Approved For Release 2001/03107 : Cl@@DP96-00789 ROO 1700070002-5 REMUPE VLF'WING Sl';,S..;ION DATA Remote Viewer )Qj' Interviewer Ak Observer(s) Pate Starting time 0 Ll r S a Site AcquirAition jyY:Clif-Iri@ LPV PIRV ARV OthEj@ Working mode HEM Other Feedback (@-l : A C, Iss A A Ending time Whours local. , Note3 04"r-rr4lt- ChA, Highest stage - Evaluation k Actual site RV summary Approved For Release 2001103107 C IA-RDP96-00789 ROO 1700070002-5 Approved For Release 2001/03/07 CIA-RDP96-00789ROO1700070002-5 D q koll@ It 4A/4 Approved For Release 2001/03/07 CIA-RDP96-00789ROO1700070002-5 Approved For Release 2001/03/07 CIA-RDP96 @OP789ROO`l 700070002-5 Approved For Release 2001/03/07 CIA-RDP96-00789ROO1700070002-5 Approved or Releas 1/03/07 C IA-RDP96-00789 ROO 1700070002-5 Approved For Release 2001/03/07 CIA-RDP96-00789ROO1700070002-5 Approved For Release 2001/03/07 : CIA-RDP96-00789ROO1700070002-5 --I/ Approved For Release 2001/03/07 : CIA-RDP96-00789ROO1700070002-5 .11 Approved For Release 2001/03/07 : CIA-RDP96-00789ROO1700070002-5 r / /--@ L---@- @ Approved For Release 2001/03/07 : CIA-RDP96-00789ROO1700070002-5 Approved For Release 2001/03/07 CIA-RDP96-00789ROO1700070002-5 te Approved For Release 2001/03/07 CIA-RDP96-00789ROO1700070002-5 Approved For Release 2001/03/07 CIA-RDP96-00789ROO1700070002-5 -7 T qqtdA 131L, V-t PA Approved For Release 2001/03/07 CIA-RDP96-00789ROO1700070002-5 Approved For Release 2001/03/07 : CIA-RDP96-00789ROO1700070002-5 Approved For Release 2001/03/07 CIA-RDP96-00789ROO1700070002-5 Approved For Release 2001/03/07 : CIA-RDP96-00789ROO1700070002-5 @A" d VOV Approved For Release 2001/03/07 CIA-RDP96-00789ROO1700070002-5 Approved For Release 2001/03/07 CIA-RDP96-r 9ROOT07000 -2- etc- AV 6VI VA (A,t Approved For Release 2001/03/07 CIA-RDP96-00789ROO1700070002-5 Approved For Release 2001/03/07 CIA-RDP96-00789ROO17000 -5 b A -,- 7- -T wz IR15 bv-@ "A @d@ AAlLj" AA Llw@/ Approved For Release 2001/03/07 CIA-RDP96-00789ROO1700070002-5 Approved For Release 251/03(57 CIA-RDP96-00789ROO1700070002-5 "V dot", Approved For Release 2001/03/07 : CIA-RDP96-00789ROO1700070002-5 V App ved For F@pAase 20OW03107 : Cl 96-0073@ ROO 1700,070002 5 00@ Jac( uwk4 V@JL Approved For Release 2001/03/07 CIA-RDP96-00789ROO17 k@049&5-u- 7@v Approved For Release 2001/03/07 CIA-RDP96-00789ROO1700070002-5 IpL- let,_ Approved For Release 2001/03/07 CIA-RDP96-00789ROO17 W Z5- Approved For Release 2001/03/0 @"-DP96-00789 ROO 1700070002-5 bid 14 t Approved For Release 2001/03/07 CIA-RDP96-00789ROO1700070002-5 Approved For Release 2001/03Q: Ck-F;IP96-00789ROO1700070002-5 le, 0- Approved For Release 2001/03/07 C IA-RDP96-00789 ROO 1700 0 2-11 lpfJ& Approved For Release 2001/03/071@iIA-RDP96-00789 ROO 1700070002-5 kAj IL Approved For Release 2001/03/07 CIA-RDP96-00789ROO1700070002-5 #494cl For Release 2001/03/07 C IA-RDP96-00789 ROO 1700070002-5 IL Appro lease 2001/03/07 *,@A' I At, 14 J6 AM.." &6) CIA-RDP96-00789ROO1700070002-5 Approved Fo 1 1/03/07 C IA-RDP96-00789 ROO 1700070002-5 z /I* cir Ile Approved For Release 2001/03/07 CIA-RDP96-00789ROO1700070002-5 Approved For Release 2001/03/07 CIA-RDP96-00789ROO1700070002-5 I-VY JA@ ee5 Approved For Release 2001/03/07 CIA-RDP96-00789ROO1700070002-5 Approved For Release 2001/03/07 CIA-RDP96-00789ROO1700070002-5 U4- a4- @Vt V 4eA Approved For Release 2001/03/07 CIA-RDP96-00789ROO1700070002-5 Cr,),yKdHT; L'Qcho@ffhe nine7horne Miniature Rooms at Knoxville's 1hilut Gidlerv of Art portrays a various styfe q 'Euro@pcan or American design. f + 0 el A MM.XCtture Look A at Grand Dtesign At Knoxville's Duhn Gallery of Art, it's hard to resist the temptation to press your now right up against (lie glass of the Thorne Miniature Rooms exhibit. Here, L,,very inch represents a foot. There are railings to lean against as you study the tiny details. There are even step stools for Young ViSitOTS to stand oil. ObviousIV, the gallery encourages these moments offook- ing, moments that are worth the effort. The inood in this upstairs room of the Dulin brinys back memories of childhood 'Jollhouses. But this is art, or more specifi- cally, it is a study of various eras of Ameri- can and European decorative styles. You see a Federal dining roorn, a Victorian parlor, a New England bedroom, an American surnmer kitchen, and even a room from l6th-centurv Spain. The range is broad. And so was tile collection of rniniature fumiturc and accessories assem- bled by Mrs. James War(] 'T'horne, the Avornall whose. hobOy led to the creation of these tiny roonis in the early 1930's. Mrs. Thorne Aways thought it) small terms, although thc inipact of her minia- ture rooms is grand. As a child, she doted on dollhouses. As a Young f,,irl, she col- lected l8th-century fuiniture samples, theiriselves executed in ininiaturc so trav- cling salesnien could easily display their lines. And as an adult traveler, Mrs. 'Iborne scoured both sides of the Atlantic for anythingof diminutive proportions: an- p".1tterns, everydaly remnallis of lacy wrought iron, and even colorful box tops that (.,.ould be made into important details of the period roonks. When reality failed lict, imagination took over. You'll see that some curtains are actually dclicaW linen handkerchiefs. A iug here and there was snipped from a petit point evening Nig, A statuc@que bust, I)oi,,-,cd atop a pedestat base, was once tile ivory chess queen on a game board. An(] the candics are just tips of kitchen toothpicks, painted white, It's almost impossible to single out the improvised appointments from th@: many items skillfully created by master crafts- men. Stunning scaled-down repioductions of Chinese (7hippendale and Duncan Phyfe pieces are intermingloA with mahog- any furnishings, copied from Nictropoli t an Museum of Art collections. Tiny blue-and- white delft pottery items, a little Toby jug, and ivory- It an(] led cutlery are perfect in flic.ir resemblance to real-life counterpart,,. INfien Mrs. Thorne first assembled her ,reasures into their proper groupings, there were 29 scenes in all. In 1962, the Dolin acquired nine rooms from the Oliginal set of Thorne Miniatures, be- coming the only gallery in tile Southeast to own part of the collection. Other rooms may be seen in Phoenix and Chicago. The miniature rooms are only pail of the Dulin's story, though. Down the gallery's winding staitcase with its red velvet handrail is all elegant entry foyer, with rooms shooting off in four directions. Here, the works of masters are rotated willi [lie artistic accomplisliments of regional painters and craftspeople. The artwork is displayed much as it would Irave been when the wealthy Dulin family first occupied this Neoclassical house back in 191.7, Mrs. Eugenia Bell Dulin commissioned noted aichitect Johi) Russell Pope to de- sign her dreani [ionic on a bluff overlook- a si4lht bend in the Tennessee River. Pope, who also designed the National Gallery ot Art in WashingLon, D.C - ncvcr visited Tennessee to see the D11. IiIIS' fluiShed house. But@ thc people of Knoxville have gotten to know and admire the house. Mrs, Dulin proudly enlertaitied there---one diarist of the era reporled that the newly complete(] honic was known to all as tile "exposition palacc. " Following her death in 196 1, Mrs. Dulin s heits decided to truly carry out (he exposition palace theme, opening tile building to East Tennesseans for use as a regional ar[ center. Tuday, Eugenia Bell Dulin's Portrait occupies a prominent spot in tile houic she loved, greeting visitors and ,;ccming to sense their delight as they wander through its collections of arl. To lc;irn more, write the Dulin Gallery of Art, 3100 Kingston Pike, Knoxville, Tennessee 37919; or call (615) 525-6101. 40 Sot0ein Living A rtiiniature look atan American suinmerkilchen of the late 1800'sshot@,ssach details as agood