Approved For Release 2000/08/07 : CIA-RDP96-00788ROO0700170002-6 TRANSCRIPT REMOTE VIEWING SESSION 839 #72: This will be a remote viewing session for 18 December 1981 with a start time of 1500 hours. PAUSE #72: It is now 1500 hours. Our target for today is the individual whose name and identifica- tion are in the envelope. I want you to concentrate on the man whose name and identi- fication are in the envelope. Tell me where he is. PAUSE #06: Get an impression of . . . . flight of steps. PAUSE Outside. Decorative steps. Impression of a dark. area. PAUSE Its like . . . . walking into a depression. low. Low area. PAUSE #72: Is the person alone? PAUSE #06: No ... hels ....... accompanied by at least two others. Got on military uniforms. PAUSE #72: All right. I want you to come out to the front of where this person is and describe it for me. PAUSE #06: Just a minute. PAUSE Approved For Release 2000/08/07 : CIA-RDP96-00788ROO0700170002-6 Approved For Release 2000/08/07 : CIA-RDP96-00788ROO0700170002-6 TRANSCRIPT REMOTE VIEWING SESSION 839 #72: This will be a remote viewing session for 18 December 1981 with a start time of 1500 hours. PAUSE #72: It is now 1500 hours. Our target for today is the individual whose name and identifica- tion are in the envelope. I want you to concentrate on the man whose name and identi- fication are in the envelope. Tell me where he is. PAUSE #06: Get an impression of flight of steps. PAUSE Outside. Dec orative steps. Impression of a dark . . . . area. . PAUSE Its like . . . . walking into a depression. low . . . . . Low area. PAUSE #72: Is the person alone? PAUSE #06: QI. ___jp,gCw; . . . accompanied by at least two . others. Got on military uniforms. PAUSE #72: All right. I want you to come out to the front of where this person is and describe it for me. PAUSE #06: Just a minute. PAUSE Approved For Release 2000/08/07 : CIA-RDP96-00788ROO0700170002-6 Approved For Release 2000/08/07 : CIA-RDP96-00788ROO0700170002-6 #06: Impression of . . . . ... ramp of steps. Decorative. And narrow was standing on top looking down. Like coming out of a airplane or a . . . . a . . . . . something metal. PAUSE #72: All right. Look at the front. Is there any number on the front? PAUSE #06: A. . . . . Its got a . . . . kind of design. A bird on it. Don't see any numbers. #72: All right. I want you to go into an overhead perspective. Overhead perspective. . . from where the person is what are the most distinguish- ing landmarks. Look around. PAUSE #06: See a city surrounded by water. Long, low bridge. Park. Yeah, a park. PAUSE #72: Look around the city. Look around the city. Distinguishing landmarks. PAUSE #06: Tall, pointed building. Just feel like I'm going around in a circle around that tall pointed building . . . . . See a building that's round. Or a group of inter- connected circles - cluster of circles. Its a church. PAUSE See a there's a . . . . Impression of open areas with no cars. Large open area with no cars. #72: All right. From your perspective over the city, I want you to locate the main road. Locate the main road. PAUSE 2 Approved For Release 2000/08/07 : CIA-RDP96-00788ROO0700170002-6 Approved For Release 2000/08/07 : CIA-RDP96-00788ROO0700170002-6 CM- #06. Impression of ramp of steps. Decorative. And6jofwZ I was standing on top looking down. Like coming out of a airplane or a . . . . a . . . . . something metal. PAUSE #72: All right. Look at the front. Is there any number on the front? VA US (b-19 #06: A. . . . lit, g"t .s . . . kind of design. A bird on 't ee any numbers. t." #72: All right. I want you to go into an overhead perspective. Overhead perspective. . . from where the person is what are the most distinguish- ing landmarks. Look around. PAUSE #06: See a city surrounded by water. Long, low bridge. Park. Yeah, a park. PAUSE #72: Look around -the city. Look around the city. Distinguishing landmarks. Uy PAUSE #06: Tall 0 d building. Just feel like I'm goin in a circle around that tall poiHe * ding . . . . . See a . . . . building that's round. Or a group of inter- connected circles - cluster of circles. Its a church. PAUSE See a there's a . . . . Imprassion of open areas with no cars. Large open area with no cars. #72: All right. From your perspective over the city, I want you to locate the main road. Locate the main road. PAUSE 2 Approved For Release 2000/08/07 : CIA-RDP96-00788ROO0700170002-6 Approved For Release 2000/08/07 : CIA-RDP96-00788ROO0700170002-6 #06: Okay. #72: Go down the road around the city, close to the city until you find a road sign. Look for a road sign. PAUSE #06: Okay. #72: Read the road sign. What does it say? Describe it. PAUSE #06: Its . . . Its got a person's name. PAUSE Marvin . . . . Marvin, or . . . . . . Male first name, Mar. . Its like overhead, green. PAUSE #72: Look at the overhead green. What does it say? PAUSE #06: I'm getting a . . . . . . I'm getting just a view now of a raised highway . . . . . on the edge of the city. With the ramps going down and the ramps going up. PAUSE #72: All right. That's fine. I want you now to go back into the city. Back to the place where the person is. . . Maintain an overhead look and look down and describe its relationship to the roads and other landmarks. PAUSE #06: Its across the river. A . . . . . A. . . . . Just had a . . . . . flash of something . . . Just a minute. PAUSE Just got a flash of some funny pointed trees. Skinny, tall trees. PAUSE Approved For Release 2000/08/07 : CIA-RDP96-00788ROO0700170002-6 Approved For Release 2000/08/07 : CIA-RDP96-00788ROO0700170002-6 #06: Okay. #72: Go down the road around the city, close to the city until you find a road sign. Look for a road sign. PAUSE #06: Okay. #72: Read the road sign. What does it say? Describe it. PAUSE #06: Its. It a person's name. sorAUSE Marvin. . Marvin, or . . . . . . Male first name, Mar. . . . Its like overhead, green. PAUSE #72: Look at the overhead green. What does it say? PAUSE #06: I'm getting a . . . . . . I'm getting just a view now of a raised highway . . . . . on the edge of the city. With the ramps going down and the ramps going up. PAUSE #72: All right. That's fine. I want you now to go back into the city. Back to the place where the person is. . . Maintain an overhead look and look down and describe its relationship to the roads and other landmarks. PAUSE #06: Its across the river. A . . . . . A. . . . . Just had a . . . . . flash of something . . . Just a minute. PAUSE Just'ZV' a flash of som( funny pointed trees. Skinny, 'tall trees. PAUSE Approved For Release 2000/08/07 : OIA-RDP96-00788ROO0700170002-6 Approved For Release 2000108107 : CIA-RDP96-00788ROO0700170002-6 #06: 1 don't know. I just keep winding up back on an aircraft ramp. PAUSE #72: All right. That's all right. Take a sense of the city. What is the function of the city? PAUSE #06: Very . . . . . . . Got " Political feeling. Strong political feeling. #72: How do I find the city? PAUSE #06: 1 just . . . . . I keep getting overlay here. I'm . . . . . . I just feel like one minute I'm in Moscow and the next minute I'm in Washington. #72: Okay, just relax. Just relax. That's all I have for you now. That's all I have. Do you have anything you want to add? PAUSE #06: 1 get a stronger feeling about Moscow than Washington. But I'm still not sure if its overlay. #72: All right. I want you now to relax. Return to this room. Return to this room. Relax and return to this room. Approved For Release 2000108107 : CIA-RDP96-00788ROO0700170002-6 4 Approved For Release 2000/08/07 : CIA-RDP96-00788ROO0700170002-6 #06 1 don't know. just keep winding up back. On an aircraft ramp. PAUSE #72: All right. That's all right. Take a sense of the city. What is the function of the city? PAUSE #06: Very . . . . . . . CTot a political fee ling. Strong political feeling. #72: How do I find the city? PAUSE #06: 1 just. I keep getting overlay here. I'm . . . . . . I just feel like one nute mi I'm in Moscow and the next minute I'm in Washington. #72: Okay, just relax. Just relax. That's all I have for you now. That's all I have. Do you have anything you want to add? PAUSE #06: 1 get a stronger feeling about Moscow than Washington. But I'm still not sure if its overlay. #72: All right. I want you now to relax. Return to this room. Return to this room. Relax and return to this room. 4 Approved For Release 2000/08/07 : CIA-RDP96-00788ROO0700170002-6 Approved For Release 2000/08/07 CIA-RDP96-00788ROO0700170002-6 #06: 1 don't know. . I just keep winding up back on an aircraft ramp. PAUSE #72: All right. That's all right. Take a sense of the city. What is the function of the city? PAUSE #06: Very . . . . . . . Got a political feeling. Strong political feeling. #72: How do I find the city? PAUSE #06: 1 just . . . . . I I'm . . . . . . I I'm in Moscow and Washington. #72: Okay, just relax. have for you now. have anything you keep getting overlay here. just feel like one minute the next minute I'm in Just relax. That's all I That's all I have. Do you want to add? PAUSE #06: 1 get a stronger feeling about Moscow than Washington. But I'm still not sure if its overlay. #72: All right. I want you now to relax. Return to this room. Return to this room. Relax return to this room. #06: In Moscow or something . . . #72: That's interesting. When you were looking at the building, the first building where he was at, where he was down - what did you feel about that building? #06: A. . . . . . PAUSE I. I guess I'm confusing something here. You mean where I was talking about the steps? #72: Yeah. 4 Approved For Release 2000/08/07 : CIA-RDP96-00788ROO0700170002-6 Approved For Release 2000/08/07 : CIA-RDP96-00788ROO0700170002-6 ,!.J- #06: 1 don't know. . . I just keep winding rback up on an aircraf t ramp. PAUSE #72: All right. That's all right. Take a sense of the city. What is the function of the city? PAUSE #06: Very . . . . . . . Got a political feeling. Strong political feeling. #72: How do I find the city? PAUSE #06: 1 just . . . . . I I'm . . . . . . I I'm in Moscow and Washington. #72: Okay, just relax. have for you now. have anything you keep getting overlay here. just feel like one minute the next minute I'm in Just relax. That's all I That's all I have. Do you want to add? PAUSE #06: 1 get a stronger feeling about Moscow than Washington. But I'm still not sure if its overlay. #72: All right. I want you now to relax. Return to this room. Return to this room. Relax and return to this room./ Begin to stretch your toes/ se~w- #06: DUN #72: #06: In Mosco or somet ing. . . 0 r omet n e Ve That's int esti When you were looking at the buildin th first building where he was dtn ti i th at, whera he a down - what did you feel about he a do that building, 1ding, A. . . . . . PAUSE #72: I. guess I'mNconfusing something here. You mean 4ere I was balking about the steps? Yeah. Approved For Release 2000/08/07 : CIA-RDP96-00788ROO0700170002-6 Approved For Release 2000/08/07 : CIA-RDP96-00788ROO0700170002-6 POST SESSION COMMENTS #06 In Moscow or something . . . #72 That's interesting. When.you were looking at the building, the first building where he was. at, where he was down -- what did you feel about that building? PAUSE #06 1. . . guess I'm confusing something here. You mean where'l was talking about the steps? #72 Yeah. #06 1 got an impression that it was his back to something metal, heavy #72 Damn,.there's enough noise going on in here to # 0 . #06 1 know, its ridiculous. Difficult #72 Today,. it was just unreal PAUSE Let's just relax and rest for a little bit Just stretch it out. 5 Approved For Release 2000/08/07 : CIA-RDP96-00788ROO0700170002-6 Approved For Release 2000/08/07 : CIA-RDP96-00788ROO0700170002-6 #06: 1 got an impression that it was . . . his back to something metal, heavy. #72: Damn, there's enough noise going on in here to . . . #06: 1 know, its ridiculous. Difficult. #72: Today, it was just unreal. PAUSE Let's just relax and rest for a little bit. Just stretch it out. PAUSE #72: Okay, we'll continue the session with some drawings and commentary. #06: Okay. Page 1. . is a rendition of the city area circled by the moat of water or rivers. I have a narrow bridge on their labeled narrow bridge. I got a feeling like this narrow bridge was very close to the water and on pilings, you know, just a flat ribbon of road. There's a road inside the city edge along the water, with some kind of a cut-off right before a curve that said Marvin something road. That's where I was working on the sign. I've indicated with an asterik the approximate position of the targeted individual. I've labeled open areas in the city. There's some kind of big, flat square open area. Page 2. "A"is a representation of the grouping of tall skinny trees. For some reason, I had the impression of tall skinny trees. "B" is where I turned around on the upper platform of the steps and saw a angular type representation of an eagle inside of a triangular type background. "C" is a group of interconnecting superimposed circles which I felt indicated a church. You know, it was like a top view of the design of a church. Page 3. Is a side view of the type of steps or ramp that I'm talking about which appeared to be narrow. The top of which he was standing and looking down. I got an impression that - like I did "E" here is a cutaway section of one of the supports. And, that's about it. Approved For Release 2000/08/07 : diA-RDP96-00788ROO0700170002-6 Approved For Release 2000108107 : CIA-RDP96-00788ROO0700170002-6 #06: 1 got an impression that it was . . . his back to something metal, heavy. #72: Damn, there's enough noise going on in here to . . . #06: 1 know, its ridiculous. Difficult. #72: Today, it was just unreal. PAUSE Let's just relax and rest for a little bit. Just stretch it out. -on"ONOWN0 PAUSE #72: Okay, we'll continue the session with some drawings and commentary. I 1~01 ,Ovz~ 0 #06: Okay. Page 1. is a rendition of th city JL t area circled by the moat f 'ter orA eivers. ~ 1-1 ~__ t I have a narrow bridge on Lt~ labeled narrow bridge. I got a feeling like this narrow bridge was very close to the water and on -,DW' 0110-, pilings, you know, just a flat ribbon of road. There's a road inside the city edge along the water, with some kind of a cut-off r hL_b_e_fo:rd___ a curve that said Marvin somethingf~r:~,',t That's where I was working on the sign. I've indicated with an asterik the approximate position of the targeted individual. I've labeled open areas in the city. There's some kind of big, flat square open area. Page 2. "A"is a representation of the grouping of tall skinny trees. For some reason, I had the impression of tall skinny trees. "B" is where I turned around on the upper platform of the steps and saw a angular type representation of an eagle inside of a triangular type background. "C" is a group of interconnecting superimposed circles which I felt indicated a church. You know, it was like a top view of the design of a church. Page 3. Is a side view of the type of steps or ramp that I'm talking about which appeared to be narrow. The top of which he was standing and looking down. I got an impression that - like I did "E" here is a cutaway section of one of the supports. And, that's about it. Approved For Release 2000/08/07 : tIA-RDP96-00788ROO0700170002-6 Approved For Release 2000/08/07 : CIA-RDP96-00788ROO0700170002-6 TRANSCRIPT REMOTE VIEWING SESSION 839 DESCRIPTION OF DRAWINGS #72 Okay we'll continue the session with some drawingt and commentary. #06 Okay. Page I . is a rendition of the city erea..cireled by the moat of water or the rivers. I have a narrow bridge on -there labeled narrow bridge. I got a feeling like this narrow bridge was very close to the water and on a piling . . . you know, just a flat ribbon of road. There's a road inside the city edge along the water, with some kind of-a cut-off right before a curve that said Marvin something-or-other. That's where I was working on the sign.. I've indicated with an asterisk the approximate position of the targeted individual. I've labeled open areas in the city. There's some kind of big,, flat square open area. Page 2 . . . "A" is a representation of the grouping of tall skinny trees. For some reason I had the impression of tall skinny trees. "B" is where I turned around on the upper platform of the steps and saw a angular type representation of an eagle inside a triangular type background. "C" is a group of inter- connecting superimposed circles which I felt indicated a church. You know it was like a top view of the design of a church Page 3 . . . Is a side view of the type of steps or ramp that I'm talking about which appeared to be narrow. The top of which he was standing and looking down. I got an impression that - like I did "E" ... here is a cutaway section of one of the supports. And that's about it. #72 Okay, let's darken them in and that will terminate the session. #06 Okay. 6 Approved For Release 2000/08/07 : CIA-RDP96-00788ROO0700170002-6 Approved For Release 2000/08/07 : CIA-RDP96-00788ROO0700170002-6 #72: Okay, let's darken them in and that will terminate the session. #06: Okay. Approved For Release 2000/08/07 : CIA-RDP96-00788ROO0700170002-6 Approved For Release 2000/08/07 : CIA-RDP96-00788ROO0700170002-6 #72: Okay, let's darken them in and that will terminate the session. #06: Okay. 6 Approved For Release 2000/08/07 : CIA-RDP96-00788ROO0700170002-6 Approved For Release 2000/08/07 74 CIA-RD 0788ROO0700170002-6 LL dm ,oil At w A A I w ApprovedFor Rel--NDOOO/08/O7dLgK-RDP96-00788ROO0700170002-6 400 TV I" Aporoved For Release 2000/08/07 CIA-RDP96-00788ROO0700170002-6 Tye Ap roved For Release 2000/08/07 CIA-RDP96-00788ROO0700170002-6 Approved Fo Se 2000 6-00788 7 0002-X Cti:i: ,,ri 04 Ic"y d For Release 2000/08/07 : CIA-RDP96-00788ROO07001.70002-6