rr',Oa6-00788ROO0800430001-7 Approved For Release 2uuy ORCON/NOFORN GRILL FLAME PROJECT SESSION REPORT copy CLASSIFIED BY: Director, DIA DECLASSIFY ON: 31 Dec 99 EXTENDED BY: Director, DIA REASON: 2-301-C (3) (6) C-TT-'!T L Fo T A T, Fj -rc lul Approved For Release-~61W/08/0 ~eIA-RDP96-00788ROO0800430001-.7. 001, Approved For Release 2000/Q-O!7;-.-'.-,Q~',tA~RDP96-00788ROO08004fOdQ*,o SUMMARY ANALYSIS REMOTE VIEWING (RV) SESSION 1. (S) This report documents a Remote Viewing (RV) session conducted in compliance with a request from SOD, J3, OJCS, Pentagon, Washington, D.C. The purpose of the session was V4 to pro -Lde information relevant to the hostage situation in the U.S. Embassy compound in Teheran, Iran. 2. (S) The remote viewer's impressions of the target are provided as raw intelligence data and as such have not been subjected to any intermediate analysis, evaluation or collation. Interpretation and use of the information provided is the responsibility of the requestor. J 3. (S) The protocol used for this session is detailed in the document, Grill Flame Protocol, AMSAA Applied Remote Viewing Protocol'(S), undated. 4. (S) Following is a transcript of the viewer's impressions during the remote viewing session. At TAB A are drawings made by the remote viewer reference his impressions of the-target site. At TAB B is target cueing information provided the remote viewer. Approved For Release 2000/001~', 'VAL DP96-00788ROO0800430001-7 Approved For Release 2000/08/07 : CIA-RDP96-00788ROO0800430001-7 TRANSCH I P V RE-HOI-L VILWiNG ON) SLSSION CC51 #6.5 This will be a remote viewing session (edited for security). PAUSE Ok #08, it's time to start the session now. For the last few minutes you have been concentrating on a photograph of an individual. The name of that individual is Malcolm Kalp. I want you to relax and focus your attention on the location of Malcolm Kalp and describe that location to me. Relax and concentrate on Malcolm Kalp and describe his location to me. PAUSE +02 #08 There's a great-small wall-on the wall's 2 (mumbling) fence. It's a ... it's a long wall. Part of the wall is about 2 feet of brick and there's 2..a..a brass sign on the post-crates ... and there's some Arabic writing, or something. It's all curvy. PAUSE +05 #6.5 Tell me what it says. #08 1 can't ... it's got tails and stuff... #6.5 What? #08 It's got tails and stuff. #6.5 Relax, relax and concentrate on Malcolm and describe the area where he's located. #08 ig yard. There's-uh-like 2 white driveway crushed stane driveway. It leads to building C with arches and posts. U,j / #6.5 Is there anybody in this big yard? #08 bling)Therc's a couple guys"' the "'um 0. %ut Lpo L ct"i that's not him. #6.5 Tell me about the people on the porch. Approved For Release 2000/08/07 : CIA-RDP96-00788ROO0800436 -7 Approved For Release 2000/08/07 : CIA-RDP96-00788ROO0800430001 J +08 +11 +15 #08 Mustache and a one is batter dressed than the other ... opgo"'shirt and other guy's (mumbling) ._rftown. There's a like ..uh..1 ~Ie only fatiques. , do* r e ' corridor iVide.. [here's "frange hanging lamps s l in the COY11-1dor. I * ul .-hink I got him. This or. .Ul i d I hin ~ guy's. .** luyls at in office. Like some function 's aL~ _L11 off L 3 Ino. area, 0 r s ing. #6.5 Doing well. Now, relax and tell me from what perspective you're seeing things right now. #08 I'm at the door looking in and .... very comfortable atmosphere .... a..big wooden desk..shinny dark furniture. Very ... very self-satisfied with himself. #6.5 Who is? #08 Him. #08 There's a big window behind him. #6.5 Go ahead inside. Move away from the door and tell me what you see. #08 Inside where? #6.5 Inside the building. Move away from the door and tell me what you see. #08 Like..uh..a long corridor. Want me to go to the entrance, or what? All right. All right. This guy's in the room I know that, ok. Ok, now. The conference rooms's next to him and-uh-from the door, facing in, there's a hallway big wide hallway. Glass ..... mirror type on either side .... big offices there ..... #6.5 Walk down that hallway you told me about ... walk down the corridor and look in the rooms and tell me if there's anybody in any of the rooms. #08 Yeah. Lots of..about 7 or 8 people (mumbling) common (phonetic) people. #6.5 Keep on going down the corridor. #08 All right. PAUSE #08 (Mumbling) not that far. Looks like small offices. 2 Approved For Release 2000/08/07 CIA-RDP96-00788ROO0800430001-7 PP Approved For Release 2000/08/07 : CIA-RDP96-00788ROO0800430001-7 #6.5 Anybody in there? #08 Yeah. Wait a minute. Clerical. There's-uh.. there's an important office there. #6.5 What makes you say that? Tell me what you see that makes you say that? #08 Very plush. Very, very plush. Uh..maybe..uh.. maybe all those draperies ... big desk. #6.5 Have you (not understandable) Malcolm yet? PAUSE #08 He was in the first office but he's not there. #6.5 Ok. Tell me how large this building is that you're in. #08 Gosh. God. I'm only looking at half of it ... that's about ... got to be approx ... overall about..uh.. 200, 250 feet. This is all ... this is all Arabic. This is 211 Moslem. #6.5 How tall is this building? #08 Bone, 0 C story. f1s very, very curvy (mumbling) -'o ry +20 Got t impress' n of curves..uh..domes.when you im res t ~ i n walked insid . d s j- ~d #6.5 Tell me how tall it is. #08 Ugh ... The corridor is about four times the height of a man ... three times, maybe... three times, four times the height of a man's height. #6.5 1 want you to relax now. Relax. I want you to change your perspective. i want you to go up in the air. 1,000 feet up and look down this building and tell me how I could locate this building. Tell me about area around this building. #08 Let me start lower and then I'll work up. #6.5 Ok. Go up about 300 feet #08 All right. #6.5 (Not audible). Look around. Tell me how I Can find this building. 3 _Approved For Release 2000/08/07 CIA-RDP96-00788ROO0800430001-7 Approved For Release 2000/08/07 : CIA-RDP96-00788ROO0800430001-7 #08 OK. It"s-uh-Lhat dam thing is distracting me. Stay on.. #6.5 Try to relax. Try to relax. #08 OK. I'm in the vicinity, went straight across to the right of it ... a big building ... a big dome I ading up to s go u s le it. That's what I wanted to say. building. I keep getting the impression that i T right before a kind of a horseshoe..uh..curve. #6.5 au are having alot of trouble wi noise ouLsi e ..... snowp ow. Let me ask you one last question. From looking up there, can you see the big yard that you talked about earlier? #08 It's similar, but, the yard I saw before was in back. This one's in front. #6.5 What? #08 The yard I saw before was in back. this one is in front on the street. #6.5 Do you see that big yard? #08 d e Mum ng d ~b ~ '~ .The r S two fr ont 1; n . big in ba s Y air ~ ' s eet in fr on t. t a stree #6.5 Is there anything of interest in any of the yards that you see? PAUSE #08 OK. When I first got there I got the impress-ion I was in front of people, all right. But, they ... they're not excited. They're just there. OK. n the back (pause) I get fleeting impression ... ignitaries. I can't tell (mumbling) may be 10. ~ May be 15. #6.5 OK. I think it's time (not audible) #08 Yeah. It keeps coming. #6.5 Just relax and we'll ..we'll call it quits for now. Relax and we'll sit up and do some drawings here, ok. Approved For Release 2000/08/07 CIA-RDP96-00788ROO0800430 7 Approved For Release 2000/08/07,:,CIA-RDP96-00788ROO0800430001-7 1 1 #6-5 Ok. Hopefully, LhaL snowplow will be quiet for awhile out there, and we can see if we can get some of your impressions down on paper. #08 Ok. I don't care if it takes 10 drawings. I'm going to do one at a time because they were very prominent at the beginning. Ok. I had at first ... V6.5 Want to use one of those pens? #08 Oh, yeah. I'll push it down because those are hard to maneuver. #6.5 Ok. #08 Impression I got went something like this and it was a great .... a gate .... great and there were two huge columns; something like this. If you ... tape is on.. #6.5 Yes. Tape is on. #08 And then-what this was .... was a small wall .... right. Took off to the right and left for quite some distance. That amazed me .... and ... had kind of ... kind of a wroughtiron fence here ..... all right .... this was brick. (Mumbling) ... same thing on the other side. I knew you wanted me to go after the personality. The most vivid thing that I had was a sign there. I think it was on both posts and this was .... that's why I kept trying to describe to yqu..tails ... no Way 1 could-I was looking for an English translation or what have you and these ..... see one .... and I'thoughL it was Arabic. And, beyond this was sort of a light colored driveway. Almost like crushed stone ... gravel light ... grayish-light white and this head to this house. The fronL of which I will draw next. #6.5 When you talked about the crushed stone driveway .... #08 because it was a bit.unique. It was again in the middle of the yard. #6.5 Is that where the big yard is? #08 Yeah, yeah. This is all I saw is quite recessed 50, 60 feet ... there's no ... this was close to the gate of sorts ... this was say Arabic .... but that's 5 yard here and the building in somehow. Estimate to be way I can tell ... but, this street here .... this was a prominent-I don't want to what it looked like. Approved For Release 200-0/08/07 CIA-RDP,9,6-00288RJ0008004300,OT. Approved For Release 2000/08/07 : CIA-RDP96-00788ROO0800430001-7 #08 Certainly wasn't easy, ok .... (mumbling) is very strong, ok. This ..... #6.5 That is diagram number one. #08 Yeah. This ..... extended quite far ...... #6.5 Ok .... the walk #08 Yes. Both ways. Both ways. Like when you asked me the length of the building I was trying to put in 40 feet duplex ...the building-trying to measure it ... and little bit difficult .... ok .... so that extended to the yard .... Then, the second impression.was the front of the building. and it was with arches like this, ok ... and, under these arches were posts of sort. Much nicer than I can draw. Ok. And, there were several of those ..... a whole bunch-ok-and this ... #6.5 In the front of the building? #08 Yeah. This was kind of a porch here, ok ... and these two guys ... you asked me to describe ... one was at the bottom...kind Of 2 steps...he's the guy with the brown military type apparel ... and this was the better dresse individual, ok. #6.5 What do you mean by that? #08 Uh ..... suit. Business suit (mumbling) Novi, this, this is a porch and 2 walkway at the same time, and, in here seems where your windows were, ok, something like that, whatever. This was 2 door. Ok. #6.5 Where's the door that you went in? #08 Right here-and then I Vent to the left. #6.5 Ok. First you just stood in the doorway, for a while. #08 1 wanted to get to the guy and I made a special effort to get to the guy, and it was just like somebody dropped me right in front of the sLUpid glt,e. Right here. That's about the best I can do. Something of this nature. #6.5 Ok. But, even when you got to the door, you mentioned to me, you said you were at the doorway. #08 Yeah. But, it was the door to the yard right in front of the graLe. Later on I was looking from another door. That was the building for this door. I went 6 Fof-Release 2000/08/07 CIA-RDP-96-007-UR00080043OaUl.-7 I , Approved For Release 2000/08/07: CIA-RDP96-00788ROO0800430001-7 corridor to my left. I spotted whom I thought ... ..whoever this joker is there...Malcolm... might get ... office-ok-then I looked around here ... came down to the main corridor and went down and I didn't see too much on this side. Here's where I saw the conference room. A couple of small offices and then a huge room. #6.5 Ok. Why don't you draw that? #OB Ok. I'll give you an overview of the inside portion that I saw which, as I have described it, was very tall, domed ceilings, and these funny ... these chandelier type things hanging. #6.5 1 had alot of trouble trying to figure what was going on, ok. #08 Yeah. Because I started from the gate. I walked.. ..I went to the building. Then you asked me if I saw any individuals. I saw those two individuals. After I saki those individuals, I went inside the building and I went to the left. I am just going to do this very simply. #6.5 Did you notice the snowplow has stopped now. #08 It's a conspiracy. I had trouble ... I wanted to get high. I wanted to get low. When I got low, you said ok. I went low. As soon as I got low I said I was going to ask you to go high and I said "to hell with it." Ok. Let me draw this... this on a smaller scale. It was pretty wide corridor ok. This is a door. Then, this is a much wider corridor for some reason. This was kind of whitish stuff here, ok. Where I saw... th man that you wanted me to see there, .... have me locate rather.. was here. There's a couple offices, here .... something like this-all right. Then, when you came here there was ... this was very plush. This was big, hug mirrors on the wall-uh-this was kind of somber. This war, very light-ok-uhiLc grayish floor-I got Lhe impression somelhing 1U