Approved For Release 2SELa~IIA-RDP96-00788ROO0900580001 -0 ORCON/NOFORN INSCOM GRILL FLAME PROJECT SESSION REPORT CLASSIFIED BY: Director,DIA REVIEW ON: 31 May 99 EXTENDED BY: Director,DIA P7ASON: 2-301-C ) (6) ULA Approved For Relea -@i%,R47: CIA-RDP9 Approved For Release 2SECIRE-TIA-RDP96-00788ROO0900580001 -0 SUMMARY ANALYSIS REMOTE VIEWING (RV) SESSION XXX 1. (S) This report documents a remote viewing session conducted for the purpose of orienting a remote viewer to the protocol which will be used in the remote viewing training program at Stanford Research Institute (SRI), Menlo Park, California. 2. (S) The remote viewer's descriptiow of the target show low target correlation. The remote viewer's analytic verbage reduces target correlation possibilities. In many cases his drawings show considerable comparison with the target site. "Noise" obviously played a major role in this session. The remote viewer appeared very relaxed physically during the session. He was not dis- turbed by ambient room noise. He seemed to be able to concentrate but obviously generated a great deal of analytical overlay. 3. (S) The protocol used for this session and which will be used in later training is detailed in the document, Standard Remote-Viewing Protocol (Local Targets) by Harold E. Puthoff and Russell Targ, November 1978. The designated target was not used because it was a restricted area and the "beacon" could not gain access. An alternate target was selected. 4. (S) Following is a transcript of the viewer's impres- sions during the remote viewing session. At TAB A are drawings made by the viewer reference his impressions of the target site. At TAB B are photographs of the target site. AT TAB C is a post-session interview. I Approved For Release 2qgEUE.IIA-RDP96-00788ROO0900580001 -0 QLA09 . Approved For Release 20414010- IA-RDP96-00788ROO0900580001-0 TRANSCRIPT REMOTE VIEWING (RV) SESSION XXX TIME #7.5: This will be a remote viewing session. (Edited for security.) PAUSE #7.5: #11 is at the target now. He is looking around the area. He is observing the target. Let yourself relax. . concentrate. . Look around the target with #11 and describe the area to me. PAUSE #36: I'm not seeing anything now as clear as I did before. As clear as I did before you started talking. And then I kicked it out of the way. PAUSE Before you started talking, I was trying to think of nothing and . . . a . . very sharp image of pearls on stick pins were arranged on . . . I don't believe this, brown velvet. Normally, this display is on black velvet. This was on brown velvet. I saw that before you started talking. After you started talking, I became . . . very, very thirsty. My mouth is so dry I . . . I can hardly talk. That may not be significant. Sure am dry . . . I . . . I don't know what I'm seeing, I. . . I a . . . Huh, okay. Here it goes. Upper right quadrant I see a candle with drippings on the left side of it. Its lit. Now, that's not right. Its lit. Drippings running all the way to the base of it on the left side. Right side doesn't have many drips. Its light tone. Light in color. I think that's one. PAUSE +05 #7.5: Look for #11 and describe #Ills location. PAUSE nrpDr,-, -X-b- Approved For Release .4--UNPONW.. CIA-RDP96-00788ROO0900580001-0 __0r(%nrT Approved For Release 209,: P96-00788ROO0900580001 -0 #36: I'm too close to everything. I mean, what I see is so close up. Two or three feet away. #7.5: Are you inside or are you outside? PAUSE #36: I'm too close to see . . . I'm trying to get away. Oh! . . . Okay. Its not very clear. Its all . . . Looks like I'm looking at the calperized, polarized negative. I see a sloping. . . broad roof. Slop- ing to the right and the left. . . with a raised portion on the roof. It looked like a meter high, a meter wide . . . . Awful lot of noise . . . PAUSE I just saw peas and I saw fresh corn on the cob. With the husk still on them. +08 #7.5: Describe your position to me. PAUSE #36: 1 . . . it looks like I'm ground level . . . PAUSE I don't know if this is overlay, but let's get it down. Looking north again, and I see a linear patterns on my left, going towards the structure I mentioned. Its not sharp. Near me on my left is . . . it is higher. . . Its running diagonally from the . . . my lower left. . . towards the left +10 of the structure. I seem to be looking up into . . . underneath a . . arch. At about a forty- five degree angle in front of me. This is not well at all today. PAUSE #7.5: Its still early. You're doing very well. Still quite early. Just relax and concentrate. . and let the images come. Just relax and concentrate. Think about the target . . . Let the images come. PAUSE 2 prancz. Approved For Release 20UeMnLgIA-RDP96-00788ROO0900580001 -0 Approved For Release 2U-V-1Q1:nn[:T- DP96-00788ROO0900580001 -0 #36: Off to my left I see. a repetitive "U" shaped patterns with the bottom. . . . roughly . . . "U", its a brief pattern. Brief. These objects come down 45 degrees and flat across the bottom and 45 to get to the other side. They are side by side and they are resting on . . . black linear support . . . I just saw a plastic glass. Plastic, green. . (not audible). Ah. . Ha ha ha. I think its the same thing. I see it from a I see the rim of a plastic glass. This +13 has got to be overlay. Very close; three inches. PAUSE Okay, I'm going to draw those . . . I see letters. I see a portion of a word. . above me. . . T. . * There's a T and a B and a Y. But that's not all of it. PAUSE #7.5: Just relax and focus. You're doing very well. Just relax . . . and focus. #36: 1 see a Z or a 2. Very large. And it appears to be to the left of the other letters. I think bigger. . . . It appears to have a lighter edge. +15 Edge is brighter in tone . . . Letters are fat. PAUSE #7.5: Are you alone at this area? PAUSE +19 #36: #11's there. . Ha. There's a man. #11's not going to remember this. There's a motorcycle to the right of me. I'm outside. But the building don't look the same. The slope of the roof is coming towards me. There's a motorcycle to my right. There's cooling finns on the exhaust right near the engine. That's overlay, I know that. I see. . I see. . three hamburgers stacked on top of each other. Or, a hamburger buns. . . And I'm seeing #11 . . . +17 over towards the left. Appears to be raised, light tone pavement just to the left of him going towards the structure . . . Awe, if I could only get rid of the ES sibberings (phonetic). 3 Approved For Releas RDP96-00788ROO0900580001 -0 Approved For Release S rnn IA-RDP96-00788ROO0900580001 -0 #36: 1 saw a basket. A woven basket. Now . . . . its paper. Its the basket pattern. PAUSE #36: 1 think that something went by me and I wanted to remember what it was and I could tell what it was. Um. . . This is overlay from. . . the other day. I see the reflection of lights, glass, diminishing in size as they go away from me . . . PAUSE #36: Hmmm . . . PAUSE #36: 1 felt very uncomfortable there for a moment. +19 #7.5: Describe your feeling to me. #36: Wait a minute . . . PAUSE I was. . (not audible). I . . . a I felt sudden, a sudden fright. Oh, pain, that felt like my heart fibrillated just for a few seconds. And then it was okay. PAUSE Actually, it speeded up very fast for just a second and then . . . its okay. PAUSE #7.5: Where are you now? #36: I'm trying to figure that out . . . I seem to be. . Oh, this is overlay, probably. That's a logical question. I'm on the road, facing east. Looking to the left of the road. I'm not moving. PAUSE #36: 1 don't see anything. PAUSE 4 Approved For Release 2001/03/15,t. *llw=VP96-00788ROO0900580001 -0 nm 'Tt"IA-RDP96-00788ROO0900580001 -0 Approved For Release Pn=IC7 @ -tiull 11L I , +21 #7.5: Describe #11's location. #36: #11 and I are seeing the same thing. PAUSE I keep seeing. . on my left, but that would be north. I don't know, it looks like a lot of neon signs on a building. Tubes, you know, neon tubes. I've been trying to make out what it is. But I did just see yellow. You know'. . . eight, ten feet off the ground. Forty-fifty feet from from the road. PAUSE It is gone. PAUSE I . . . just saw something that looked like old barn door hinges and I still see them. And they are relative to nothing. They're just in space. Rusty . . . The right end is bent on the end, and it don't have the screw holes, empty. This has got to be "noise." PAUSE I see. . . it a chain. it looks like a a bell. . bell-shaped structure. Its hanging on a . . . six inches high, three by five inches (not audible). PAUSE I don't know that, do I? PAUSE +24 #7.5: Okay, #36, in a minute now it is lost. Clear your mind. Blank out your mind and relax. . Let yourself relax and don't feel that concerned about anything at all now. . . Just feel yourself relaxation and no tension. Just relax. Now. Completely relax now. . Now let's go back to the target area. Let's go back to where you said you were outside. You were looking at #11 and 5 pCj3nr,& L%IiA-RDP96-00788ROO0900580001-0 Approved For Release 2.0%0%,,W3 rf%nrT, - Approved For Release 204 llgk-RDP96-00788ROO0900580001 -0 you were looking at the motorcycle and you were looking at the letters. Let's go back now to that location. Take yourself back to the target area there now. . . PAUSE Now go back. . and describe the target area to me. PAUSE #36: It keeps changing. PAUSE +27 Oh, I. (not audible) who knows. I feel like I'm in the same position that I was before. and there's a motorcycle. But, boy, this is weird. . . I see a white silhouette of . . a of #11 in the same position. Building's there. It. . . the roof is sloping up away from me and is slightly to the right because I can see . . . see the what I think is the front facade just slightly. . . I don't know, I'm not in there, but I have the feeling it, its a cathedral ceiling. . . And while you want everything dumped I held it back; but a while ago, I felt it was garbage - but the roof was a . . . Naw, it doesn't seem to be a roof. I saw. . I saw bright orange. There was a large expanse of bright orange. There it is again. PAUSE I keep trying to make the trim on the building white. But, its not. PAUSE The wall towards. . towards me. . on my side, or what I'm seeing anyway, is a . . about a portion of it is glass. The portion of glass is to the right. . . Solid wall appeared to be the portion to the left. PAUSE I I think I'm imagining things, but I see an aluminum. . . large aluminum pan type net. And I'm trying to place it and I think this might be carry over . . . I'm. . a. . I want to relax one more time. "1;C1nr-T Approved For Release 2001 iujimr..h,,RLrvrr---o-00788ROO0900580001 -0 (117finr-T Approved For Release :M61-Mg&+ CIA-RDP96-00788ROO0900580001 -0 #7.5: Okay. I want you to relax now. But I want you to do it for a good, long period of time, this time. . . Relax and concentrate. Relax and concentrate. PAUSE TURN OVER TAPE #36: Hmmm. PAUSE +33 #7.5: Describe your location now. PAUSE #36: 1 don't know. . I . . worry just a I don't talk talk very well, do I? PAUSE I saw. . . I forget what it was. . I saw numbers. . . and I was fooling around, trying to back off and find out what they were and I . . . There was a 1, there was a 2 and . . . they were in a line vertically and I think. . . Can't see them now. I think the other. . I think the bottom digit was 6. PAUSE Boy, that was plain. PAUSE I don't know where any of it. . just. Its like I'm real tiny and there's grass standing up all around me. I don't know. . It appeared to be vegetation bigger than I am. #7.5: Okay. Let's focus back on the target now. Let's focus back on the target. Put yourself now, back . . on the target. Put yourself back there. . on the target. #36: That's right. I don't know where I am. But I'm going to try and go in. PAUSE 7 Approved For Release 200=1'M':'. -DP96-00788ROO0900580001-0 ULU11 IG 7 chronr ' Approved For Release -zu10Lt,,j.-,FVL ViA-RDP96-00788ROO0900580001 -0 #36: 1 just saw those scallops that I saw the other day again. They're basic, curved pattern. That's probably from that blame sign I saw. PAUSE But its yellow and its not a Shell sign. Okay. I'm back there now. PAUSE #7.5: Okay. Now. Now that you're back there, hold it. #36: By the way, there appears. . Naw, that's probably overlay too. Anyway, for what its worth, . . behind #11 appears to be a tall structure or sign holding that. A sign. It appears to have a. . all kinds of colors are going but the predominant thing I seem to see is red and white. But there's some yellow involved somewhere and I can't. (not audible). PAUSE I think I thought a while ago that this building had a cathedral ceiling. I feel like I'm on the . . . east side of it, looking in. And it appears +37 to have a flat ceiling inside. . I'm beginning to wonder if I see everything. from the south looking north. PAUSE Okay . . . There appears. There appears to be a counter. . type structure. I guess its north. Its in the way #11 was facing from his position outside. If he waslked straight through the wall, and then went to the far side of the building, he would be near that, what looks like a counter top. It appeared to be curved away from me on the left. Immediately to my left is a . . I don't know. . . Its a . . . less than a meter square. . with a wall or divider going away from it to my left. And there appeared to be a . . something on top of it. Without color. Like glass. . I can't get a good handle on the shape of it. . The. . light, like there's light reflecting off of it with curved surfaces of glass. 8 nrl-AnrT- I IL Approved For Release 2,001/03/07 : CIA-RDP96-00788ROO0900580001 -0 Can A @ Approved For Release IM16_r DP96-00788ROO0900580001 -0 W.L #7.5: Are you inside or outside? #36: Oh, I'm inside. I'm just standing here looking around. I don't know if I'm the same place he is or not but this is very plain. To the right of the counter. . the counter seemed to terminate and I can't figure out whether it curves and goes to the wall or it just. . but there's a door there. It goes on further into the back of the building. And its a yellowish orange and so is the frame around it. PAUSE I. . am now seeing, I don't know what the scale is, . what looks like a little three-bladed plastic props. There's a red one, there's a blue one, there's a yellow one. . Ah, the kids hold up on a stick and run around with. There's no kid attached to these. They're just. I just see them in space. No background. PAUSE #7.5: Are you alone inside? PAUSE #36: 1 was worrying about that. I was concerned about a . . . seeing. . them, people. No, there's people here. They don't seem to give a darn about me. I was concerned about that, but I've been looking around and being so curious. Ha ha. This has got to be overlay. There's a. . figures in a . . I have a feeling that this thing is a . fast-food place. Obviously, I think that's what I'm describ- ing. But, I also. . fast-food places you have at leat one fat guy back there. . stoking the grill and we've got one here. He's quite large - 5, 8, 9. 1 can tell he's so big but he looks short. I tried to look at some of the other people behind the counter. He was the only one I could really see good. Not many other people here. PAUSE 9 Approved For Release 2 orilnri,,,A-RDP96-00788ROO0900,80001 -0 W.LJ;0 Approved For Release - - ornn T.. =P96-00788ROO0900580001 -0 '"U'LUM `N #36: 1 mean, when I said that, I was looking at. I don't know. . rust, reddish, hued tables I was looking at. There's not many people there. PAUSE Ah, there's something that went by me a while ago and I, well, I was still trying to figure out what it was. Maybe I shouldn't try and figure it out. #7.5: Just describe what you see. #36: 1 meant to tell you what I saw and I forgot. At first I thought I . . I thought it was a . . in a flash back to my camera because I saw Nicon, what I thought was Nicon, lenses. . . in a vertical position on edge pointing down. Then as I looked closer. . they appeared to be black tubes. One about eight inches in diameter. Another one about four inches in diameter inside of it and sticking slightly below it. I just had the feeling, for some reason, that these were. . black light fix- tures against an overhead. A dull black. I see them now. . . Like some of the lights you have in track lighting. . except this one had a four inch black tube coming out of the center. Big eight inch black tube, its about. . about 10 inches long and the smaller tube is sticking out about three inches. I wish I didn't have to try and understand all of this. It makes me very tense trying to figure. . figure why some of these things are where they are. Wait a minute! It don't require any analysis. . I see a. . yeah. . it sure looks like. . ice cream cones. A stack of about eight or nine of them. I think I've convinced myself I'm in a fast-food place and I think I'm just. . I think I'm just building a scene. But I don't recognize this scene, okay? #7.5: Okay. Let's try now to go back outside and to go up in the air about 100 feet and take an aerial perspective of the location. Work yourself outside and very slowly go up, very slowly so it doesn't lose focus, very slowly. . go up. #36: Very hard to . . . 10 1909% Approved For Release zuuln)ME*-RDP96-00788ROO0900580001 -0 inrnnr - Approved For Release 20v ,Vy%Lv011, -,PTr