DAMI-ISH '30Z JUL78 -DT ORC GIAMLFLAME n - Ou Approved For Release 2000/08/07 : CIA IDSE'u, IRET0601050001 -0 Approved For Release 2000/08/07: CIA-RDP96-00788ROO0601050001-0 SUMMARY ANALYSIS REMOTE VIEWING SESSION 884 1. (S/NOFORN) This report documents a remote viewing session conducted in compliance with a request for information. 2. -(S/NOFORN) The remote viewer's impressions of-the target are provided as raw intelligence data, and as such, have not been subjected to any intermediate analysis, evaluation or collation. Interpretation and use of the information provided is the responsibilty of the requestor. 3. (S/NOFORN) The protocol'used for this session is detailed in the document GRILL FLAME Protocol, AMSAA Applied Remote Viewing Protocol (S) undated. 4. (S/NOFORN) Following is a transcript of the viewer's impressions- during the remote viewing session. At TAB A are drawings and narrative provided by the remote viewer. At TAB B is target cuing information furnished the remote viewer. LS NOT RELEASABLE TO FOREIG Approved For Release 2000/08/07: CIA-RDP96-00788ROO0601050001-0 Approved For Release 2000/08/07 : CIA-RDP96-0078,8ROO0601050001-0 TRANSCRIPT REMOTE VIEWING SES91ON #884 #66- This will be a remute viewing session for 0900 hours 6 April, 1982. Following is a pre-session briefing to the remote viewer. At this time I show you photographs which you have seen before. This individuals are involved in incident that we are investigating. Your last session we attempted to locate and identify the residence and place of employment of the female in the photographp. This week we will do the place of employment and residence of the male in the photograph. So we want to focus our attention today on the male identified in the photograph. Do you have any questions pertaining to your mission today? #0.1'---- Nope. #66: All right you have approximately twenty minutes in which to prepare yourself for this morning's work. Relax and concentrate now. Focus your attention solely and completely an the individual in the photograph I've shown you. Picture him in your mind. Move now through space to his everyday work place, to his place of employment. And describe this area to me. #01: Its.--; sideways conesi..like.--frames .... X overhang..circular step, steps. It's electronics. #66: Describe the raw impression that makes you say this. #01: Car radios, speakers ah, stereo, sh6lqibs:_im the sun ... white ... it's a like second floor. #66: Look out,on the second floor and down and describe what you see. #01: 1 see a boat and pavement, hollow stones .... building walls holly,i green,something green., #66: Okay. #01: leafy. #66: Yea6 Focusing on this individualls principal job, his employment, is his principal time spent outside or inside? Approved For Release 2000/08/07 : CIA-RDP96-00788R 00601050001-0 Approved For Release 2000/08/07: CIA-RDP96,0i%7,10.8ROODWO50001-0 #01: Ydur automobile, like driving, travel, outside. #66: Describe this outside place. #01: It's giving me flashes of highway. Some kind of 6=~ t--g ul s i d e . #66: Can you describe this area to me. #01: Benches, table, water running somewhere-very old fashibned , place for music. Keep seeing park like walks, by a narrow walk areas. many brown benches. #66: Okay. #01: White rails. #66: Focus on this place that's outside and yet covered, Just relax now for a moment. Relax and concentrate on this place. Now watch the individual work and describe his activity to me. PAUSE #01: See him carrying something, flat. #66: Watch his activity and describe it to me. #01: Moving hands, go wiping motion ... I don't understand it. Moving hands, like a windshield wiper, left, right. #66: Stand behind him and look. #01: Polishing , cleaning something, moving left, carrying something. Seeing him carrying something, rubbing something. #66: All right. #01: See a reflected light, like a through glass, some glass everywhere. Serves. #66: Break this out. #01: Keeps giving something to someone ..... It's like a transference of object. #66: Describe the object. #01: Get the glass again, glints of glass. 2 Approved For Release 2000/08/07 CIA-RDP96-00 .-,1-060001-0 a, Approved For Release 2000/08/07 : CIA-RDP96-OQ74 pE~.0.00601050001 -0 #66: All right. Relax and concentrate now and let's change your focus and move to the area of residence. The area where this individual lives at the present time. Move through space now to this area and describe it to me. PAUSE #01: It's like a three story brick building. Impression of dormitory or no, it's wrong, it's like corridor with many doors, single rooms. #66: Describe the outside. #01.- Yellow stucco on brick, three floors, plain box. z6yr.. iililli~ alike ..... #66: Describe the neighborhood. #01: AL4.--kind of run down Get a feeling for many single male worker feeling. #66: Describe for me how I can best locate this residence. #01: It's near all~pe--_eergarden, old trees, like high hedges, olds 7=ees~.--~- #66: Describe this beer garden to me. #01: Arched, arch wood entrance, trees are pruned high,three square, blocky roof type, trees for cover, high hedges around outside. See the benches again, outdoors ... Building in corner, very old..I think that's his place of employment. Residence and place of employment is very close. #66: All right. I have no further questions about this target. However, I would now like to give you a few minutes to explbue and comment as you see fit. Do so now. PAUSE #01: This guy's ..just a minute.. got an impression of a .AQd:1==1i-of some kind, very close by, a large railyard. -7~ 0 11 round, arg~- pen area for, it's like used for ONE011val A beer fest ground.....that's all I get. #66: All right. Remembering the impressions you have now Let's prepare to dravi the perceptions of yoOr session. 3 Approved For Release 2000/08/07 : CIA-RDP96-00788ROO0601050001-0 Approved For Release 2000/08/07 : CIA-RDP96-00788ROO0601050001-0 I I TAB Approved For Release 2000/08/07 : CIA-RDP96-00788ROO0601050001-0 Approved For Release 2000/08/07 CIA-RE) 6601050001-0 REMOTE VIEWING SESSION 884 (DRAWING NARRATIVE) #01: Okay. First I have to explain that I think that this guy is...I'm getting an impression of two different jobs, but he's not working both. Which means he either just quit or was just fired from the first one. Page I is his first place of employment. I perceive it to be a spec shape type 91 .6laked we4a6o witlLt~_ ~sed_21ass, doors, circular stair rn-crance, big long tlat building with a row of windows denoting a second flooe. It's some kind of electronic firm. I get an impression of two cone shaped objects kind of off-set as an emblem to one side. I don't think he's employed there any longer. He's just recently been employed there. Page 2 is the impression I get of his residence and either place of current employment or place that he hangs out on a day-to-day basis. I'm not real on the employment angle. I don't know if he's helping out there for money or what. But, I don't get the employment feeling very strg" But, that-'-s,--,, whe ime. r=-f!:s~ re he spends the-mAjorit of his t,'-.- the #66: So, I see in number 2 here you have his residence building indicated. Then across the intersection down the street a little bit, we have this ...what you gall WIMP11 I Swill you explain to me what that is. What do youdo at a 6asthaus? #01: This little Gasthaus place is like where you 41"R"NZ- nd drink beer and all that. It's really old fashmn-ecl. I get a feeling like this building might be 150 years old. It's surrounded with these very high, well manicured, blocked cut trees that you actually sit under the trees. You know, they're cut like big pedestals, and you sit under these trees. And, surrounding this whole thing are these huge 12 foot squared off edges that have been there forever. You know...in a Koons age. -And, the entrance is like this...just flat, carved wood and overhang type entrance. Underneath all these trees are all these old pipe, benches and tables where, you know, the old beer drinking kind of place where this ... all this work I'm feeling, and you actually are outside, but inside sort of.. in this old Gasthaus ... where you eat the old German meals and swirl (phonetic) with German beer, and whatnot. It's a place where on :'Satur'da~s they would have the Ompa band (phonetic) you know, sitting in the corner. That kind of thing. IM Approved For Release 2000/08/07 : CIA-RDP96-00788kd0d6 IM0001-0 '4' Approved For Release 2000/08/07 : QQ R000601050001 -0 #66: So, you are saying I can identify his residence place by its proximity to this other building? #01: Correct. #66: And, what is unique about this other building that I could identify this from all others like it? #01: Just the hedges, the trees, the.entranceway. Its age. It's directly across from a, what I call, fest grounds. It's like a clear, giant cleared area where the grass is kept nice and everything. Where they have sort of a layout of asphalted walkways for carnivals and things like that. And, to the other side a little farther distance away is a large railyard, and I got a f eel ing down the other side i s 1 ight industry and I ' ve indicated with an arrow where the center of the town is... I don't have a very strong feeling about this town for some reason. I don't know. Didn't get any strong feelings about the town. #66: Okay. Anything else you would like to add? #01: No. That's it. r ff Approved For Release 2000/08/07 : CIA-RDP96-00788ROO0601050001-0 Approved For Release 2000/08/07 qlA-RDP96-00788ROO0601050001-0 AC, f, Approved For Release 2000/08/07 G6 ~~x 6-00788ROO0601050001 -0 r/ I Approved For Release 2000/08/07 Cf-RDP96-00788ROO0601050001-0 to, Approved For Release 2000/08/07 CIA-RDP96-00788ROO0601050001-0 Approved For Release 2000/08/07 : CIA-RDP96-0078814000601050001-0 I I I TAB !t Approved For Release 2000/08/07 : CIA-RDP96-00788ROO0601050001-0 SG1A Approved For Release 2000/08/07 : CIA-RDP96-00788ROO0601050001-0 Approved For Release 2000/08/07 : CIA-RDP96-00788ROO0601050001-0