #31: I....looking at his hands. I'm not getting much interior type office place at all. I'm getting a lot of movement. Like the guy gil ..... has a base of operations ..... that really much of his employment is done at other peoples offices..... doing other things. You know. Like.....1 watched his hands. ......He .... *seems to carry a briefcase. I'm watching his hands ...... I'm like walking along next to him down a street. He's wearing a coat. A dark full-length coat, like a raincoat. It's a little cool yet, still he's got gloves on, I think. But, he doesn't have a hat on. I'm trying to get him to show me where he works. PAUSE +15 #31: 1 keep seeing him walking down a sidewalk. This feeling of big city ..... buildings, cemented block building on my.left. I.keep getting this big federal office building feeling.... type of situation. I'm going to get in the hip pocket and let him take me to work, and then, ah ....... #14: Okay. Very good. PAUSE +20 #31: I'm in a hallway now.....out.side a door .... I still have office type feeling....having place type feeling.... just get the feeling of a ...desk ... umm ... desk opposite the door and some sort of a high ceiling room .... some 8 .ort of .... not tables and formally (phonetic) set chairs on the left and the right .... like he sits at this table, his desk in the front of the room. It's not very long. It's only about 20 feet long. He seems.to sit up straight in a chair and he crosses his hands in his .lap and he listens 'to people, and two which he looks at which are back sitting in the other chairso and he looks at them ..... like they are giving tests and givihg,testimonyq or like theylre,asking a favor or like they are explaining a problem and he sits and listens. He's sort of one step up above themp you know. He's like ....... Now, I'm sitting on his shoulder 2 nrnnr a-ILUIM 1. Approved For Release 2000/08/07 : CIA-RDP96-00788ROO0600450001-7 Approved For Release 21000/UOI Lu.=T--00788ROO0600450001-7 Nftwolol~ #31: .... and I look down at what he's readingt and it's a document .... I could have sworn when I.looked at it, it had ..like a book and ... like document that had pullout- maps on the right side .... something to do with Balkans, Balkans something or other. PAUSE +25 #31: 1 see ah ..... hings again (phonetic) punching...and carefully moving,keys on some sort of a machine that sits to the left, small, little machine about the size of a typewriter.(Mumble) is on the (mumble). PAUSE #31: Feeling earlier that he was .... had something to do with translations. That he .... seemed to have read these documents ... like this document on the Balkans and that he would.read them and translate themp and that he would type them, and both a translator as well as a writer. He writes documents and works on some sort of a machine like a typewriter. I don't .know. It's very, very difficult. It's a very difficult, non- action job, and it's difficult to discern the data within the non-activity. I mean, as if he was a jack hammer operator it would be easy, but this is a non-activity thing. Because it is, it resembles conditions ... so many others, it's difficult to find out what it is. #14: Okay. I have no further questions at this time. #31: Well, let me spend a couple of more minutes and see what I get. #14: Okay. PAUSE #31: Ummm the imal imagery I'm gettin' is some sort of a youngish woman, maybe ... 30 who has close bobbed.hair, and it's sort +30 of brown hair, page boy like, sort of a.... stocky, solid body. Fleeting moment I saw the .... jail bars in the foreground. As though this woman was in jail, and that he had had something to do with it or with her .......... That's all I'm getting. I don't know. I'm not getting anything.. #14: Okay. #31: Well, sketch I is my opening imagery in this.session. Some sort of a building in the background... I had the feeling I was outside this building on the edge of the sidewalk Approved For Release 2000/08/07: CIA-RDP96-00788ROO0600450001-7 Approved For Release 2000/08/07: CIA-RDP96-00788ROO0600450001-7 _"n n Ht #31: ... and there was some funny slanted feature there. Slanted likes which...,are in the foreground of sketch 1. And, these things ..... I don't know what they are. Butq they were slanted lines like a set of hand rails would look likefor escalators or staircases or something. like that. . And, that's just a possibility. I'm not saying that that's what it was. Because I didn't see any steps or anything. Then sketch 21 1 believe were I was, was on the hills behind the building in sketch one. On the hillside up there. And, that the same structure nestles back into thehillside and there's a forest-of trees in the foreground, and everything else, you know. Feeling like I'm on the edge of the city. You know. Sketch 3 we.got our guy is not at a concert, but some sort of a public discussion. He's sitting in one of the seats; there are people all around him, and it's like in a small shallow amphi-!, theater. Like you might find in, welIg, now that I think about it, like you might find in a collegeg classroom type of thing. A very.small thing, and like all the professors might get together and have an administrative discussion using one of the ~-_amphitheatersq uh....'.something like that. He's there sitting, he's sort of board, you know. It's a boring speech or discussion. You know how. people put their head in their hand, and just sort of..... you knowlikewe are around here all of the time (hag ha, ha, ha). Uh ... 4. God knows. I don't know what it is. Four is the guy, and I had the feeling I was looking over his shoulder reading a .... he was reading a book which appeared to be .... some sort of a pamphlet. Like an official pamphlet. Like a trave log or like a DA ... it was in format like one of our DA pamphlets you know, stapled thick, heavy, heavy bound staples, and there's a pullout.map in this thing, which I thought had to do with the Balkans, was the word that came to me. Andt he's sitting at a desk, and then in the foreground in front.of him, which is the background of the picture there.are like row like seats. Like pews there, as though people come in and they're ... it's open dis.1 ... not open discussiong, but people come in with complaints or problems like counseling problems.....I have no idea .... what and it just so happened that there wasn't anybody there now, and so he was sort of goofing off. He was reading this brochure waiting for someone to come in. At this point in time,-I thought that maybe his job was translation until I looked past him into the foregrounds I saw these seats looking the other way. It's not like he's in an office with everybody with their backs to him; they would look at him. And, there are no other desks in there. I just can't...1 can't figure out what the guy does. It's something very low key, very academic. #14: You described a key punch type machine. 4 MA ornny-1 UITE. I Approved For Release 2000/08/07 : CIA-RDP96-00788ROO0600450001-7 Approved For Release 2000/08109 -0788ROO0600450001-7 #31: Oh, yeah! That's something I forgot. When he was reading this it seemed like he might have been monkeying around with something with his left hand which looked like a ..... call ... not calculator ..... looked like a typewritert maybe. Something with keys and things, and he would move and adjust those things. I don't know what..... I can draw a sketch of that, if you want. #14: Yes. It might mean something to somebody. #31: Yeah. But, as far as I can figure out, the guy's got a non- active, he's non-active, he's ... as I was trying to describe in the session, there ate probably so many things that people. do that are like this job anyway, you-!know. It's hard for him, it's hard for me to describe what it is.....to find out what it.is and describe it. The.....it's academic, it's quiet, it's reading and listening and talking to people. He does move about. He does carry a briefcase to and from work, I presume. Because, I kept seeing ..... and I had the feeling that some certain aspect,: of his work took him out on the streets. Like going from place to place, going from person to person or something, but not like a courier is. He's not like picking things up that are secret and carrying them. That's only a .miscellaneous part of his jQb where he has to go somewhere and talk to somebody. It's about as important as somebody walking to the library. It's about as important as this job is...as that part of a job is... the walking part of it. And, for the life of me, I just can't figure out what it is he does. #14: Okay. #31-. Okay. And added sketch 5, which is the typewriter device that sits on the left. It's operated with both hands. It's a.. gray, grown (whistle) brown, gray metallic casing and has push keys and then some sort of a slide thing on the right. And something that either appeared to be a hole or clear up top like, like a view port Or something. I know that-it looks like an adding machine, but I believe that it's really more like a typewriter. Okay? #14: Okay. That is all. #31: Thank you. Ch FM AMIM a~ U,441L I Approved For Release 2000/08107 : CIA-RDP96-00788ROO0600450001-7 Approvedfor Release 2000/08/07 : CIA-RDP96-00788ROO0600450001-7 I TAB P Approved For Release 2000/08/07 : CIA-RDP96-00788ROO0600450001-7 Approved For Release 2000/08/07 : CIA-RDP96-00788ROO0600450001-7 .1 -0 Approved For Release 2000/08/07 : CIA-RDP96-00788ROO0600450001-7 Approved For Release 2000/08/07 CIA-RDP96-00788ROO0600450001-7 Ott- Approved For Release 2000/08/07 CIA-RDP96-00788ROO0600450001-7 Approved For Release 2000/08/07 CIA-RDP96-00788ROO06004 0001-7 V Approved For Release 2000/08/07 CIA-RDP96-00788ROO0600450001-7 4%1 ~% Approved Fo el 2000/08/0 CIA-RD 6- 4t OD JA 0001-7 Approved For Release 2000/08/07 CIA-RDP96-00788ROO0600450001-7 App S QL C DP9 -007 8R000600450001-7 cw go &-dr. C.~ Is. Approved For Release 2000/08/07 CIA-RDP96-00788ROO0600450001-7 Approved For Release 2000108107 : CIA-RDP96-00788ROO0600450001-7 k- 4~ STO r, ~\XAA 'Ve CX VVN Is mu CN% NO . . . . . . . . . . rA I IA K Q S a eck a soA tj 0>\ov\ck 151".4k Sr~'L sly,+ +eas',-~%S 40 C ti c. cANe e*t \comm-a 10 - 6a-k~~, 0 Y\O LO 'ho Is I)OUes LU Approved For Release 2000108107 : CIA-RDP96-00788ROO0600450001-7 Approved For Release 20LOO/08/07 : CIA-RDP96-00788ROO0600450001-7 E T LJ4 I TAB Approved For Release 2000/08/07 : CIA-RDP96-00788ROO0600450001-7 Approved For Release 2000/08/07: CIA-RDP96-00788ROO0600450001-7 ~Irnnrr L TARGET CUING INFORMATION REMOTE VIEWING (RV) SESSION DCC-26 1. (S/NOFORN) At the start of this session the remote viewe r was shown the attached photograph and targeting information. 2. (S/NOFORN) During the session the remote viewer was asked to find SG1A t his job and describe his work. NOT RELEASABLE TO FOREING NATIONALS Approved For Release 2000/08/07: CIA-RDP96-00788ROO0600450001-7 SG1A Approved For Release 2000/08/07 : CIA-RDP96-00788ROO0600450001-7 Approved For Release 2000/08/07 : CIA-RDP96-00788ROO0600450001-7