Approved For Release 20 RDP96-00788ROO0901150001-6 ORCON/NOFORN INSCOM GRILL FLAME PROJECT SESSION REPORT 0 0'7 - 7'7 ogee 69 CLASSIFIED BY: Director, DIA pEVIF-W ON: 30 Apr 99 EXTENDED BY: Director, DIA REASON: 2-301-C(3)(6) erf%nr'T- GR` ILL FLAM E Approved For Release 2uLzu'v:-W& CIA-RDP96-00788ROO0901150001-6 ronr-M Approved For Release E;IA-RDP96-00788ROO0901150001-6 SUmMARY ANALYSIS REMOTE VIEWING (RV) SESSION XV 1. (S) This report provides documentation of a remote viewing session conducted for the purpose of orienting a remote viewer to an applied renote viewing protocol. 2. (S) The target images related by the remote viewer show a moderate to high degree of target correlation. The "beacon" individual was on board a 727 Whisper Jet in route between Dulles International Airport and LaGuardia Inter- national Airport, New York, at the time of the remote viewing session. Some of the remote viewer's impressions do not appear to correlate with the target but those that do can be matched with the "on-board airplane" scene, which is the essence of the target site, with striking clarity. This session was conducted after normal duty hours and because of this ambient room noise was greatly reduced. This situation seemed to enhance the remote viewer's ability to concentrate without distraction. The remote viewer was confident during the session and felt that he had been suc- cesful. The remote viewer was physically tired because he had been moving furniture during the day. Because of this, he felt he was able to physically relax almost as soon as the session began. The session began twenty minutes later than the agreed "on-target time" to allow for the completion of a military parade and cannon salute outside the viewing room. This resulted in a time lag on the part of the "beacon's" role because he began attending to what he was doing in preparation for the agreed "on-target time." As the session began, the "beacon" was finishing his task, transcribing his notes of the target site, and noting his behavior. This time differential did not seem to affect the success of the session. 3. (S) The protocol used for this session is detailed in the document, Grill Flame Protocol, ATMSAA Applied Remote Viewing Protocol (S), undated. 4. (S) Following is a transcript of the remote viewer's impressions during the session. At TAB A are drawings made by the remote viewer reference his impressions of the target. At TAB B are the typed notes of the "beacon" pertaining to the target. No photographs were available. At TAB C is a post-session interview with the remote viewer. Approved For Release 2000/0 "f, a U 0110LU -00788ROO0901150001-6 Approved For Release 2r,104MOE11A RDP96-00788ROO0901150001-6 UL W I - I TRANSCRIPT REMOTE VIEWING (RV) SESSION XV EST #66: Okay, this is a remote viewing session. (Edited for security.) PAUSE 1720 #66: Okay, #14, #1 is at the . . . . target location now. I want you to look around the target area with him. . . and describe the area to me. PAUSE #14: Is he supposed to be on business or a. . . vacation? PAUSE #14: The first impression I got was . . . a looked like a . . . looking into the mouth of a fish. It looked like looking into a mouth of a fish, or a shark perhaps. . . . Then I had a side view of something shaped like the head of a fish. #66: Okay. #14: Ahhh- After trying to get rid of that image, I had the image of, what seemed to me, like a . . . female dancer with a very loose fitting blouse. and long flowing hair with her arms outstretched shaking back and forth . . . kind of like a Mexican or Spanish, you know, Flamingo type dancer, something like that PAUSE #14: My next impression was . . . being below and looking up . . . at . . . the face of a . . you know the shoulders up, of a woman who appeared to be running down the beach. The hair was flowing back and forth. . . . Again, long dark flowing hair and a loose fitting, . . loose fitting blouse. Ah, I had the feeling of being near a beach, water, something to do with boats Is Approved For Release 2000/ri-,&Mi~,'FA-WDP96-00788ROO0901150001-6 Approved For Release 2C,,~"VFMIMMT. -RDP96-00788ROO0901150001-6 "I WINM, , or fishing, something like that . . . . I, ah, . . . tried to go up from aerial perspective like, but I didn't really come up with anything. I'll see if I can't . . . can't focus in on it from aerial view. . . . PAUSE 1725 (not audible) I keep getting an image of looking down. . . a chimney-shaped object . . . Ah. . . like a cone with the top cut off and hollow in the center. . . #66: You're doing very good. PAUSE #66: Just. let yourself. be with #1. Let yourself be where he is . . . and describe the area around him. Describe the area around yourself . . . PAUSE #14: Another, odd. . . sensation that I had before and I'm having again. . . its like . . . seeing'' frames of photographs or something being shown to you. very quickly. . . faster than you can see. I don't know if you've ever seen some of those television shows, where they just flash things on. . . for just a minute moment and you can't really. get a picture of it. (not audible) #66: That's right. As they flash by just concentrate harder . . . and slow them down. . slower and slower . . . and slower yet until you can make out what the images are. and describe them to me. PAUSE #14: 1 see kind of a 1-o-n-g trough. . . . It looked . . . . its not a natural feature, its square. . very squared off. . . its very manmade. 90-degree angles in the corners . . . . PAUSE 2 owflnrT OLWIL. i Approved For Release 2000/08/07 : CIA-RDP96-00788ROO0901150001-6 Approved For Release 2C`O'CO'1C:TA RDP96-00788ROO0901150001-6 OLMIL. #14: 1 just tried for another aerial perspective and I think I just saw the Southern tip of North America and all of South America. It just goes zoom back. PAUSE 1730#66: Just let yourself. be at the same location . . . with #1. . . and look around the area. Simply be with #1 and look around the area . . . . PAUSE #66: Feel what #1 feels. See what #1 sees. And describe the area to me. PAUSE #66: Let an image of #1 form in your mind . . . Work on building an image of #1 in your mind. . . And ask yourself about the area where he's located. and describe it to me. PAUSE #14: (Long sigh) PAUSE #14: 1 don't know, I think we've lost it PAUSE 1735#66: Let yourself reach out to where he is . . . reach out and find him. . . describe . . . his activity to me. PAUSE #14: 1 have the feeling for . . . for swimming. looks like a beach. Analytical side of the house. . . PAUSE #66: Describe to me. your impressions about what he is doing. . 3 Approved For Release 2000/08/07 CIA-RDP96-00788ROO0901150001-6 3 Approved For Release 2num.-Ta-RDP96-00788ROO0901150001-6 ULM11116 PAUSE #14: 1 keep seeing all these I wonder if he wouldn't something. . . or on a impression is like the and water just speeding #66: All right. things going by. Which be. . . flying, or - - fast boat. . . The raw . . like the ground past you. PAUSE #66: Are you feeling the things passing by? #14: No, I'm just. seem to be observing it. #66: All right. PAUSE 1740 #14: Ha ha. I just had a. slight ear ache in my left ear. It was reminiscent of when I used to fly and as you're. . you know. . depressurizing get an ear block. #66: Okay. #14: In the left ear. #66: All right. #66: You are doing very well. #14: Things don't seem to make a whole lot of sense. #66: You are doing very well. PAUSE #66: 1 have instructed you to. look with #1. perhaps now. . . you can stop looking with #1 . . . and describe the area around #1. PAUSE #66: Is. he. . inside. or. outside? PAUSE 4 Approved For Release 2000JEMIL;gk-RDP96-00788ROO0901150001-6 Approved For Release TIA -RDP96-00788ROO0901150001-6 1 #66: Describe what you're sensing. PAUSE #14: 1 had a feeling that he was inside. And also inside a cylinder shape structure - object or whatever. #66: All right. PAUSE #66: Tell me what else is inside. 1745 #14: Well, I had the impression there were other people. That makes it sound good. PAUSE #66: Describe what you are sensing. #14: 1 saw a circular type object with a a it appeared to be an aura around it or something like . . . a you know, the Kirlian photography or whatever. . . Either that or it was very hairy. That's okay I suppose. PAUSE #14: And, of course, that particular image I had very early. . on. . also. PAUSE #14: It almost seems like a getting the picture of looking. . at an island. . obliquely. . but its not. a pretty good altitude. 30,000, 40,000. #66: Okay. #14: It cut. it reminds me of the either the that big Mount Fugi or something in Japan or something in the South Pacific, or . . . a volcanic type island. . .'cause it seems to come up. But this time like I said I was looking at it obliquely from . . or at least . . . I would just guesstimate having flown before, about 35,000, 40,000 foot. 5 Approved For Release 2004-wroax "DP96-00788ROO0901150001-6 -"(%nrT Approved For Re I ease -,zftf~:,j+L I tIA-RDP96-00788ROO0901150001-6 #66: All right. PAUSE #14: And I do not have the sensation of being in an airplane, cause I just looked at it from different angles. Very quickly. PAUSE #66: Stick to your raw impressions now. Sometimes you might . . . . #14: Right, but that would be the only way I can describe that. 1750#66: 1 understand. I understand. You are getting very good. PAUSE #66: Concentrate back now. Let yourself go back to. . . your perception of being inside. describe the inside area. PAUSE #14: Ah. . it appears to be some type of inclosure with . . . either a tunnel shape, arches, ah. . . . cylinder type shape. I just feel like its round on the top. Like a round. roof. #66: Fine, fine. #66: Describe the color to me. PAUSE #14: It seems to be . . . kind of dark . . . not much for any bright colors. I get a . . raw feeling for a light brown or a tan. . . Somehow, I get. . . I feel there's seats there like on a bus or something and they appear to be light tan or something. . . PAUSE And I still get the impression that there are other people. . . there. Approved For Release 2000/08/076. mr, I-uu I?J?JR000901150001-6 V Approved For Release NOW ganCl DP96-00788ROO0901150001-6 0=1 TC-Fr", #66: All r.ight. PAUSE #66: Let me check the tape and see how we're doing. #14: Well, I'm afraid I might be getting too wrapped up in an analytical side of this thing. PAUSE 1755#14: Now if I was to take a wild guess . . . (TURN OVER TAPE) (DRAWING) #14: Just a minute . . . okay. . . Just as I was finishing up there I had a . . . oh, a kind of a picture of a diamond shape thing. If I was to take a wild guess, the diamond and volcano and all that stuff, I mean this is the analytical side, its either somewhere . . . ah. . . Hawaii, Japan. But like I said, the girl or woman I saw dancing looked more Spanish. Like you would see . . . of course, I've been to Mexico and Spain. A. . . And in the very beginning, I had a very definite flash of something like fish, fishing, big fish, shark. Had the impression that a . . . this woman was running. . . and it was very weird because I was like a mouse looking up at this woman renning down the beach but you could see the hair flowing. And I could almost feel the sand underneath. And for some reason I just associated it next to an ocean. #66: Now, if there seems to be a problem with sifting out and the noise and your imagination factor; your analysis of the images; the . . a. . images about what is going on . . . Now, I'm going. . . before we sit up and draw. . . there I want you to think very carefully about the images you've had and the number of your images. Go through them again, now and very quickly, so that you can draw them. You've done very good now, but we have a big job ahead of us in drawing what you've seen (not audible) in your mind. . . #14: Okay. . . I'll just . . . I'll just run through it. 7 Q ri-ha n r Approved For Release 200omAoLWfUXW-i