~ej Approved For Release 2000/08/gAKMiLJP96-007MR000700090001-6 mmwwmm~ aid INSCOM GRILL FLAME .PROGRAM SESSION REPORT *MOO CLASSIFIED,BY:MSGpDAMI-ISH C1A`TEb:O51'3OZJUL78 REVIEW ON. Dec. 1,001 21,/- &-11-1 - V:R GRILLFLAME NOT RE --EIGN NATIONALS Approved For Release 2000/38/0 OfQb%-RDP96-00788ROO0700090001-6 4 / 6~ --, " Aa~-' Approved For Release 2000/08 DP96-00788ROO0700090001-6 SUMMARY ANALYSIS REMOTE VIEWING SESSION 838 1. (S/NOFORN) This report documents a remote viewing session conducted in compliance with a request for information. 2. (S/NOFORN) The remote viewer's impressions of the target are provided as raw intelligence data, and as such, have not been subjected to any intermediate analysis, evaluation or collation. Interpretation and use of the.information provided is the responsibility of the requestor. 3. (S/NOFORN) The protocol used for this session is detailed in the document GRILL FLAME Protocol, AMSAA Applied Remote Viewing Protocol (S), undated. 4. (S/NOFORN) Following is a transcript of the viewer's impressions-during the remote viewing session. At TAB A is target cuing information provided the remote viewer. NOT RELEASABLE TO FOREIGN NATIONALS ' V, I IN Approved For Release 2QnnJ3fi?1ftJ' -pnp96-00788ROO0700090001-6 !V, 01 U~t "At. I Approved For Release 2000/08/07 MPF"6-00788ROO0700090001-6 TRANSCRIPT REMOTE VIEWING SESSION 838 #72: This will be a remote viewing session for 17 December 1981 with a start time of 9,olclock. #06: 17 December. #72: Did I say 17 December? #06: Yeah. #72: 17 December with a start time of 9 o'clock. It is now 9 o'clock. Our..target for-today is the man whose photo you have been shown. Concentrate on the man in the photo. Where is he now7 PAUSE #08: Think he's, he's in, he's.in-in-ah-North America.- He's, he's probably in Canada. #72: What is he doing? #08: Ah right now he's just..ah..walking down th; ;treet of a very modern city. I want to say Montreal. I go--,. I gotta ... give you.a flood.of things here that-ah-that are... overlay to me and.1 gotta clear my mind of this and then you can ask me anything yiou want. #72: All right. #08: (Mumble) ... before the session, during the cooling period this, what I consider overlay impression were, were that this man. is (s,h,odI'&)be. This man originated somewhere from North Africa. T,his man.is .with.him..probably murder, and that..ah..came here..flew from,Europe to Canada .... something .,like two, three weeks agog and he's still there, and he's.stuck and he can't get to where he want's to go., Okay. That'.s thatl.s the, the end of the overlay. You can ask me anything you want. Approved For Release 2000/08/07 .4V-%7-00788ROO0700090001-6 "Ace'runi Approved For Release 2VOO/08....0, 0788ROO0700090001-6 #72: All right. What is he planning to do? What is he planning to do? PAUSE #08: A very quick impression is that he's... somehow tr.ying to cultivate ... ah ... contact- vithin the radical you~t-h group ... as a means ,-# 0 # 0','of.ah-.....'cros.sing the border. Pro5ably the ah...thing type.i 'n that is the old ah ...... in draft dodging that's probably when they have routes or had routes...or.he t,hinks they have routes to get, him out of here. #72: Where does he want to go? PAUSE #08: Ah..i,...Florida... #72: All right. I want you to move ahead in time, move ahead in time to 1400 hours on 17 December, 1400 hours on 17 December. Concentrate on the man in the photograph. Where is the man in the photograph? #08: He's on his way North. There's a line ............. There's a red line that he can't penetrate. Around .......... ah...Virginia, I guess. I don't know. #72: What does he want to do? PAUSE #08: God..... ........... ............................. PAUSE #72: Concentrate on the man in the photograph. It is 1200 hourst 17 December. What does he want to do?, PAUSE #08: 1 see a.silencer and I see a hand gun and I see that he wants to use them. #72: Where does he want to use the hand gun? PAUSE Approved For Release 2000/08/07L E ~0788ROO0700090001-6 Approved For Release 2000/08/07 : aW-M WM n788ROO0700090001-6 -"u;nL I #08: In the D.C.-area at a political, local, political reception party type thing. That's what he wants to do# as a last alternative. #72: All right. Now, I want you to move ahead in time. It is 17 December 1981p 17 December 1981. It is beginning to get darkt begin,ning to get dark. Where is the man in the photograph? Where is the man in the photograph? PAUSE #08: He's somewhere on the main streets,like... .... in-front of a, at ah.... a national.historic b.uildingt museum or something. It's on one of the main drags in D.C. He's ah... likekilling time., ........ #72: What, what is he waiting for? PAUSE #08: He's been unsuccessful in trying to gain legal entry to a Middle East reception type, and I think he's going to crash it anyway. He Ill try to. #72: Look at the man, look at the man. How does he look? #08: Aha .... he's pretty well dressed....and he's, ah ... I think wearing smoked glasses that appear to be somewhat.glamourous ...... well dressed ...... in a you k.now . .-*,. 0 . black su it , white shirt , befitting a,-the a h .... and he could blend in ... in a Christmas type reception of one-of-the ....... mean ............. #72: Who is sponsoring the receptio.n? PAUSE #08: Of all of them h-els got a ch'oice of about two or three. It-'s.a ... golly ... to #72: Just concentrate and tell me your impressions. PAUSE 3 A rk n Approved For Release 2000/08 L. 6-00788R000700090001-6 Approved For Release 2000/08/Q"-~ 6-00788ROO0700090001-6 #08: The impressions are either very, very quick and very flashy.. It's Middle East and I want to say Morocco and,,*(mumble)...very fast ... #72: Who at the reception is the man in the photo looking for? PAUSE #08: 1 don't think he's fussy. I think if he ... he-feels if he can positively identify that he's dealing with a, a high U.S. functionary of sorts, he's going to be, he's going to let that person become his target. #72: Who are his priority targets? #08: There is no such a thing. He'll identify as he goes. I like to finish this up pretty soon, PAUSE #72: Are any people with him at that time? #08: Ho. He's kind of isolated. #72: All right. I want you to return to 17 December 1981, at this room at this time 17 December 19B1 at this room at this time. I want you to relax. (Discussion at TAB A) & %MOO (%j:p-nrT Approved For Release 2000/LL"j, ~l..Iw;nwlvr--;~u--uO788ROO0700090001-6 Approved For Release 2000/08/07 : CIA-RDP96-.00788ROO0700090001-6 I ~ TAB I Approved For Release 2000/08/07 : CIA-RDP96-00788ROO0700090001-6 Approved For Release 2000/08/07 0788ROO0700090001-6 TRANSCRIPT REMOTE,VIEWING SESSION 838 (DISCUSSION) #72: What do you think about this guy? #08: Ah two things that-I probably. .di~n.lt.men,tion.during the session, that may be minors but .... When I was trying to find the origin of this guy as to where he came from i 'nitially before taking that flight from Europe I got (malfunction of microphone)_ That was just an impression. And, second thing is when I had him, or what-appeared to be Constitution or Pennslyvania Avenue in front of that historic building. I was trying to find some means by which you could readily identify him. And, the smoked glasses came out. -They're.just a little bit gray. They're, you know, ah, lenses without frames, kind o' circular...not, not rectangular type. More like tear drops-to the side, and another thing was his shoes. His shoes were, you'd have to pay close attention, but they'req the,y're very soft black leather with a little higher than normal heel. Something that you would find in, in Europe,that you could recognize very quickly as....particularly of the point, because of the lack of design on the shoe, and because of the softness.of the leather. I was tr,yin' to find a way that-if somebody were looking for, for him that they could specifically recognize ,him. And, the, the t,hing about a white scarf-kept coming back, but I don't know, if that was just fan.cif*ul .... dream. And, then I f 'lipped (phonetic) to German. Som,et,hing peculiar about his attire asoo.whether.he might not blend in as easily as he wants to...;.1c.ause he de,.finitely wants to blend in. 72: Okay ... dark suit, white shirt. #08: Oht yeah. Almost lik e a tux, you know, smoker type apparel .... He can fit in, if he can get through. I don't know if he'll be able to get through. And, that 's what I-was trying to Approved For Release 2000/08/07 - cliftIff Ro 00700090001-6 0 0 0708 Approved For Release 2000/08/ 6-00788R000700090001-6 WftW 6 #08: ...determine ... those points.-that if someone were looking for him-could prevent him from goingr in. #72: What.did he seem to need to get through? #08: He rdid not-haveany official pass. Was:n1t successful. No, no official invitation-. Ah...but, hie's got the attire and the ability to blend. 1-think-herwas just waiting his ,time to be selective about w.hich.one he was going to attend. I said Morocco. It could be Jordan. Buts. i!tls something like that, Morocco, Jordan. Something like that. #72: Okay. Ah. ...... operating by himself. Impression of that? #08: Yeah. It didn't start off that way. I got the impression that, that he went to Florida, and that.was to ... there's a question there of contacts of arms of-getting back into the, the stream of people within that,circle of bad guys that would help himf and he did get help. I think all he got was the weapon...and the silencer. And, then he started off. Therels.something that stopped him because I had this overlay....when I,started with him,. Ifigured I-might as well use the world maps. I had the overlay of the world map. Then it became North.America.. So, I just used that. North Americao andq ah, with Canada above and the States below. Then I had-him in Florida. Then I had him coming up in our own Virginia. North Carolina, Virginia. There was a red line. He had, he had trouble there, and he couldn't.penetrate for a while. He couldn't get through.until you pushed me up in time, and evidentally he got through somehow. But, therels.something there that he couldWt, he was afr~aid, butq he couldn't penetrate- But, evidentally he did later on. I don't ~noxv. I don't.know.why. #72: Okay. Le.t1s.see .... #08: 1 never became that close to.him anyway. #72: His physical appearance'? r Approved For Release 2000/08/07 : CIA-RDP96-00788ROO0700090001-6 Approved For Release 20001nR1nACnw&s 1W _ __788ROO0700090001-6 #08: Oh! Physical appearance. #72: Did you.look at him? #08: Yeah. Pretty suave, pretty....ah .... #72: Does he looklike the photograph? #08: Ah ......more or less ...... less.than more ....... Ah:.:..,his hair, is,different ..... ah.....he wants to look the part of the diplomat or.the civil servant from a-foreign country. That's what h;e's.putting .... his trust in, and that's what he's using. Ah ... physical appearance. - 5 89 5.7 maybe.. Definitely medium built, but not paunchy at-all and very very strong individual. But, not obese, and yet not over- weight either. He does;n1t look like a wrestler or anything-like that, but, I'd definitely put .him into that.category of medium built. He's not that tall. #72: Okay Let's see if they have anything they want us to-try to sketch out for them * Anything to sketch out? Think maybe they've gone home. No, they're.thinking. Okay. (Above discussion of #72 was with the control room) #72: The, perhaps the building that he is ...... #08: No.. I can describe.that. Therel-s no real reason to sketch that. It's on a wide sidewalk. Like Constitution Avenue or Pennsylvania Avenue. And, immediately from the,sidewalk is~a cement set of stairs. And, above the cement stairs.is a official type building. I didn't concentrate on it too much, but.there appeared to be columns. So, it's historical. It's like a museum. It's .like something like that.. That entire, that entire drag along this ........ #72: In thatV in. that complex around the mall. #08: Yeah, yeah. It's, he was, he was,n't that far away from the Washington Monument.- He was just walking on.thoso...Lhat long street killing time. No. One bu,ildin~gls.not going to help. #72: Okay. Okay, that's all we got for today and we'll terminate the ses.sion,now. 00 Approved For Release 2000140CEIA-ORODP96-00788ROO0700090001-6