Approved For Release 2000/08/07.z,: fCIAORDP9-6+Off88ROO0601010001-4 INSCOM GRILL FLAME PROGRAM SESSION REPORT CLASSIFIED BY: MSG, DAMI-ISH 051630Z JUL78 REV I EW ON.- Z_ aez-o NOT RELEASABLE TO FOREIGN NATIONALS ORCON iF 7 Approved For Release 2000/08/07 : CIA R P 06 iR660601010001-4 Approved For Release 2000/08/07,,: Cl 000601010001-4 SUMMARY ANALYSIS REMOTE VIEWING SESSION 878 1. (S/NOFORN) This report documents a remote viewing session conducted in compliance with a request for information. 2. (S/NOFORN) The remote viewer's impressions of the target are provided as raw intelligence data, and as such, have not been subjected to any intermediate analysis, evaluation or collation. Interpretation and use of the information provided is the responsibility of the requestor. 3. (S/NOFORN) The protocol used for this session is detailed in the document GRILL FLAME Protocol, AMSAA Applied Remote Viewing Protocol (S), undated. 4. (S/NOFORN) Following is a transcript of the remote viewer's impressions during the remote viewing session. At TAB A are drawings -.and narrative by the remote viewer. At TAB B is target cuing information provided the remote viewer. (See also Session 869, previous session on 8122.) 5. (S/NOFORN) Following the session the viewer was shown the photograph at TAB C. He stated that there were several (perhaps 4) of these type boxes in each of the crates he perceived. Approved For Release 2000/08/07 : CIA-RDP96-00788ROO0601010001-4 Approved For Release 2000/08/0 009FOOR000601010001-4 TRANSCRIPT REMOTE VIEWING SESSION 878 #66: This will be a remote viewing session for 1400 hours, 23 March 1982. Following is a presession briefing to the remote viewer, At this time I show you a photograph of a underground structure which you previously described in a session in a picture which you previously have seen in feedback to that session. For today's session we wish you to return to that area which you have previously located during the time period 3-8 September 1981. During your last session you described some boxes or crates bound with metal straps containing round or cylindrical objects. Do you recall that session? #01: Uh-huh (affirmative) #66: We wish you to describe those boxes to us again and prepare yourself to answer further questions concerning those boxes. #01: Okay. #66: Do you have any questions before we start this session? #01: No. #66: All right. Fine. Prepare yourself then for today's session. PAUSE #66: Focus now, focus your attention solely and completely on,the area in the photograph I have shown you. Move now through space AW time to the period 3-8 September 1981 at the location in the photograph I have shown you. Focus now and describe your perceptions to me. Approved For Release 2000/08/01--UFA--RUPut*-uu7B8KOOO6OlOlOOOl-4 Approved For Release 2000/ R000601010001-4 #01: Back, back in the bunker .... stack of boxes, square forms white with-sort of get plastic-cans, cardboard cans..diagonal stripes..stripes. #66: Stop. Hold your attention on the boxes now as I move you through the next couple of days, and describe to me when I should stop. 3 September 1981 ... 4 September 19 8 1 . . _e- m b q r #01: Stop. #66: Describe. PAUSE #01: ima X e #66: Describe. #01: Unloaded, carried out and loaded into a ... kind of a . . ti-arr Z -e.-. To o k s I i k 6::~-e or MTrT e~. -e"71 W rrt-44. #66: Personnel. -IF 01: , --..-.feeling for a~= ~re g~~K~T eS NY Isn o tthere ... are all #66: Say again. #01: All foreign .... qf*~f-rm~d6f #66: Position and number the individuals so I may refer to them. #01: First person is..by rear, second third are loading the truck (mumble) to back ..it's opened #66: Okay. Look in the cab. #01: It's the person that walked by the back is the driver...wait a minute,. get... this might be -IMM I Ap"i6~ overlay. I get slIMMI-Y-In the ca~.,too. #66: Describe. #01: Caucasion, and black hair, dark. #66: Sex. 2 Approved For Release 2000/08/07: 0001-4 Approved For Release 2000/08/07 : CIA-RDP96-00788ROO0601010001-4 #01 : #66: Focus on the boxes. Tell me when you're ready. #01: (Mumble) #66: Orient boxes only. Attention, orient boxes only. Close your eyes, close your eyes, relax, orient boxes only. Move -t-hrough.time, focus on boxes describe present 0 8z locatio sneor!"', Open your eyes an aescrIDe. #01: Just saw a &Wen!:~ it's down on the ground ... white stone-walls. #66: Take a general gestalt look at the quantity. Describe. #01: Four, part of a fifth box ... it's one third of the fifth box is missing. #66: Stop. Continue to describe the area in which the boxes are presently 23 March 1982 located. #01: Just a minute. #66: 1 will wait. #01: B u i 1 d i n g i s %=rtt ~ ~_'jw~~a~~ou ~s~e, I don't see any land, no-7r7n-s-basement area, see gray stone.. gray stone ..... next to large building is red brick om c h - -Trj7Z7sj_7 Like .... 20s, 30s, 1930s .... #66: From 100 feet looking down ... #01: Double Y. Pattern double Y road. It's a Y at each end ...... a river. This is quiet area, old, old, light industry,__§ut old ... appears, I don't know within ~O=ML_d_cks of some Kind of military compound, See trucks. #66: Describe raw data giving impression of military compound. #01: Just saw a square of land, much wider many vehicles camouflaged ... people dark green uniforms ... busy activity ... Get feeling this city is like a governmental seat ... place of government ... 3 Approved For Release 2000/08/07 : CIA-RDP96-00788ROO0601010001-4 Approved For Release 2000/08/07 : CIA-RDP96-00788ROO0601010001-4 #66: Okay. Rest now and don't describe. Deal with the target without reporting. Deal. with the target and I'll have questions in a moment. Relax now and deal with the target. PAUSE #66: Okay. Now, it's important that you be able to orient the boxes in an area. Describe that area. Describe the area around in proportion..stepping out and out, and out, and out. Begin now. PAUSE #01: 1 got wall of a basement, white wall. Get a lot of other thin-gs stored Basement's under a --W-i taff. ic "-d- roof , very he aV-Y De dill. . Looks like 6x - -- #66: Describe exterior. #01: Gray stone ... s--t-u-c-c-o~perhaps 1950, 1955, somewhere like that ... flush with sidewalk ... no grass ... #66: To the left and right ... #01: Driveway left, wall seven feet, stoned, white.. red brick building, large...glass like factory .... corner of Y street, right. T iQ it-1--s over a river. #66: Directly...across, face away from the building with the boxes. #01: ...streetV walkway..row wall, metal rail, drop ... some kind of drop. #66: Beyond. #01: More roofs ... it's like the side of a hill ...... d-rop two more houses. #66: Okay. Stand on top of the rail ... face the building with the boxes ... describe. #01: Two alcove windows in the attic-upside down V.. roof f lat. towards me. . Aark wood frames ... windows ... flat roof, porch, square entry-three steps ... tall, gray stucco. 4 Approved For Release 2000/08/07 : CIA-RDP96-00788ROO0601010001-4 Approved For Release 2000/08/07 : CIA-RDP96-00788ROO0601010001-4 Now, #66: Describe the surface directly in front of you, 5 feet away. #01: Pavement ... almost...cobblestone... #66: Describe traffic. #01: None. Very quiet street. #66: Looking to the left and to the right, is there parking? #01: Yes. My side. #66: The direction of traffic that is parked. #01: On my left to right. #66: How are buildings marked in this area of the world? PAUSE #01: Arabic tails, white, white on blue _-0- dark blue, like navy I)Iue..,,U-ac-kgr d ...it-s like footballs. #66: Where is the markingT #01: Base of front door. PAUSE #01: Some are rectangle. #66: And the one -on the build ing of interest? #01: S Pay ejl~~-or- 6e-t ( 7 T-4ree diots 719' g- h t #66: Describe the time of which you are perceiving. day #01:. Early, late-aftern oons, sun down ish "thing redd. .ige c o 1 o ra p p a r t h . e n t 1 y e i S WTO-a-S V ere r e to my rear right. #66: Describe raw data givingimpression. #01: Noise, traffic .... sense it's higher than I am, as well. 5 Approved For Release 2000/08/07 : CIA-RDP96-00788ROO0601010001-4 Approved For Release 2000/08/07 : CIA-RDP96-00788ROO0601010001-4 #66: All right. Now, in this neighborhood/ community/town there is a characteristic identifiable land mark structure or terrain feature that the people in t4at area always know and understand, and if you saw it on a postcard, you'd say, oh, that's and this place ...... ask yourself for a picture of this identifiable characteristic and describe this identifiable characteristic to me. #01: #66: Large ... just a minute ... get like very large grouping of steps and stone, massive pillars ... looks like French foreign theme a&j;~iteQj~LLe v-ery high, bolted Tni - nl% . . doors. . a state bui Idinq. Par e It's dirTCTTY-ac rom a park wiTR ver-y -Widegravel walk ........... It's a wide expanse of courtyard or open pavement to the right. Gl~a ~-- - IS __., 4 0 Ic -.,&ype -c-hurcR, ty4i n sp i res not I aTTr-,Dut very -de I 1,ca- MTy built. so r-g-eT-a very strong sensation of parlimentary type q-overnmental_type buildin-T,,..... Okay. From this prominent go-ggri2pental parlimentary bui.L~Lin~~our bu=ill with ~the boxes, v-0-c-t-or b azimuth and Tiv-stance. I 000~ VINNIM., ,JW_ #01: Okay. Jus.t. a minute . ................ East, south- east , ~_,_I'ImiEr-R.-11T~AUT e e s..... seven and a half , iJJC= Jjt4pjeje .. r S . #66: Now, go to the building with the boxes. Tell me when you're ready, #01: Okay. #66: Stand on top of the building with the boxes. #01: Okay. #66: Now, be careful to listen to my voice and staying where you are. Be careful to listen to my voice and staying where you are. Remember back in time to 3 September 1981. Now, move back through time in space to the original location of the boxes 3 September 1981. Move now back to the bunker and describe when you're ready. #01: 'kay. 6 Approved For Release 2000/08/07 : CIA-RDP96-00788ROO0601010001-4 Approved For Release 2000/08/07 CIA-RDP96-00788ROO0601010001-4 At E~ /V ./0 -lbo Approved For Release 2000/08/07 CIA-RDP96-00788ROO0601010001-4 Approved For Release 2000/08/07 : CIA-RDP96-00788ROO0601010001-4 #66: Now, vector-fL= the bunker, from the original location, vector to trenew present location. Vector from T776nker to the-Me-71ocation'azimuth and distance. PAUSE #01: North, northeast, jtarf- - s e n ?U~2tT e ~ e closer to the north.'M to the north .... 160 1( #66: All right. Now, you explore this problem through time, through answer as required. earees.- e rees ... yes, very close r=e q Y Muters are free, free to examine and on your own ... free to move space, with the ultimate Do this now.and report. PAUSE #01: See ... getting this impression of a lot of money like treasury ... main place of money,_,,..like govern- ment finance..Mtrdasurv -- ction with the p as-Lig,$tar y b uTT'M-q-.-. --- I h 0 v e ry s t r o n g m o n e y 1111pr-t!5 5 1 U11 ontrol and _ man i pu I at i on of money... )n-ey anipu a ion an con ro y y #66: Okay Feel free now to go beyond the periations you're Mad, and r'eport7' ."Now. ow.00. PAUSE #01: SgLa--kA ........... can't tell if this stuff's all 6 la- ... See a concept of ... some kind ver i~pl u9t.... ~ M S--Q - #66: Describe raw data which gives impression. #01: Impression of darkness,, t., white flashes.'.- outlining the airbase ... TTTT7on of planes ... almost like a strobe affect. A lot of noise. #66: Time window examined, #01: 1 don't know ... future. #66: Calibrate #01: Soon ... weeks. Not longer than three weeks, four weeks. 7 Approved For Release 2000/08/07 : CIA-RDP96-00788ROO0601010001-4 Approved For Release 2000/08/07 : CIA-RDP96-00788ROO0601010001-4 #66: Break it out. #01: I'm trying to 'side military or civilian aircraft. I can't. Target's machine, not people. Some kind of machine. #66: Describe raw impression lead (mumble). #01: Just a difference of apparatus to the human. #66: Check time calibration from present time. #01: Close to 1 May, 4 May. I don't know. I'm losing it. -qbaw~ #66: Vector. Future scene to.. #01: Somewhere south. I'm not getting much. #66: 1 understand. #01: Somewhere south of current location. #66: All right. That's fine. Take a moment to review your imagery from the initial 5 September movement of the boxes to-the location presently-review in your mind your vectors from the state building to the present location of the boxes...the vector from the past location of boxes to the present location of boxes, and the vector from present location to future perceived. Review this imagery and prepare to draw the perceptions you've had. (SEE TAB A FOR DRAWING NARRATIVE) 8 Approved For Release 2000/08/07 : CIA-RDP96-00788ROO0601010001-4 Approved Fot Release 2000/08/07 : CIA-RDP96-00788ROO0601010001-4 B TA I it Approved For Release 2000/08/07 : CIA-RDP96-00788ROO0601010001-4 Approved For Release 2000/0E iLfOO00601010001-4 1/07 : CMW~" moo REMOTE VIEWING SESSION 878 (DRAWING NARRATIVE) #01: Okay. Page I is drawing of the actual target, house, in which these devices that were crated and everything are stored in the basement. On the picture .... I have drawn a raised highway from which I was getting a feeling like it curbed around behind me and was up in the air. So, I'm calling it a raised highway. I don't know what it was, but a lot of traffic noises. The double Y street which runs in front of the house, I marked in the warehouses, I've marked in what I call a low area, which is directly across the street and down a little hill or incline. Then the house, of course, with a wall and driveway ......................... and the two warehouses. And,, the bridge, and the river, and the T intersection was stonewall on a hill. That's the target house. I drew in a north arrow, but i'm not exactly sure about this. So, I'll put a question mark next to it. Page 2 is like the front picture of the house, and I get an impression like it's two-stories with a full attic with alcove type windows -set out from the roof. The roof is that real heavy red tile. Has a pretty good slant to it, so, they probably get a lot of snow in this area. Three windows on the second floor. Two windows on the ground floor. There's like a box-like structure set out in front that I call an entry way from which there is a door and set of three steps. Come right out on the side- walk. The door number which I drew an arrow to is like a football design. It's dark blue with two rivets holding it to the door, screws, and number 7"1& in white letters in the center. And, there's the wall on the left a,nd the driveway . The building farther to the left is the warehouse, which I didn't draw in the windows. But, it's almost all glass windows and red brick. It's a lot of glass to it. You know ... Like some kind of light industry type building. Page 3 is the most notable item in the city in which the house is located which I perceive to be a combi- nation of treasury and government seat,.parlimentary type building. It's very massive with vertical windows all up and down. Two floors and a very huge Approved For Release 2000/08/07 -4 APPPW000601010001 Approved For Release 2000/08/07 -RDDck IMEW01010001-4 CIA T ,".M~_ --- I- , 'cg 1"Ope #01: portico type entrance with large support pillars, and these massive stone steps coming down to like a curve, driveway or street in the front ... To the right is a large paved area or cemented in area, With in the background a moderately sized Gothic church that's very delicately detailed and has the big main doors. Everything is gray and white. The important thing is that I get a feeling of actual storage of money, and something parlimentary about this. Page 4 then is a roughly to scale description of layouts. A is this governmental building I just described. B is the present location of the target house which is about 100 to 110 degrees seven kilometers away from A. C is the actual location where the devices or whatever they are were ripped off from the bunker. That's about 160 kilometers south or the governmental house is 8 to 10 degrees azimuth from the place where the stuff was stolen. D is the outline of the small-city which overlaps E which is the outline of a very large city. This whole thing might be 180 degrees out. So, you might have to flip this upside down to look at it properly. Page 5 is an outline ... the general outline of the country. . . and where A., the _Lu Ik n- r e jWiwjj~4 C the target humse , and U the I arger city to all Q~Ajed. And, aside from t~t I do 2et,,,a feg]jn -Peo 1e that stole it did so under--c 7U~_t_ -P __QXJ IL _slike -some other organization of people -hir-e-d--7hem to gO---OUr=d---r-tT~t-hi-s stuff OFF and then delTver for d- S e L An SLL~_F~a_f_' s hat they ~id-.,WF_66w this S t -Urr i s b e i n ~ s T o r e a r p I e w h-o aM7 'ormay not have paid the fee to use it. I guess- it. #66: Okay. Near the end of the session you commented on seeing something that you thinght might be an air base and you perceived this to be something in the future. Can you tell me a little bit more about that? #01: n ge like a strobe aff ec-t, to s-ceffes And imp, I feel 1 _-L-1.~C aa J. k ei g of- a _f uture plan, and I'm not sure L UW seeing is the actual location or this -.1-an. or L I'm P-_, e--p T _ erceiving photogra p hs on a wall_ .-that ts-being used for targetip SANW-W-9 - - _9_in the future planne(L -P p ... ........ ...... ...or conceiving the future Approved For Release 2000/08/07 Cl --00601010001-4 U116 I Approved For Release 2000/08/07 : CIA-PQ~601010001-4 #01: 1 don't know how to explain that. It's as if what I'm seeing is what they and not so much what the actual future is7- #66: And, when asked to locate yourself in time, what perceptions did you have? #01: 1 had a perception of-like between_L_-&6"_U_aY_..Jn relationship to-whatever plan or, or significan't-- occurrence or event in conjunction with these devices that's going to happen. That's the impression I got. #66: And, what can you tell me about where this event will occur? #01: J u s t t Ldr I g e t v -er Y h e'377 I i i 1 5 r 5 n L; 5 P e i L, e p L, o-n a I I y o t -__*~'Ind .............. I have an impression, perception I keep getting this message in conjunction ....... with these strobe like affects on these fixed scenes and space in time, and the message relates directl_y to a book fromman ny years ago that I saw. AM-- he j~ nia".p.-e-o-p 1 e, and I keep gltti ng -of a 1)[a-ck tace that was portrayed in Wr - f in p 1- u ss i u ii the book and it's actually a book that gives examples of art work done by insane people. I don't know how that relates. I get a very artistic feeling ..... had this insane feeling, and then I'm getting these ... fixed-pictures in time and space of `11~_ =v M and things like, LrFat.that a-re- 9 LUW W77-Ty m r-like btack and white photos. As far as the actual location of the event I say it's AMLL I don't get a very cle7T~ 1111pr-Milurl WILh hoU-ST or south but I did get an impression that it's ra~La:t-ively close 'to where the stuff is now stored. a ~ - - #66: And for purposes 01~~__Own urther f _ "plysis, you f define the term I=TaJJve__Ey" close. Is it less than 1000 miles?50-- #01: 1 would say somewhere in the city. I wouldn't venture out of the city limits. I would say it's within the city limits. At least that area of the city. Not greater tharVIT-77-7-e 7 Bear in mind that in my display here is close To e proportion as,.I can get it of the location of the city versus ......... Approved For Release 2000/08/07: CIURW.-OO0601010001-4 Approved For Release 2000/08/07 : CIA-111WOWN' -MU601010001-4 where the stuff was ripped off and everything. If that proves to be 180 degrees out of phase then what we're talking is north, not greater than 10 miles. "WAMMMOft #66: Do you have anything else to add concerning your perceptions today or how you feel about ...... #01: Yeah. I have a perception that--which I should clarify, I guess, that these devices are sort of custom packed. Like they've been put into other wooden boxes as either semi-disguise mode of transportation or ease of movement or shipment or something. They've been consolidated into these 5 11~ boxes or 4 -1, boxes...part of a fifth box ...... I have another i n of what the devices are. P I keep,getting a - ~~P_6 impression 'cause I keep seeing purp e (mumble) stripe of some kind. #66: That means something to you? #01: No. But, for some reason I connect that to thermite. That's all I got. ,%WWI Pul P" It or Approved For Release 2000/08/07 : CIA-RDP96-00788ROO0601010001-4 - mitt, Approved For Relea`sVrIb#TlrOjW,- ~IAJR P96-00788ROO0601010001-4 - IM-3,11 . WAJ& Approved For Release 2000/08/07 : CIA-RDP96-00788ROO0601010001-4 6714 0 via :L Approved For Release 2000/08/07 CIA-RDP96-00788ROO0601010001-4 qA Lit ! Approved For Release 2000/08/07 CIA-RDP96-007884006010100101-4 Approved For Release 2000/08/07 : CIA-RDP96-00788ROO0601010001-4 f ~,P Approved For Release 2000/08/07 CIA-RDP96-00788ROO0601010001-4 WX PP-jW-A)r LO, Ana C pteNccc DFo',,cf~-s irger.). tTA 0 ~Wlr-yt Cru 0;'- Cox 9~~00/08/07: CIA-RDP96-00749RO 0601010001-4 Approved For Releas Approved For Release 2000/08/07 CIA-RDP96-00788ROO0601010001-4 Approved For Release 2000/08/07 CIA-RDP96-00788ROO0601010001-4 Approved For Release 2000/08/07 : CIA-RDP96-00788ROO0601010001-4 I TAB ------A Approved For Release 2000/08/07 : CIA-RDP96-00788ROO0601010001-4 SG1A Approved For Release 2000/08/07 : CIA-RDP96-00788ROO0601010001-4 Approved For Release 2000/08/07 : CIA-RDP96-00788ROO0601010001-4 Approved For Release 2000/08/07 : CIA-RDP96-00788kOO0601010001-4 .. TAB 4 1 --A~ Approved For Release 2000/08/07 : CIA-RDP96-00788ROO0601010001-4 SG1A Approved For Release 2000/08/07 : CIA-RDP96-00788ROO0601010001-4 Approved For Release 2000/08/07 : CIA-RDP96-00788ROO0601010001-4