Approved For Release 2000/08/07 CIA-RDP96-00788ROO0700070001-8 V 7 77 INSCOM GRILL FLAME PROGRAM SESSION REPORT CLASSIFIED BY:MSG,DAMI-ISH DATED: 051630ZJUL78 %moo, NOT RELEASABLE TO FOREIGN NATIONALS REVIEW ON: 12" ORCON GRIT j T Approved For Release 2000 88RO00vadocoo - ?-z / -7 .2 Approved For Release 2000/08/07 : CIA-RDP96-00788ROO0700070001-8 SUMMARY ANALYSIS REMOTE VIEWING SESSION 836 1. (S/NOFORN) This report documents a remote viewing session conducted in compliance with a request for information. 2. (S/NOFORN) The remote viewer's impressions of the target are provided as raw intelligence data, and as such, have not been subjected to any intermediate analysis, evaluation or collation. Interpretation and use of the information provided is the re- sponsibility of the requestor. 3. (S/NOFORN) The protocol used for this session is detailed in the document GRILL FLAME Protocol, AMSAA Applied Remote Viewing Protocol (S) undated. 4. (S/NOFORN) Following is a transcript of the viewer's impressions during the remote viewing session. At TAB A are drawings made by the remote viewer reference his impressions of the target. Approved For Release 2000/08/07 : CIA-RDP96-00788ROO0700070001-8 Approved For Release 2000/08/07 : CIA:R .,QP96-00788ROO0700070001-8 TRANSCRIPT REMOTE VIEWING SESSION 836 TIME #72: This will be a remote viewing session for 13 December 1981 with a start time of 1230 hours. It is now 1230 hours.. Our target for today is the man whose photograph you have been previously shown. At this point I would want you to go ahead in.time, ahead in time to the morning of 17 December 1981, 17 December 1981. PAUSE #27.5: Okay. #72: The man in the photograph has gone to a cafeteria. #27.5: That's correct. #7Z: Describe for me the man in the photograph. PAUSE +03 #27.5: Okay. Just a minute ............................. Okay,I give you ah, differences from the photo. #72: You can just describe your perceptions of the individual on the morning of 17 December. #27.5: Okay.. Just a minute ................. 0............ A~, appears to be much older. Easily 10 years older ... than in the photo, possibly 11 ...... get an impression of much ... thicker hair on the sides forward ol the ears, covering the edge of the ears... There's a...difference in weight. He's not as heavy as in the photo.... It's like his face is ... more drawn ... 1 i:g h t--er. .I'm getting an.impression of frames ... squared frames with glasses~ frames...clear, clear in the center and darkening out to gray, upper and upper edges. See edge of the frames are covering the eyebrows. Gray eyes..ah,very light gray eyes. Almost a hazel color... I saw something about the hairline.. I can't put my finger on it. Give me just a minute. PAUSE Approved For Release 2000/OX 6-00788ROO0700070001-8 Approved For Release 2000/08/07 : C -00788ROO0700070001-8 W_i. , 9u #27.5: His hair just appears to be fluffier..ah, stands up more for some reason-some-on a manicured look .... ah..get an impression.he just ... wears a Loafer.type shoed like a moccasin type.shoe, Loafer. Won't wear.tie shoes,.almost a flat heel. Aht-itls.a..darkt earth colors. Clothing's always-earth colors. Browns, tans, and blacks, dark gray. #72: What color is he wearing now? #27.5: Tan, tan pants...likeo not corduroy, but.. ah..a beige dungaree type pants..dark brown Lop fers. I'm not getting any impression of his short, though. He got pullover, thick knit sweater. Has a..gray, see a lot of gray with this guy. #72: Describe your impression of the nose pattern. PAUSE #27.5: It looks, ah .... looks thicker bn the bridge, for some reason. I think it might be darkening near the, the eyes to the bridge of the nose. Appears to be more shadow there. Makes the eyes look farther inset, and the bridge thicker. Keep seeing him with and without glasses. One minute he's got them on, next minute he's got them off. #72: How tall is he? #27.5: Just a minute. PAUSE #27.5: 5 7 0 5 8 , max. Ah ... fairly light, right now. Lighter than usual in ueight. Getting ah.. less than 160. There's a.....get him much lighter. It's,like the roundness and the chin line is gone'. --Some withdrawn look to his-face. I see a very, very deeply tanned ... appearance. +14 #72: All right. That's fine.. What is the man in the photo doing in the cafeteria? PAUSE #27.5: Watching something 4-m the window. I don't know if it's passing interest in something or he's waiting to~,see something. Ah ... apparently,.watching if ... front of something, front of a building or a door. 2 Approved For Release 2000/08/07 : CIA R000700070001-8 Approved For Release 2000/08/07 QJ"ffMT-OQ7 8ROO0700070001-8 #72: Describe for me the building, the door. #27.5: It's a ... cafeteria that's apparently on a different level than the street. It's higher, second floor looking down and-it's like the wall ol the glass is on left side. He's looking down, across the street, extreme right. Door's ah....reddish colort reddish brown. It's a stone ... narrow shop, some kind of shop, ah ..... it's got kind o' ..ah ........ it's two curved windows; windows are.brown, red patterns. - Cloth or something hanging. A musky odor about it. Like.m1ldew or something. . . old -wool or ... kind ol small shop ... It's very dark inside. There's all kinds-of cloths or something hanging ..... dark pattern .... This in a row of shops... The shop on the left has got many papers in the windows, like ads..large, block prinL ... It's like.a discount place. It's got yellow, much yellow all over ... taller windows. See he's just sitting and waiting ... for somebody, I think at this hop, this.shop. This is more like a - restaurant than cafeteria. Seems, seems to have some class to it. Ah ... 0 .... to.maybe ah .... possibly a hotel, coffee shop ... that kind of atmosphere. #72: How do you order at -the restaurant? #27.5: Dark brown menu. Got the ... single word done in gold strip on the front ... starts with an S6 It's either a script F or an S. Very fancy. Ah ... waitresses are wearing..white brown trim, no hats. Brown, lot of brown ................ #72: What name is on the menu? PAUSE #27.5: It's an id..ah...Ilm,not sure if..I got a flash of-Sam's.or Sammy's..som,ething like this. I'm sure it's a person's name, but I'm not sure about J the, the name. I just got an impression of person, male, name. #72: All right. Take a deep sniff of the aroma in the restaurant. What does it smell like? PAUSE Approved For Release 200-0-f-o-.d.';-i-,i,CIA-RDP96-00788ROO0700070001-8 ,ft non n,,. r'T ,%:.I Approved For Release 2000/08/07--. -01L, VIC-Fu f 88 R000700070001-8 %NW +23 #27.5: Ah ... can't do it. Too much overlay. Get everything. #72: All right, He is now going to pay his check. How does he pay his check? PAUSE #27.5: He leaves the money on the table. Puts on a coat. Looks like brown leather, dark brown leather. Goes.ah..out into a hallway of some kind. Short hallway, flight of steps. W.hite wallo red, red tile steps. Ah, makes a left turn. There's a bar there. He goes in the bar. Cloakroom left, telephones. He's making a telephone call .... Talking in ah get an impression-he's talking in German for a minute. Might be overlay. #72: What telephone number did he dial? #27.5: I,'idonlt know. #72: All right. Is, what type collar on his brown coat? #27.5: Okay. Just a minute. PAUSE #27.5: Ah...it's a leather collar; just folds back once, Very light collar.. Coat doesn't appear to be thaL heavy. It's ah..just hip passed waist length, zipper front. #72: All right. I want you to ...... #27.5: ..Wears it!open. Weprs it open. +27 #72: Wears it open. That's fine.. Relax.-It is now the evening of 17 December, the evening of 17 December. It is now becoming dus k. It's getting dark. he man in the photo,is at the van. T PAUS E #27.5: Umm...goes into the front. #72: All right. What I want-you to do stay with is the van, stay.wi th the van. The dat e is now 15 December, 15 December. Describe the location of the van. PAUSE Prpunv 7- Approved For Release 2000/08V%rT-U-7,=]1TL I If %0 -%F %F I %j8ROO0700070001-8 Approved For Release 2000/08/07 QW8ROO0700070001-8 : tlAA-O&V,- #27.5: Got ah..two impressions for 15 December. First impression was at ah, par.king lot... Second impression was a, oh, like an old house.... park, parked in back of old house. #72: All right. Let's take t he old house. Describe f or me the old house. +31 #27.5: Ah ... old farm house, e building. Get plastic lik on.,windowso ah ... light,.turqu,oise screen, white, clapboard type building. -Predominantly white. Dirt,.dirt, packed.dirt running next to the house to rear. Some kind of o 1d, white shed in rear. It's like in a house of track of houses very much similar. A flash or Now Jersey ....... ah ......... I don't know. if it's ove rlay. Seen places like that in New Jersey. #72: All right. What time is it at the old house? #27.5: Morning,at 10 ..... #72: Is the man in the photo with the van at the old house? #27.5: No. Definitely not. #72: Okav. Let's now move to the parking lot, the park- jing.li&t. What time of day is it at the parking lot? #27.5: Afternoons, 2, 2-o'clock. #72: Describe the surroundings of the parking lot. #27.5: See the long, low, narrow building. Looks like one big building. That's all different-colors. All the way down.. There~rb.some other vehicles parked in the lot. It's ah .... been left here for some reason. Keys-are still in the ignition. Just -the ignition key. #72: Look around. Is there anyone at the lot, working at the lot7 PAUSE #27.5: Think somebody coming and get.ting iL. Different people leaving. it; different people getting it. PAUSE !t r 00/0*'61 lt4k-kDP96-00788ROO0700070001-8 Approved For Release 20 _U 4RMQQE-00788R Approved For Release 2000/08/07 N~All 000700070001-8 L #72: All right. I want you to stay.with the van, stay with -the van. It, is now the mor.ning.of 16 December, 16 December. Where is the van located. +36 #27.5: It 's under a covered parking garage. third floor, maybe. #72: If you.walk to the outside at the third floor level, and look out f what do you see7 PAUSE Ar VMS a" &V #27.5: See tall ... ah.....tall buildirLq,~t_.6'1" 0.04 the street. New white, new whitegis ol the left side. Tall building on the end of the right. It's .. much older. Lot ol glass. REP44tioNs. Ah..... Road apparently goes in one direction. Ah.*** lanes.change...6 then 8 then 6 then 4. Shaped like a bow. Some kind of construction nearby. #72: All right. Go to the other side of the third floor of -the parking garage. Look out and tell me what you see. PAUSE #27.5: Ahh ...... six story warehouse ..... dirty brick..... dirty windows. I think it's empty. #72: As you look at the warehouse, what do you see? #27.5: Bare bulbs. Pattern of bare bulbs. #72: Is there a name written on the warehouse... #27.5: 1 S44"a'n Italian name. I don't ....... there's an ar,row and there's an Italian name. I don't kn~olf what it is.. Just thought it,'s Italian. It's the c-olor-s-,,of Italy, Green and red and yellow.) I think. #72: 1 want you to stay with the van, and now go to dusk on 16 December.-.It's getting dark. Describe the location of the van. #27.5: Ummm ......... large parking lot again ...... next to some ....... big,, flat area. See an airport. I-LIS parked in an,airport. PAUSE P, t n r,T Approved For Release 2000108AA~-~,~M 0788ROO0700070001-8 Approved For Release 2000/08/07 : CIA-RDP96-00788ROO0700070001-8 #72: 1 want you now to r.aise tip - and look f or a perspective at the.airport. Tell me what you see. #27.5: See a large, ah ... terminal building. Looks like it's-shaped like a K with a with a back bent, an arch, and off to.one.si.de is a giant ...,long b,uilding. Like a warehouse, or something. Very long. Parking hangars to the front, and ah....runnways locklike an..X fastened.at the bottom. Across on thexight side-is a ... smaller runway and a very tiny.group of buildings. There are many planes parked. #72: Okay, 'I want you to wait, and hold at the runway. (TAPE TURNED OVER) #72: All right. We're still at the airport at the runway. Raise-up.to a.perspective and look beyond the runway. What do you see? #27.5: Just country roads. #72: As you look down on the runway what do you see? PAUSE #27.5: Just planes parked......umm......just what I described before. #72: All right. Come down to the ground level walk to the front of the terminal. Describe what you see. #27.5: Two floors, glass, grayt speckled marble or something. Not marble. It 's like polished stone. #72: Walk into the terminal and describe what you see. #27.5: Place appears to be almost empty, compared to most. See ah...this gray polished stone going in both directions. Just curves away and there's all these booths for selling,tickets. #72: All right. Turn your.back to.the,ticket booths, look str,aight~ and what do you see? Approved For Release 2000/08/07 : CIA-RDP96-00788ROO0700070001-8 - I U- .- ---_ Approved For Release 2000/08/07 : CIA-W'A-~I%-A17n 700070001-8 #27.5: Glass walls. I'm getting a parking lot outside the glass walls. It's a square, cover)% : type area.-..-L km~"- ;a It's got a connecting rampf walkway. #72: All.right. .-The van has come to the airport. Why is the van at the airport? PAUSE #27.5: Just waiting. Waiting to move. Keeps moving. Get an impression of a woman this time for some reason. #72: Is there anyone woman? with the #27.5: There's a guy,with her. Ah ... cleanshaven~ maybe-middle aged. No. Younger 33 maybe. - Tall, thin. #72: Is the man in the photo with these people at the van? #27.5: No .... he's not. #72: All right. I want you o come backto t 13 December 19B1. #27.5: Okay. #72: 1 want you to fix in your mind the man in the photograph ---- how he looked. Hold your impressions of how the man looked.. I want you now to relax, return to this room at this time. Relaxf return to this room at this time. I want you to take a deep breath ------- (See TAB A -for description of photograph) L I 8 Approved For Release 2000/08107 CIA-RDP96-00788ROO0700070001-8 Approved For Release 2000/08/07 cl z Q f C rxvVV700070001-8 " r~f 7 ~ i 4M kw"T,m UA I. ,~M TRANSCRIPT REMOTE VIEWING SESSION 836 #27.5: This. is my-view Page 1. T,his is my view, my f irst out of the third floor parking area, covered parking area. About all,I can say about it since it's very gestalt _is on the left-side of the road there is.. a cuneif orm or very modernly constructed building that's all glass. It's all sheets of glass. It's just nothing but reflection. Ando it's short, and it's squat, but it multiple story. On the right hand side at the end of the.roado ther,e's a very tall,. narrowing structure that's very old. Probably built in 1920s, 1930s-. Has an open box on the top---or box on top. Has all kinds of openings in. it. ,"wool The lanes, I can't draw. I just got a feeling line they went from six to eight to four to six, you know, with lanes turning off in all different directions. .1 cannot draw the congestion here.. I mean it was congest--- really, heavy, super heavy traffic. All one-way traffic. You know. Hanging lights, and all kinds of other stuff. Page 2 is a second view out of the third floor covered parking area which is.the old factory. Called it old factory.because I got the distinct impression there was nothing going on there. It was empty. Multiple story. Three, four story. It's topped with a.jagged ed--jagged outline roofl.all glass.. Each floor has got rows of those small pane.glass windows. About second floor level is a glass arrow and all kinds of naked light bulbs all the way down the wall.forming a sign that I depicted as being Italian. Some kind of Italian word. There's a parking area to the front of it. This is all red brick, old red brick. Page 3 is an overhead view of the third floor cover parking area.. There'san older building fastened to one end. It's on the side street. The main street's one.way.going in the direction of the arrows..-.the tall building, 6 to 8 blocks to the left. Glass building is down across the tall building. There's construction back in this area back here where I wrote construction. I have first view and second view labeled with Approved For Release 2000/08/07 ==-'Z-00788ROO0700070001-8 0MOT ~ e-'T _7 7 ,, T I L_ ",rnr 7~ Approved For Release 2000/08/07 : ylLfgBRU00700070001-8 #27.5: arrows and the location of the warehouse and the par.king lot. I didn't get a feel. for what's.across the street. You know ... to the top of the page. Page 4. The menuk. It's a browned grained paper. It's just a flip open.menuk. I didn't get any feel for-pages or numbers of pages. - The front has a very decorative gold embossed script word that looks,like a fancy F or an S or somethingo and I got a feeling,like it was a male name. I got the-word Sammy or Sam or something like that. But, I got a feeling that's overlay. But it isf I think, a male name. Page 5. T.his is the K shaped terminal building at the airport. Parking area to the-right where the van is parked w.hich.is an open parking area. There's a square overhead or covered.par.king area directly in front of the terminal with a open parking area behind it. A long building behind the terminal and a row.of hangers. Runways are behind the terminal and looked like the bull ridge of a X connected with a small planes parking-area to the right ... somewhere to the right. Small planes seemed to be very far away. Page 6. This is a drawing of the view through the restaurant window. I got a feeling it was all glass all the way down. Just lightly framed in metal, and it was on the second floor. So, you were looking down onto the street. And, at the end of the long building across the street was a small shop with, like curved windows in the front with red and black pattern cloths hanging in the,window. It had a front facing on the building, and it was basically.a flat roof. The building to.the left was huge, glass show windows, and it was all yellow., filled with some kind of ads or papers pasted up there. Page 7 is a very ba,sic.drawing of a rundown your typical rundown farm house.. And, it's got a front porcht and a dirt road down the side, and some.kind of shack in the,rear. Might be a garage although I.didn't.get a feeling for garage. But, you could just see the edge of the van parked in the back. Ando for some reason, I,got a.feeling of New Jersey when I was. in at this farm house. And, I don't know, if -that's overlay or not. There were a lot-of other houses like this around it. ,%mole Approved For Release 2000/08/07 C P96-00788ROO0700070001-8 P! 77 17 711-11 Approved For Release 2000/08/07 . CIA77 T7001,11 33RI 0700070001-8 #27.5: Like you know, way.out in the suburbs. And) and tha.t's it. That's all I got. #00: You were talking.to.the artist about the drawing of the face. You mentioned a few things about the eyes. Will you reiterate (phonetic) that on paper. #27.5: Oh, yes. Okay. Looking at the facet I got the impres,sion that,-.--loo.k.ing at the facet the left.side of the face, the corner of the mouth, the corner of the mouth drooped noticeably, as if heldbeen struck in the mouth by something, and it was a permanent scar type affect. Althoughv I did;nlt see any scars. But, it was noticeably drooped. Severely as compared to the-other side of the mouth. There was no distinctive line at all above the upper lip to the nose. And, it was like as if that.indentation under the nose.wasn't there.. Which gave the upper lip a very flat appearance. The eyes were noticeably dark.. Also~-his eyes were a very light colored gray. Like a steel gray, and I get the feeling that his eyes were not that color. They should be brown, dark-brown eyes. But, that he habitually changes the colors of his eyes with contacts. I didn't get a feel for it if the glasses are real or not, but the glasses are clear on the bottom of part of the frame. They fade into.a very dark gray in the upper-portion. I get a very gray, somber feeling about this guy. The way he dresses...his dressing habits are earth colors, you know. Very .... no stricking colors. he just never wears stricking colors. And, I did,n't get a feel for any kind of a-shirt. I just had a feel for a very heavy, pullover type rustic kind of sweater underneath this very Jight leather jacket. He doesn't wear his jackets zipped. Tha,tI.s basically, it. Except what-I want to say about.. the scenario of this thing. Therie's something.... -I'm going to try.to put-.into words-this gut feeling that I have about this whole scenario concer,ning this guy. It's an example that I would-give to express this feeling although i;t1s not abs.olutely accurate. It's sort of like this guy is controlling 16 or 18 people or- whatevert and 4els controlling them in groups of one or. two peop'.1e. None of the others are knowing what the others are doing, and it all appears to be.part.of the very basic plan, or scenario for action here. All the players believe _'%Pmn_nCmr Approved For Release 2000/08/07: QW-M, 1.010V I 017TTV00700070001-8 Approved For Release 2000/08/07 CIA-RDP96-00788ROO0700070001-8 #27.5: themselves to be d,oing something other than what theyre really doing....in his mind..... It'is sort of like he's run,ning this big ... this.big ... detailed complex thing. While, in reality the actual plan is going to be carried out somewhere, in that ... in that process. An example I.would give would be...I would send two people out to....or say I would send someone out to work in a store for two weeks, and I would tell them the reason.why the;y1re doing this. is I plan on robbing the store, So, the people get the job and they work there two weeks, and I would tell t.his, this.person okay., youhave to take the assistant manager to lunch today because I know he always carries the key to the store in,his.right coat pocket, and while yo;ulre eating lunch with-him,11m going tot. at this specific restaurant,jI'm going to gain access to his coat and copy the key. Sot this guy goes and takes the assistant manager to lunch, and while hoe's eating lunch with the guy I walk up and shoot-him in the back of the head. And, it's a surprise to. everyone. That was my real intention all along was to murder the assistant manager. low That's the.kind of feeling I'm get-Ling for this. Like, he,may be the key individual, the only individual that really knows.what's going on and that any portion of this-plan or.scenario tha:t,',b.g,oing.on can fold or may even be deliberately exposed as just part of the scenario. That kind of an affect. And, I guess the only reason why I'm saying this, is, it's a.gut.feeling I have about this whole-thing-f that just.does,n't set right.- I just wanted to make it a matter of record. I guess thatts it. Awk -more 'U,- %~V AM iL_V; 741J Approved For Release 2000/08/07 : CIA-RDP96-00788ROO0700070001-8 Approved For Release 2000/08iD7 : CIA-RDP96-00788ROO0700070001-8 I TAB ---J1 Approved For Release 2000/08/07 : CIA-RDP96-00788ROO0700070001-8 Approved For Release 2000/08/07 CIA-RDP96-00788ROO0700070001-8 qN 1%0011 Approved For Relea Approved For Release 2000/08/07 CIA-RDP96-00788ROO0700070001-8 '4 c c0 Approved For Release 2000/08/07 CIA-RDP96-00788ROO0700070001-8 Approved For Release 2000/08/07 CIA-RDP96-00788ROO0700070001-8 IR000700070001-8 Approved For Release 2000/08/07 CIA-RDP96-00788ROO0700070001-8 eo Approved For Release 2000/08/07 CIA-RDP96-00788ROO0700070001-8 Approved For Release 2000/08/07 CIA-RDP96-00788ROO0700070001-8 '001~ Approved For Release 20 RDP96-00788ROO0700070001-8 Approved For Release 2000/08/07 : CIA-RDP96-00788ROO0700070001-8 qL Approved For Release 2000/08/07 CIA-RDP96-00788ROO0700070001-8 Approv or Release 2000/08/07 CIA-RDP96-00788ROO0700070001-8 Ap p t N, eL Approved For Release 2000/08/07 CIA-RDP96-00788ROO0700070001-8