Approved For Release 2000/08/ 96-00788ROO0601020001-3 TRANSCRIPT REMOTE VIEWING SESSION 879 #66: This will be a remote viewing session for 1000 hours, 25 March 1982. Okay. At this time I show you two photographs of two-individuals who you have described for me in a previous session. For today's session we want to work in present time in the common locale of these people in present time. By present time I mean : the area of this week, the central location where I might find these individuals in present time as opposed to September 1981 time frame we looked at before. Do you have any questions concerning the task you have today? #32: No. #66: All right. Fine. Now, you have about:25-minutes to prepare-yourself for today's session. PAUSE #66: Relax now and focus in the photograph I present location 25 the location of the-individuals shown you. Relax, to me. your attention on the individuals have shown you. Focus now on their March 1982. Concentrate now on - in the photograph I have concentrate and describe your location PAUSE #32 - . . . . . . . . . . . .---.- cc TOM-Mg-' type store IT,r~socated in a nne ike i)lace., Walls, ceilings ...it's like in a waY`funnel but-, there are no tracks. It's like a IQ- 1,ng ared uEder taTT--Eluildings.... i d d of protected are of-cement ceilin and w w _Ln 9-s IF 1t;&were i i n 6 16 s e ii,n-: ai roa cement wal s a 1 1 were Jinc d ra station, but it's not. It's like anoi -in un7s o 1` s-pp Ing a YFS a a Has predominance of lady's clo es an Y, erie., That's where she spends her work day. #66: Free to move through time now as she finishes her work day. Free to move through time to her residence. Follow her through time to her residence. Approved For Release 2000/08/07 : CRRP 0788R000601020001-3 Approved For Release 2000/08/07: P96-00788ROO0601020001-3 c INSCOM GRILL FLAME PROGRAM SESSION REPORT CLASSIFIED BY: MSG, DAMI-ISH 05163OZ JUL78 R E V I E W 0 N NOT RELEASABLE TO FOREIGN NATIONALS ORCON GRILLFLAME Approved For Release 2000/08/0(e~~C'~"' ' 96-00788ROO0601020001-3 j Approved For Release 200MAK-0 M.P96-00788ROO0601020001-3 SUMMARY ANALYSIS REMOTE VIEWING SESSION 879 1. (S/NOFORN) This report documents a remote viewing session conducted in compliance with a request for information. 2. (S/NOFORN) The remote viewer's impressions of the target are provided as raw intelligence data, and as such have not been subjected to any intermediate analysis, evaluation or collation. Interpretation and use of the information provided is the responsibility of the requestor. 3. (S/NOFORN) The protocol used for this session is detailed in the document GRILL FLAME Protocol, AMSAA Applied Remote Viewing Protocol (S), undated. 4. (S/NOFORN) Following is a transcript of the viewer's impressions during the remote viewing session. At TAB A are drawings and narrative provided by the remote viewer. At TAB B is target cuing information furnished the remote viewer. rir 7-;,. [A-RE),P.96.~~0,07(8&R~000601020001-3 Approved For Release ~O Approved For Release 2000/08/07 - A-AV 6-00788ROO0601020001-3 , 'J U11 #32: 1 got to go around about way. She attends as many classes as she SAU at niversi!~V. She arrive time went T517-f-i-me, s i.n__a-UO_U_f her third year and she can only go part time. Her association with that man dates back to about 3 or 4 - 3 years.,.impression that she's history major or something. Some very quick impressions. She, until about 6 or 8 months ago she..she lived with a middle-class, well to do kind of ... have business of parents-in her apartment .L-s-ee her ng~ JiviaA_iD_,M,Apartment with -a.. girlfriend. ~Ore-s an impression here 9f._.bu_ildings that ar-e ,, -V!t~M an --v-ery_, urv-We 6~6~ king about exterior impressions of a v~,ry modern.,cement type buildings-extremely modern earance and it's always an impression of multi-stor-Jed ~-m ern-apartments. #66: Color. #32: Again. #66: Color. #32: White, i;.! not absolute,white, but off-white, but very tidy, very recent, very modern... like recently built within the past two years, two years, three years. #66: Describe the neighborhood surroundings for me. #32: 1 ... come out and have ... three times if I were to draw any of the kind of an outline of the city ... would be located in there but the south, southeast area almost on the fringes of the city. #66: Describe the city to me. PAUSE #32: 1 think the area I'm speaking of likqan r*Jn"*an'a;1'aO~ ba~ded_b_ wL_O ii~area_ on tliesuburbs_: th - J-de_ o n e o tit2irtTmT"57h_e southwest as if some kind of ............ a water mass_._.P9,!Sk1LJj a -1-ak-e- What I get is kind of like a sh-rffM-Y=1s .....type of-cir-c-le within a much broader somber circle ... the city was in a city. That's the modern part of it. #66: Now, listen very carefully. In this city there is one specific structure, landmark, topography, identifyer kind of thing you put on a postcard and everybody knows this city because of this. Focus now on that identifier .... and describe it to me. L"O, MT Approved For Release 2000/08/ UUMTOM-05100 7 88ROO0601020001-3 788ROO0601020001-3 Approved For Release 2000/08/07 Qff #32: Well, before ..... (mumble) do that ... I could ... have give you the #66: Report, report. #32: That's it. ..................... a .......... There's a guy's name that she's associated with sounds like Kurt, Lirt. p*Yb7e--aG ... The city ... just keeps comirTg -up.-..It's Stattoarth No explanation for that. #66: Okay. Let's go now for the symbology...the unique identifying feature Focus now on the unique identifying feature of this city and describe it to me. PAUSE #32: It's a c-aitle with jakaj on the 5ideo_fa~... like on a ... not -&-very steep i-n-c-line ... Therets also another feature as if that.entire land mass kind of runs into a valley with a great deal of tracks, railroad tracks for commercial shipping (mumble). I don't know. Something to do with. natural gas or coal. I'm not sure. #66: All right. I have no further questions about the target. Feel free now to expand and go beyond my questions and examine the mission, the concept, and the problem from your perspective and report your perceptions to me. PAUSE #32: 1 can tell you this. The male person is not that strong there. He would enjoy the notariety but, he has strong misgivings about what he is doing. It's as if because there were nobody else to do it ... that has taken on the cause, so to speak. He's kind of edged on because of his age and his former associations (mumble) like he's inherited the position (mumble). He also (mumble) in the core of the city as I described earlier to go what I presume to be west in a suburb ... he naturally feels more at home than he does in the city. There are relatives in the suburb. I think especially an older sister. It's a place of family connection, family ties. I don't have anything else. #66: All right, fine. Remembering-all of your perceptions concerning today's project let's prepare to draw. (SEE TAB A FOR DRAWING NARRATIVE) 3 Approved For Release 2000/08/07: WSIM-100788RO00601020001-3 Approved For Release 2000/08/07 : CIA-RDP96-00788ROO0601020001-3 I L TAB ------ii Approved For Release 2000/08/07 : CIA-RDP96-00788ROO0601020001-3 Approved For Release 2000/08/07 UM -96 00788R000601020001-3 REMOTE VIEWING SESSION 879 (DRAWING NARRATIVE) #32: On sketch number 1, in fact and number 2, because they're similar impressions. They're just difficult to draw because the place of_~~Lo,y r this _)Rp n t f o female is in a lik2 atWos4lere, In a sense that th *a=zznLa-P7fft- I~Tore - the I i naer i e store i s located 1-= ppear_e_=o be the beginning of a 1 s a _p-Ing eQQn past couple, three years [J&U g I - I I CIP are And, the walls, the ceii-r-n-g anU the 'Trore an walls are all cement type things. There's a sidewalk to the left that leads to the glass doors. In fact, that door should be the first door in the tunnel-that is the first of several stores in mind, but it should be about the first store... that identifies the place she's workipj at, VT_rFz_1_e_w =a Mnc7'a"7 t v i) e 0 T S D a c e -b-e fw'~ T6 _T E-e' s t o r e a o o r s ___-___-'_____ 6 i I e s we- Fe-a--nT_t_o___b"_e_ __ ti er, e . s J automo re t _. A U1 om-0- b i Te s, a r,e , n, o, ~ a, l t,o`w, Fd -'t'o'- '6 e 't Ke re' ',: 'a n a o 6 t 0 p of.this shopping area ..... the equival ent of ...... apartment, high-rises, which I1MTrTd'n8t draw in number 2 so I drew in number 1 to give it a different perspective. Do you have any questions on this? #66: No. It seems to be kind of a little tUg-6-ve-L eraeat'K some ... either apartments or offices ab'o-ve #32: Yeah. Butl it &e~ni ely"'N75's tttTlavor of a shopping area. It's not an isolated area where the store is in there by itself. It's either the be2inning of a-l- shopping area complex that C1 D10-ugh th-E ---- tunne MuffleawU #66: Something that might be designed to service the folks that are right above them. They can come right down- stairs and shop in these area. #32: Yes. But, larger than the normal corner type store that you might be associated with. #66: Is it old? T"! 711 r Approved For Release 2000/08/0?m,,.mzv,~bmM-y.RO00601020001-3 Approved For Release 2000/08/07 110 --n788ROO0601020001-3 OLUMM t- #32: No. It's new. Everything around that area is new in a sense that it's been recently built. By my standards recently means 3 years 4 years, 5 years that it's been done. It was a huge project, I'm s u r e . #32: Okay. In sketch number 2 when I was trying to pinpoint the female's residence which I've indicated with an X, I got the impression of a very whitish circle with a......... #66: You're on drawing number 3 now? #32: Yeah. Drawing number 3 ........ within a residential area and that ... this is what I have labeled in sketch number 3 the inner city with modern high rises and was indicated as living in southeast area of that particular circle ... with the parent's residence .... not that far away.....maybe 4 or 5 blocks away which I've indicated with a zero. Trying to look for distinguishable features of the area, outside of that area I think within 16-or 20 miles I found a sort of lake to the southwes-t-o"Ythe c a. I thought it are m -5-1 a ur -a i,,--ht help to igr=e a geograo Ml~ tfi t ig pinpoint where this place is. Then you asked me to be very specific..... #66: What charactizes this city? #32: Yeah ...... to come up with a, with an item that would be specific to this city that might be ... the subject 0f a postcard that someone might send to relatives .....friends or relatives indicating that they were indeed, that they indeed had visited the city. In sketch number 4 what I have sketched there is the outline of a castle- chateau type building that is appeared to ~!Ve: -;- --*b-rapr17hcip"MT-eF1U-re is built on the very steep lope-on the side of almost a mountain, if you wish. It had several spirals and it was made of stone and it appeared to be a historical landmark. So, I sketched it as best as I could. #66: Okay. And, where is this located? Is it down in the middle of a city? Approved For Release 2000/08/07 : Cl 8ROO0601020001-3 Approved For Release 2000/08/07: OEM 788ROO0601020001-3 #32: -`ko his is ...... well, I just picked it up ..... I aon't really know where in the city that it's really located.....It was just built on the side of a steep ip.cliu-, mountain ...... that~-Ve-d into 7ey ~an --Ts also another steep incline going out on the-eastern portion facing this chateau. So, you have a hilly, hollow and hilly type affect. #66: All right. Do you have any other comments concerning your-session today in the attempt here to locate individuals in these photographs? #32: No. I was very hesitant to tell you names (mumble) popped up about 3 times. I figures I had to get rid of it because I haven't been very accurate with names places or people, but since ............. I had not solicited that type of information it popped up anyway ... I figured I had to let you know. #66: When you say the names pop up describe the impression that you get. #32: Well, I was concentrating on the people trying to find out where they were at, where they were physically located and the names came up initially and the second time and third time through the session .......... #66: Okay. By coming up do you ........ #32: Associated with the person and associated with the city..... #66: Was it a visual or an auditory, a mental .......... What type of message was it? #32: A little of both. Because I was trying to find out if it was Kirk J2cg~=,(phonetic) or or whatever it was. Best7a--y-F could say this is phonetic. #66: Anything else you would like to add? #32: No. I don't have anything else. #66: How do you feel about the work you did today? #32: All right. In fact (mumble). #66: Okay. Good. t%rrnry- XMMILI Approved For Release 2000/08/07: CIA-RDP96-00788ROO0601020001-3 Appro eul ts- 7 C 0072 001-3 c0 ~j Approved For Release 2000/08/07 CIA-RDP96-00788ROO0601020001-3 fuv tit Approved For Release 2000/08/07 CIA-RDP96-00788ROO0601020001-3 Approved For Release 2000/08/07 CIA-RDP96-00788.RO00601020001-3 4 1h /tow bpi Approved For Release 2000/08/07 CIA-RDP96-00788ROO0601020001-3 Approved For Release 2000/08/07 : CIA-RDP96-00788ROO0601020001-3 G~6 Approved For Release 2000/08/07 : CIA-RDP96-00788ROO0601020001-3 11 T AB ____a Approved For Release 2000/08/07 : CIA-RDP96-00788ROO0601020001-3 SG1A Approved For Release 2000/08/07 : CIA-RDP96-00788ROO0601020001-3 Approved For Release 2000/08/07 : CIA-RDP96-00788ROO0601020001-3