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 I % IL:-T
 NOT RELEASABLE TO FOREIGN NATIONALS
 ORCON
 GRILL-FLAME
 PROGRAM
 SESSION REPORT
 CLASSIFIED BY: MSG9 DAMI-ISH
 051630Z JUL 78
 REVIEW ON:
                                GRILL ~L7AM7E
 4-c-Vr- m r-r
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  SUMMARY ANALYSIS
  REMOTE VIEWING(RV) SESSION CD-37
  1. (S) 'This report d0CUments a remote viewing session conducted in
  compliance with a request from SOD, 33, OJCS, Pentagon, Washington, DC.
  The purpose of Lhe session was to provide information relevant to the
  hostage situation in Iran.
  2. (S) The remote viewer's impressions of the target are provided as raw
  inti-Adligence data, and as such heave not been subjected to any intermediate
  analysis, evaluation or collation. Interp-reLation arid use of the inforfrla-
  tion provided is the responsibility of the requestlor.
  3. (S) The protocol used for this session is detailed in the document,
  Grill Flame Protocol, AMSAA Applied Remate Viesiting Protocol (5), undated.
  4~ (S) Following is a transcript of the viewer's impressions during the
  remote viewing session. At TAB A are dravings rmide by the remote viewer
  reference his impressions of the, target site. At. TAB B is target Cuing
  information provided the remote viewer.
             C
  115. (3) The remote viewer was asked to find Ann Swift and describe ~he wiL
  Now,
  -igs of tier location. The viewer described art isolated build
          3
  sand nearby, as -if it were near a tseashore. He described another ferflale at,
  this location, whom he felt was a hostage. The. viewer also had a very [lazy
          ion of three male hosLages. lie described secu-.Lity as being scattei:~ed
  in a wide circle, forming a perim6ter raround the house.
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  TRANSCRIPT
  REMOTE VIEWING (RV) SESSION CD-37
     TIME
  #14: This will, be a remote viewi~')g session 5 June 198o.
  Mission time is 0830.
  PAUSE
  All right #46 -the, time is now 063Q YOUr mission for
  is to find Anti Swift. Focus your attention on
  Ann Swif t. Relaxp concentrate_ When you find Anil Swift
  describe her surroundings,
  PAUSE
                +01 #46: May ......... san(j, like on a beach ..... couple of Palln
  tre~es at the bottow. Next to LhaL is a road, cement,
  and up above that is the gate with pj.pe~s and cement columns,
  and beyond that is a building. It's like it vlas on a
  seashore villa of some sort.
  PAUSE
  Ther-3/8 SOMC~,thing abMt cement, cement lattice wort-, in
  ""' 1, of ..... cement lines crisscross and forms little
  ha??! That's supposed to be gomething there. A sense
  isolation there surrounding this building. Doesn't
  seem to be anything arOLInd j.'L, except for a few tallo
  trees. There's no branches on it. 1.eels like .....
  like Palm trees with no branches~ JUSt green tusks.....
  at~. the top.
  PAUSE
                +05 She's, sha's..,Lhere's another womtsn. Much shorter with
  black hair. They are sharing the quarters together or
  the rooml.
  #14.- Who is, this other woman?
          #46: SomeUiing that OOLMds like Rachael ... Ray ... something.
  I don't know.
  #14: Is She a hostage?
          #46: 0h, yeah. Shel,-, in the same boat as the one we're, looking
  'For.
  PAUSE
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  +10 #46: 1 would say she's in tier ii)id-30s. Just maybe-yeaf-t,
  someplace around there. She's goL more of a .........
  somcthing about o black dress, ... soi-ii--thing. Dressed
  in dark clothes ... or was, and glasses which she used to
  wez,,ir to work. I think she wa,,:, a secretary. . not to the
  highest rank man, but maybe the numbest, 3 man, whoever
  he is.
                     #14: Are there any other American hostages at this locration?
  PAUSE
             #46: 1 geL a vqr.y.,~ ............ "... There's a very hazy
  ,Osj-;C5, Pic
  comp - tLIVeS of 3 people. Males older ..........
  T
  ae are very SpaCIOLIS
  he- r(:)oms Lhey
  Lhe cubicles. NoL the sii~9:11 k~edi~oom types that we've seen
  be
  #14, Tell me abQut the secuviLy of this location.
  4 Most of it is distanp is distant. from the house li[<E--~
  thoy were ..... scattey.,,ed in a wide circle andperforming
  some kind of' perimeter aroun(I the house., but. there's no '001/
  fences, or anything. The emphasis is on thepe rimeter.
  PAUSE
  Imprei3sion of' 5 or 6 inside someplace .....................
  The 2 women are pretLy clear. I see the 3 men, the 4 men
  there too, but it's not as, clear. 'There is a persistent
  im~age of a .... involving tall man v:' ith gi-ay hai.r. Seems
  to be the more important one for whatever reason.
  PAUSE
  Anything else YOU viant. there?
  PAUSE
  14: No. I have no further qLA'Stions at, this time). I just
  want you to relax. . Remain in your state of focus.
  #46. At that place?
  , you just kind of' Sef- if YOU, Car-, P
  #14: That's right. And, ick
  up on anything that would be of importanct-,..
  PAUSE
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  +15 #46: eah. T e residence has something to do with the
  e a oh. i
                           Ayotola-., Very persistent there. Got to get rid of
  Jto a
  yf
  ~J
                        -hat
                         lat
  I don't have anything else.
  PAUSE
          #14: Okay. I have no further questions at this time.
  Anything else you can add?
  PAUSE
  #46: No. Except ttie sense of isolation of th-at house is
  quite pronounced. That's all.
  #14: We're now ready for debrief at, this time.
  #46: Yeah - On this chart I I'm going to give you sort of
  an overview as things happened horn. In the lower portion,,
  Lheae kind of wavey lines is where I Found myself, and it
  was very sandy. It was like a beach. Okay. Right above...
  the ... this was sloping upwards from here going out, arid
  then, right above the sandy area was a road. Cement ruarj,
  That was kind of funny, -too. It didn't look like a dark
  road at all. Like macadam or something. It looked like
  a cement road ... a two-lanO road. And, right beyond that
  1-were CGIUM413 Witt) a wall which were very yellow stc)ry.,
  like, brick like, okay. . And, right on top of that wall
  were two series of-like they were pipes or something
  arid so on. That was predominant from the road. That's
  the best I can describe them. They looked like pipes.
  Beyond that, was the house. I'm just going to giv(-, you
  the impression of the, front of tile house, and I don't
  know exactly where this was, but it, looked like a two-
  starey building. Somewhere here there was-the. impression
  of some cement lattice viork like that. So that you got
  I
  ~-he impression it was just little (mumbling) arid, I don't
  know if i4- covered the entire front or if it was jLJSt a
  portion, but it aceiried very significant at the time.
  There were porches. I don't know about the (rtiuriibling), but
  there's definitely a porch upstairs. Wher,-,.I thought she
  wash was around here with this other lady. That portion
  of the building. This Just wenE on and c~n,..but I don't
  know if it cove~oed the entir~r(.- thing or not. It's a
  predominant feathre. Recognizable feature. Arid, there
  were just a few trees. They were Palm like trees. 1here
  wasn't any branches around here. There's a few here. One
  or two next to the sand, and next to the road, and there..
  were some around here, But they Just had this toughie top
  and very few branches on the bottom. There were some
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                 #46: isolated ones all SrOUnd f-he hOUSe; and there was a
  very keen sense that this entire affair was very
  iscilated from anything else. There were no houses. in
  Lho immediate area. in fact, not i~mjch traffic or
  anything. Very isolated. That wav ..... these were the
  overall first impressions as I moved up from the sand.
                 #46: Anything else you want? He was in a cloud of his own.
  I had him sitting down, crossed legged with a light all
  around him, if you want.
          #14- 1 have no further questions at this timed I guess Lhat
  about covers f~,~verything we can drawn. End of' session.
  #46~ Okay.
  4
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           TARGET CUING INFORMATION
           REMOTE VIEWING (RV) SESSION CD-3-7
           1. (S) The viewer has been exposed to open source newsy wiedia J..nformation
           as well as classified overhead imagery and numerOLIS phoLographs of hostage
           personnel. He knew he would Lie working against the hostage situation in
           Iran.
           2. (S) At the time of the session the remote viewer was shown the attached
           photographs and was asked to find Ann Swift. He was asked to describe, Swift's
           location, describe any other U.S. hostage personnel, and security measures
           at, this location.
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         SGFOIA3
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